SKU: BA.BA05503
ISBN 9790006471973. 27.5 x 19.5 cm inches. Preface: Dürr, Walther / Feil, Arnold / Landon, Christa.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05513
ISBN 9790006472086. 27.5 x 19.5 cm inches. Language: German. Preface: Dürr, Walther / Feil, Arnold / Landon, Christa.
SKU: BT.MUSM570201693
English.
Two Songs: The Colour And All In Green was expertly composed in 1997 by Sadie Harrison . This piece was first performed for the BMIC Cutting Edge Series in November 2004 at The Warehouse, London, by Sarah Leonard and Jonathan Powell . Australian born freelance composer and performer, Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist, often abrasive, style have led her to be compared with Bartok, but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; Paul Carey, Peter Sheppard Skaerved, Sergej Okrushko, Alex South, Duncan Honeybourne areamong many who have had the privilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano, London Chamber Symphony, Music Projects/ London, Ixion, Okeanos, Bournemouth Sinfonietta, Kokoro and the St. Christopherus Chamber Orchestra, and many others.
SKU: HL.14006558
ISBN 9780853606444. 8.75x11.75x0.521 inches.
A perfect bouquet of sweet flowers of melody and a masterpiece of simplicity' as described by Heine in a letter to Berlioz. This sacred trilogy was written in 1854 for soprano, baritone, two tenors and three basses. This version, with English words by Paul England, contains all vocal parts and a piano reduction of the orchestral score.
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