For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names, big note notation and introductory text. Traditional pop and vocal standards. Series: Hal Leonard E-Z Play Today. 248 pages. 9x12 inches. Published by Hal Leonard.

Piano/Vocal Piano; Voice

SKU: HL.148619

Composed by Bob Cole, James Weldon Johnson, and John Rosamond Johnson. E.B. Marks. Vaudeville. Softcover. 180 pages. Edward B. Marks Music #EBM148619. Published by Edward B. Marks Music (HL.148619).

ISBN 9781495029684. UPC: 888680078515. 9.0x12.0x0.492 inches. With a Foreword by Thomas Riis.

Late in his life, composer J. Rosamond Johnson (Lift Ev'ry Voice and Sing) submitted to his longtime publisher, E.B. Marks, a list of songs that would comprise a volume of his best early popular songs written with his pre-1910 partner Bob Cole and his brother, James Weldon Johnson (Autobiography of an Ex-Colored Man). That list was never put into print...until now. Featuring an introductionby Dr. Thomas Riis (Just Before Jazz) and several rare photos, this new compilation is the latest legacy offering from the Marks archive, which contains a rich heritage of turn-of-the-century African-American, and thus distinctly American, pre-jazz-era popular song. Includes: Ain't Dat Scan'lous * Big Indian Chief * The Big Red Shawl * The Bleeding Moon * Congo Love Song * The Countess of Alagazam * Fishing * I Don't Want to Be No Actor Man No Mo' * I'll Always Love Old Dixie * I'll Keep a Warm Spot in My Heart for You * I've Got Troubles of My Own * The Katy-Did, the Cricket and the Frog * Lazy Moon * Lit'l Gal * Louisiana Lize * Lovely Daughter of Allah * Ma Mississippi Belle * The Maiden with the Dreamy Eyes * Mudder Knows * My Heart's Desiah is Miss Mariah * My Castle on the Nile * Nobody's Lookin' but de Owl an' de Moon * Oh, Didn't He Ramble * The Old Flag Never Touched the Ground * On the Road to Monterey * The Pathway of Love * Roll Them Cotton Bales * Save It for Me! * The Spirit of the Banjo! * Sugar Babe * Two Eyes * Under the Bamboo Tree * When de Jack O'Lantern Starts to Walk About * When It's All Goin' Out, and Nothin' Comin' In * Who Do You Love?

A Collection for Group Singing for All Occasions. By Mitch Miller. P/V/C Mixed Folio. Traditional Pop. Vocal score book. With vocal score notation and chord names. 128 pages. Alfred Music #00-CN0027. Published by Alfred Music

Performed by Louis Armstrong, composed by Bob Thiele, George David Weiss. For voice and piano. Format: easy piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and Easy Piano Notation. Standards and Traditional Pop. F Major. 4 pages. 9x12 inches. Published by Hal Leonard.

Voice and piano

SKU: M7.DOHR-29954

To you at the Piano & Songs. Composed by Louis Spohr. Edited by Michael Leinert and Susan Owen-Leinert. Sheet music. Score for voice and/or instruments. Op.138 & 139. MDS (Music Distribution Services) #DOHR 29954. Published by MDS (Music Distribution Services) (M7.DOHR-29954).

ISBN 9790202019542. German.

Vocal and Piano (Voice and Piano)

SKU: HL.50574980

Composed by Louis-Gustave Delabre. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DF13133. Published by Editions Durand (HL.50574980).

(Young Women's Edition - Book Only) Compiled by Louise Lerch. Songbook for voice and piano. 160 pages. Published by Hal Leonard.

Over 50 Classic Favorites for Voice and Piano Including a Performance CD. By Hall Johnson; Toy Harper. Edited by Julius Willams. Arranged by Hall Johnson. Text: Dwight Strickland; Eugene Thamon Simpson Ed. D.; Hall Johnson; John L. Motley; Langston Hughes; Oscar O. Cozad. For Piano, Voice. Piano/Vocal Score. 208 pages. Published by Carl Fischer

Voice and piano

SKU: HL.49029398

Song Cycle. Composed by Matyas Seiber. This edition: Saddle stitching. Sheet music. Edition Schott. Composed 1953. 24 pages. Duration 15'. Schott Music #ED 10329. Published by Schott Music (HL.49029398).

ISBN 9790220124495. 9.0x12.0x0.084 inches. English.

This substantial cycle was written for the tenor Peter Pears, and first performed by him in 1953 at the Royal Festival Hall, London, with the distinguished pianist Noel Mewton-Wood. It follws the example of Britten's Serenade in setting a variety of poets, and the set is framed by settings of the same words by Goethe in translation by Louis MacNeice, the unifying factor being presumably the quality of the poetry. The angry setting of Timor Mortis, using the well-known Dies Irae tune is the emotional hear of the cycle.John Turner 2010.