SKU: HL.49047076
ISBN 9781705184035. UPC: 196288115076.
There are only two sacred solo songs in the extensive oeuvre of the Oppenheim composer Johanna Senfter. Both songs, probably composed in 1917, are influenced by the catastrophe of the First World War. They are hereby presented as the first publication. JOHANNA SENFTER 1879 - 1961 Born and raised in Oppenheim/Rhein - First lessons from the mother (piano, violin) - School and university years in Frankfurt/Main -From 1895 parallel music studies at the Hoch Conservatory in Frankfurt, graduating in 1903 (piano, organ, violin, composition; especially dealing with J.S. Bach) - From 1907 private lessons with Max Reger - October 1908 to 1909 his student at the Leipzig Conservatory - 1909 Arthur Nikisch Prize for the best composition - Then worked in Oppenheim as a freelance composer and music teacher - Friendly relationship between the Reger family and Senfter - With Reger's death in 1916 she lost the protege for the advertising of her works (approx. 130) - 1921 founding of two music societies. ROLF SCHONSTEDT Born in Erfurt/Thuringia in 1944 - studied church music in Herford and Cologne - church music exams (B / A / artistic maturity exam / concert exam) Kantor positions in Remscheid, Wuppertal, Hamm/Westf. - KMD, state chairman of church musicians, state church music director, lecturer at the Westf. phil. (The organ song - a new genre on the threshold of the 20th century) - As an organist, harpsichordist,conductor, lecturer in Europe, Russia, North and South America, Africa - Co-founder of the 2nd Reger Festival in Argentina - Boardmember of the International Max Reger Society - Member of the Argentine National Academy for Art and Music - Honors and awards (national / international) - Publisher: Series The Spiritual Song / The Organ Works by Karl Hasse - Radio, television, disc /CD.
SKU: BR.SON-513
ISBN 9790004803721. 9 x 12 inches. German / English.
Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.
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