SKU: SU.47000030
Voice, Piano (opt winds, guitar, bass) Duration: 2' Composed: 1992 Published by: Ben Rena Music.
SKU: HL.50579224
SKU: SP.TS271
ISBN 9781585600335. UPC: 649571102715.
The Best of Sacred published by Santorella Publications contains the most popular selections of sacred music in print. Written in both Piano Vocal (PVG) and Organ Vocal editions, these collections are masterfully arranged, edited and performed by Craig Stevens. This Piano Vocal best seller includes lyrics and chord box diagrams for guitar. Each piece is featured, with a magnificent piano solo performance, on the optional audio compact disc. That's 30 tracks with over 80 minutes of beautiful sacred music on one CD! Whether you prefer to worship alone or in a group, this inspirational collection is a must for any assembly. Amazing Grace - Blessed Assurance - Bringing In the Sheaves - Faith of Our Fathers - He's Got the Whole World - Holy God, We Praise Thy Name - In the Sweet By and By - His Eye Is On the Sparrow - Just a Closer Walk Thee - Swing Low Sweet Chariot - Nobody Knows the Trouble I've Seen - The Lord's Prayer - Go, Tell It On the Mountain - Standing In the Need of Prayer - The Water Is Wide - Jesus, Lover of My Soul - Lift Ev'ry Voice and Sing - Nearer My God to Thee - Praise God from Whom All Blessings Flow - The Lord Is My Shepherd - What A Friend - With God's Hand In Mine - Morning Has Broken - Simple Gifts - In the Garden - Kum Ba Ya - The Rosary - Open the Gates - The Palms - Ave Maria.
SKU: HL.14003409
SKU: HL.48025392
UPC: 196288195443.
To mark the 100th birthday of Ursula Mamlok (1923 – 2016), Boosey & Hawkes Bote & Bock, in collaboration with the Dwight and Ursula Mamlok Foundation, is publishing a series of works from the composer's estate that were not published during her lifetime. This volume brings together four aphoristic songs from 1946 and 1950, which show Mamlok to be an early (and then lifelong) mistress of the small form and are all the more interesting because vocal music plays rather a minor role in the composer's oeuvre. Here she responds to the poetry and the way of thinking of her adopted homeland of only a few years, with English texts of the late 19th and early 20th centuries. The themes and attitudes are as varied as their authors, from the idyll of nature to the snapshot of a party to the grotesque nursery rhyme, each of which is put into music by Mamlok just as sparingly as fittingly.
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