SKU: HL.48186445
UPC: 888680829384. 9x12 inches.
“'What's important in music that's based on a poem ' on the emotion inspired by a poem ' is the music and power of emotion it harbours within itself'. These words, written in 1949 by poet Pierre Reverdy, would make a deep impression on composer Betsy Jolas. She'd just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were accompanied by a letter that betrayed her fear of distorting his ideas. In creative terms, there was no need to worry ' Betsy Jolas must have placed this conviction at the heart of her reflection on the relation between text and music. Nearly sixty years later, the musician decided to take several fragments of these beloved poems of Reverdy and place them, in the form of quotations, into new musical and theatrical perspectives. The exalted memory of the words led to D'Un Journal D'Amour, a mini-cantata for Voice and Alto offered as a wedding gift to soprano Eliette Prévôt and violist Antoine Tamestit, who premiered it together in Montreuil in 2010.&rdquo.
SKU: PR.461000010
UPC: 680160098361. Text: Howard Nemerov. Howard Nemerov.
SKU: HL.50610141
Zoltan Kodaly's op. 1, Enekszo (Singing), this series of songs written on Hungarian folk poetry, first appeared in 1921 at Rozsavolgyi Publishing House. On the occasion of the 100th anniversary of the first edition, a facsimile edition of the work and a new edition with Hungarian and English texts has been published, with great help of Mrs. Kodaly nee Sarolta Peczely. The series of songs written between 1907 and 1909 simultaneously reflects the composer's first encounter with Hungarian folk songs and Debussy's song poetry. Kodaly, who later composed numerous arrangements of folk songs for both solo voice and choir, uses only the texts of folk lyrics in these songs, the melodic world, although reminiscent of Hungarian folk songs in several ways, stems from his own melodic invention. And in piano accompaniments, you can feel the experimental spirit and atmosphere-creating power of the young composer at the same time.
SKU: BR.DV-6089
ISBN 9790200464993. 9.5 x 12 inches.
Farewell MusicWith the Ernste Gesaenge (Serious Songs) for baritone and string orchestra Hanns Eisler created at the end of his life a key work whose complex message becomes more than clear from the music settings of texts by five different poets, together with the Holderlin motto articulated in the prologue. It reflects - between resignation and hope - the difficult current state of societal development. At the same time, not least by harking back to earlier works, it is a kind of quintessence of his composing. The piano arrangement of the subtle orchestral accompaniment is intended not only as a study aid for singers, but also as a work for public performance.
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