Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For voice and piano. Includes piano/vocal songbook and instructional book. With vocal melody, lyrics and piano accompaniment. Sacred and Instructional. Series: Alfred's Basic Piano Library. 64 pages. 9x12 inches. Published by Alfred Publishing.

For voice and piano. Format: easy piano/vocal songbook (simplified piano/vocal arrangements). With vocal melody, piano accompaniment, lyrics, chord names and big note notation. Movies and Children's. 96 pages. 9x12 inches. Published by Hal Leonard.

Voice and Piano

SKU: BT.PWM13176

For bariton and piano. Composed by Aleksander Nowak. Contemporary Music. Book and Part(s). Composed 2023. 36 pages. Polskie Wydawnictwo Muzyczne #PWM13176. Published by Polskie Wydawnictwo Muzyczne (BT.PWM13176).

Solo voice and piano

SKU: BC.29311

Composed by Seymour; Lawnhurst. Vocal Music. Published by Bourne Music (BC.29311).

Words by Tot Seymour.

Solo voice and piano

SKU: BC.129281

Composed by Burke; Van Heusen. Vocal Music. Published by Bourne Music (BC.129281).

Words by Johnny Burke.

Solo voice and piano

SKU: BC.102121

Composed by Burke; Van Heusen. Vocal Music. Published by Bourne Music (BC.102121).

Words by Johnny Burke.

(50 Songs from Shows Since 2000). Composed by Various. For Vocal, Piano Accompaniment. Vocal Collection. Softcover. 368 pages. Published by Hal Leonard

(Voice and Piano)

SKU: HL.48186445

Composed by Betsy Jolas. Leduc. Post-1900. Softcover. Alphonse Leduc #AL30681. Published by Alphonse Leduc (HL.48186445).

UPC: 888680829384. 9x12 inches.

“'What's important in music that's based on a poem ' on the emotion inspired by a poem ' is the music and power of emotion it harbours within itself'. These words, written in 1949 by poet Pierre Reverdy, would make a deep impression on composer Betsy Jolas. She'd just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were accompanied by a letter that betrayed her fear of distorting his ideas. In creative terms, there was no need to worry ' Betsy Jolas must have placed this conviction at the heart of her reflection on the relation between text and music. Nearly sixty years later, the musician decided to take several fragments of these beloved poems of Reverdy and place them, in the form of quotations, into new musical and theatrical perspectives. The exalted memory of the words led to D'Un Journal D'Amour, a mini-cantata for Voice and Alto offered as a wedding gift to soprano Eliette Prévôt and violist Antoine Tamestit, who premiered it together in Montreuil in 2010.&rdquo.