Composed by Robert Schumann (1810-1856). Opus 44. For violin I, violin II, viola, cello and piano. Format: set of performance parts (includes separate pull-out string parts). Romantic period. Eb Major. 109 pages. 9x12 inches. Published by C.F. Peters.

Composed by Antonin Dvorak (1841-1904). Set of performance parts for 2 violins, viola, cello and piano. With bowings, fingerings and introductory text. Composed 1887. 107 pages. Published by International Music Co.

Composed by Cesar Auguste Franck (1822-1890). Edited by Ernst-Gunter Heinemann. Sheet Music. Paperbound. Henle Music Folios. Classical. Score and Parts. 142 pages. G. Henle #HN1142. Published by G. Henle

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.114414110

Quintet for Piano and String Quartet. Composed by James Matheson. World Premiere: Borromeo String Quartet with Judith Gordon, piano. Contemporary. Set of Score and Parts. With Standard notation. Composed May 26 2010. 60+16+16+16+20 pages. Duration 20 minutes. Theodore Presser Company #114-41411. Published by Theodore Presser Company (PR.114414110).

UPC: 680160593811. 8.5 x 11 inches.

For a commission by the Cheswatyr Foundation for the Borromeo String Quartet, Matheson created a three-movement work on the construct of the Borromean rings - a chain of rings in which all rings are connected as a unit, but in which no two individual rings are connected. In this concept, each individual element is every bit as important and essential as the whole, and the whole collapses if any link in the chain is taken away. The work was premiered by the Borromeo String Quartet with Judith Gordon (piano). For advanced performers.

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.114419410

Composed by Adolphus Hailstork. Sws. Set of Score and Parts. 68+24+24+24+24 pages. Duration 20 minutes. Theodore Presser Company #114-41941. Published by Theodore Presser Company (PR.114419410).

UPC: 680160681358. 9 x 12 inches.

Detroit, for several decades, was a city where I received many important composing and performance opportunities in the early and middle part of my career. The Detroit Symphony Orchestra even commissioned my second symphony. My cantata DONE MADE MY VOW has been performed there more times than any place else. The chorus for those performances was always the outstanding BRAZEAL DENNARD CHORALE. He loved his city and was a great mentor to me. The final movement of this quintet is dedicated to his memory.