SKU: PR.114418250
UPC: 680160640959. 9 x 12 inches.
In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.
SKU: HL.49008124
ISBN 9790001121453. UPC: 073999828450. 9.0x12.0x0.295 inches.
The first movement 'Breakfast al fresco' is dominated by impressionistic colour, delicate tremoli sul ponticello and flageolet sounds in the two strings are juxtaposed with precise runs in the piano. The title of the second movement is self-explanatory: 'Parade alla russe' quotes an old Russian soldiers' song 'Nightingale, little bird ...' and is also a reference to Eric Satie's circus pictures. For violin, cello, and piano.
SKU: HL.49016763
ISBN 9790001146173. UPC: 884088204570. 9.25x12.0x0.087 inches.
The only work still known today by Noack, 'Heinzelmannchens Wachtparade' [Parade of the Brownies] Op. 5 was called a 'character piece' by the composer himself, and this 'marche en miniature' conveys wit and good humour from the beginning; you can immediately imagine a picture of the brownies tripping along! The second part of the trio offers an ironical and very effectie ending with its enticing harmonies and surprising effects.
SKU: HL.48025075
ISBN 9783793143154. UPC: 196288059738. 9.0x12.0x0.055 inches.
Tangos, like ragtimes and waltzes, are an integral part of Elena Kats-Chernin's music, always in a new and varied form. In it, the composer allusively combines her present time with the classical tradition and high art with light music. Slicked Back Tango was originally written in 1995 for piano four hands, the present version in 2002 for the Australian Streeton Trio. This tango harks back to the time of silent movies. I was thinking of the 1920s and film star Rudolph Valentino. The title refers to his hairstyle, says Kats-Chernin.
SKU: HL.48025076
ISBN 9783793143185. UPC: 196288059745. 9.0x12.0x0.124 inches.
Composer's note: Originally a song for children about flying in ones dreams, this lyrical piece tries never to touch the ground. The work was used in the Rugby 2003 World Cup opening ceremony in a version for full orchestra. The original text by Christopher Latham refers to afanciful and exhilarating fight..
SKU: HL.48025074
ISBN 9783793143147. UPC: 196288059721. 9.0x12.0x0.061 inches.
Russian Rag is one of Elena Kats-Chernins most famous pieces. It was arranged by her for various instrumentations and was used, among other things, as film music in the clay animation film Mary & Max. The composer herself says: Ragtimes are such fun to write and they have a somewhat dark melancholy. Russian music often has a melancholic quality, and I was brought up on Rachmaninov and Tchaikovsky, Prokofiev and Shostakovich. I rarely write in major keys it seems and Russian Rag is no exception, however it concludesoptimistically on a major chord..
SKU: HL.48025073
ISBN 9783793143123. UPC: 196288059714. 9.0x12.0x0.079 inches.
Composer's note: In 2000 I wrote a piece called Sand Waltz for the Canberra Wind Players. In the middle of it I wrote a four-chord progression. WhenI started working on the ballet Wild Swans (2003) I came back to this material and it became something that I grew to rather like. Eventually it became the basis for the overture to the whole ballet. It had somewhat dreamy quality but also a sense of anticipationand mystery. Later, when writing this as the first movement of the Concert Suite Wild Swans I gave it a title Green Leaf as it refected the way the princess Eliza was making a hole in a green leaf to look through it, imagining far-away exotic lands and birds..
SKU: PR.144403670
UPC: 680160029501.
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