SKU: BT.MUSM570208340
English.
Sadie Harrison 's The Bride's Journey In Three Songs And A Memory (2005) for Violin, Cello and Piano.
SKU: HL.14008378
ISBN 9781846091186. 8.5x11.75x0.185 inches.
This piece was written as a tribute to the people of Fair Isle, a remote community that lies between Orkney and Shetland, which is also the home of the composer. The work was composed for the Grieg Trio of Norway, and reflect the ensemble's virtuosity with striking cadenzas that showcase the performers. The music is rugged, ever-changing and full of the energy of this unique landscape.
SKU: HL.51481531
UPC: 840126989311. 9.25x12.25x0.361 inches.
Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attempts was he able to complete it in the summer of 1839; it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn's D Minor Trio was immediately received with enthusiasm. Robert Schumann wrote: “It is the master trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time; a very beautiful composition which after years will still delight grandchildren and great-grandchildren.†Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn • Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: AP.36-60783002
ISBN 9798888528655. UPC: 659359997112. English.
The piano trio version of LA MUSE ET LE POÈTE, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1910, with Eugene Ysaÿe on violin, Jospeh Hollmann on cello, and the composer at the piano. Saint-Saëns transcribed the version for violin, cello and orchestra that same year, and the same two string players premiered that version on October 20 at the Sarah Bernhardt Theater in Paris under Fernand Le Borne. Despite the title (which was later added by the publisher to make it more marketable), no program is intended for the work and neither instrument represents either the muse or the poet. Saint-Saëns himself referred to the piece as a conversation between the two instruments instead of a debate between two virtuosos.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
