SKU: HL.49018826

ISBN 9781847612632. UPC: 884088657574. 9.0x12.0x0.04 inches.

This wistful piece for solo piano is inspired by the film of a Balloon journey through the Alps. Peace takes the player and audience on a journey through drifting melodies and shifting harmonies in a beautiful and idiomatic addition to the piano repertoire. Suitable for professional or amateur pianists, this piece is perfect for a range of concert situations.

SKU: SU.28040160

A quiet and reflective work composed following a family tragedy. Hopefully it evokes the idea that peace is always close to us if we can empty ourselves and open ourselves to its grace. Piano Duration: 7' Composed: 2006 Published by: Abierto Music Audio and score previews are available at: johnnewellmusic.com/works/instrumental-solo/.

SKU: HL.285972

ISBN 9781540039538. UPC: 888680892463. 9.0x12.0x0.834 inches.

The ultimate collection for jazz keyboardists to learn 40 Evans classics with exact note-for-note transcriptions. Includes: Alice in Wonderland • Autumn Leaves • Bill's Hit Tune • Blue in Green • Days of Wine and Roses • Emily • Everything Happens to Me • Five • For Nenette • How About You? • How My Heart Sings • I Loves You, Porgy • It Could Happen to You • Just You, Just Me • Letter to Evan • My Foolish Heart • My Funny Valentine • My Romance • Nardis • Night and Day • One for Helen • Peace Piece • Peri's Scope • Quiet Now • Re: Person I Knew • Skating in Central Park • A Sleepin' Bee • Some Other Time • Stella by Starlight • Song from M*A*S*H (Suicide Is Painless) • 34 Skidoo • Time Remembered • The Touch of Your Lips • Turn Out the Stars • Very Early • Waltz for Debby • What Kind of Fool Am I? • Who Can I Turn to (When Nobody Needs Me) • You Go to My Head • You Must Believe in Spring • and more. Spiral bound.

SKU: HL.14030704

The second sonata is on a much larger scale than the first, and has three movements which develop in intensity, reaching a climax in the last movement which is a passacaglia. It is a stormy work, in the sense that it opens peacefully and closes in a similar manner, with a heavy shower of notes and ideas in between. There is little hint of this in the gentle opening of the first movement, and although it follows the pattern of its previous sonata in developing a climax and releasing it again, it is not until the scherzo, with its powerful motor rhythms, that the full fury of the storm breaks. The concluding passacaglia is built on repetition. The nature of the form party makes this inevitable, but repetition becomes a subtext, with the idea of speeding up to a climax being itself repeated, the second time subsiding into the peace of a storm blown out. ~ John Joubert.