SKU: HL.14035643
ISBN 9788759854860. 8.25x11.75x0.052 inches. International (more than one language).
SKU: BA.BA11565
ISBN 9790260109100. 31 x 24.3 cm inches. Preface: Hogwood, Christopher / Mark, Ryan.
Leopold Koželuch (also Koželuh) was among the leading musical figures of 18th-century Vienna, well-known in his day as an excellent pianist and piano teacher.Six delightful sonatas have been selected from the complete edition of his piano sonatas published by Bärenreiter – namely the easiest, as this album is specifically aimed at beginner and moderately advanced pianists. The edition includes Piano Sonatas No. 37 in G major, No. 47 in E-flat major, No. 7 in D major, No. 46 in C major, No. 10 in F major and No. 14 in G major, inviting pianists to explore the piano music of the Viennese Classic.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.55-9003A
ISBN 9781903692684. English.
Key Club is packed with pieces to play, things to do and stickers to stick! The course takes place in Keyland -- a magical fantasy world of characters and places created by Ann Bryant. Meet Mud Monsters, Wizards and Snucky Snob or visit the Cool School, Fantasmo Farmyard or Insect Island.
SKU: HL.49042462
ISBN 9783795794637. German - English.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: HL.50499463
SKU: BT.SLB-00589000
PIANO inches. French.
Corona for pianist(s) premiered by Yuji Takahashi andToshi Ichiyanagi in Tokyo on February 1962. It is an experimental classical composition and the player is requested to play the music though he is at liberty to repeat the same piece if necessaryand not to follow the numerical order.Toru Takemitsu tends to the universal through the large range of forms and instrumental groups that he has handled: orchestral music with or without a soloist, aleatory music, vocal and choral music,chamber music or music for soloists, scenic or electronic music.
SKU: ET.PNO24
ISBN 9790207018588.
SKU: PR.114416440
UPC: 680160620333. 9 x 12 inches.
Songs of Love and Loss was originally written for bass voice and piano, and premiered by Bryan Matthews at Juilliard in 1984. Subsequently in 2004, I arranged the work for Bass Trombone and Piano for Charlie Vernon, who premiered the work at the International Trombone Association Festival at Ithaca College. The poetry of Edna St. Vincent Millay, with her beautiful, sometimes enigmatic, and always evocative poetry was the inspiration for the four songs of this cycle. (Eric Ewazen).
SKU: PR.111402630
UPC: 680160641789. Edna St. Vincent Millay.
SKU: AY.PN3240PM
ISBN 9790543572904.
SKU: ST.C124
ISBN 9790570811243.
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