Piano - Level 2

SKU: LM.26419

Composed by Hans Gunter Heumann. Classical. Score and CD. Editions Henry Lemoine #26419. Published by Editions Henry Lemoine (LM.26419).

ISBN 9790230964197.

BIZET : Les Toreadors (Carmen) - BEETHOVEN : Concerto pour piano n. 3 Op.37 (theme du 2e mvt) - ELGAR : Land of Hope and Glory (Pomp and Circumstance) - GIORDANI : Caro mio ben - HAENDEL : Rigaudon - LLOYD WEBBER : Memory (Cats) - OFFENBACH : Barcarolle (Contes d'Hoffmann) - Cancan (Orphee aux enfers) - PACHELBEL : Canon - PUCCINI : E Lucevan le stelle (Tosca) - SCHUBERT : Serenade (Chant du cygne) - Valse Op.18a - STRAUSS (fils) : Valse de l'Empereur - TCHAIKOVSKI : Concerto pour piano n. 1 Op.23 (theme du 1e mvt) - TRADITIONNEL : Midnight Special - The House of the Rising Sun.

Piano - Level 1

SKU: LM.25439

Composed by Hans Gunter Heumann. Pop, jazz. Score. Editions Henry Lemoine #25439. Published by Editions Henry Lemoine (LM.25439).

ISBN 9790230954396.

BEETHOVEN : Danse allemande - Hymne a la Joie - Lettre pour Elise - BIZET : Marche (Carmen) - BRAHMS : Berceuse Bonsoir, bonne nuit - Danse hongroise n. 5 - CHOPIN : Tristesse (Etude Op.10 n. 3) - DELIBES : Valse Lente (Coppelia) - DVORAK : Humoresque Op.101 n. 7 - Largo (Symphonie du Nouveau Monde) - HAENDEL : Largo (Xerxes) - HAYDN : Danse allemande - Symphonie La Surprise - JOPLIN : The Entertainer - LISZT : Reve d'amour (Nocturne n. 3) - MARTINI : Plaisir d'amour - MOZART : Air du champagne (Don Juan) - Menuet (Don Juan) - Marche turque (Sonate KV 331) - Menuet KV 2 - Petite musique de nuit (Serenade KV 525) - OFFENBACH : Cancan (Orphee aux Enfers) - RAMEAU : Menuet - SCHUBERT : Ecossaise Op.18 n. 4 - Marche militaire - Valse Le desir - STRAUSS (fils) : Le Beau Danube bleu - Valse de l'Empereur - TCHAIKOVSKI : Capriccio italien Op.45 - TRADITIONNEL : Greensleeves - Hava Nagila - Pop Corn - Rock Around the Clock - When the Saints go Marchin'in - VERDI : Choeur des esclaves (Nabucco) - La Donna e Mobile (Rigoletto) - Marche triomphale (Aida) - WAGNER : Marche nuptiale (Lohengrin).

For piano. Format: piano solo book. With introductory text. Classical period and romantic period. Series: The World's Great Classical Music. 240 pages. 9x12 inches. Published by Hal Leonard.

Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 great masterpieces from the baroque, classical, romantic and modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.

Opera's Greatest Moments Arranged for Piano Solo. For piano solo. Collection. 96 pages. Published by Music Sales.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Eloisaâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

Piano; Piano/Keyboard - easy

SKU: HL.49003708

Piano. Edited by Richard Krentzlin. Arranged by Richard Krentzlin. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 48 pages. Schott Music #ED2340. Published by Schott Music (HL.49003708).

ISBN 9790001036979. UPC: 073999748574. 9.0x12.0x0.182 inches.

68 der beliebtesten Melodien aus den bekanntesten Opern und Operetten.

Keyboard (Classic Themes). Level: Intermediate (4/5). Published by Alfred Publishing.

Piano

SKU: BT.SLB-00593600

Edition Revisee Par Carmen Bravo. By Carmen Bravo. By Frederic Mompou. Score Only. Editions Salabert #SLB 00593600. Published by Editions Salabert (BT.SLB-00593600).

By Georges Bizet. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork; Opera. Sheet. 4 pages. Published by Alfred Publishing.
Level: Intermediate (grade 4/5).