SKU: CA.1225300
ISBN 9790007094928. Language: German.
SKU: CA.1225305
ISBN 9790007131753. Language: German.
Score available separately - see item CA.1225300.
SKU: CA.1225309
ISBN 9790007192174. Language: German.
SKU: SU.00220526
Voice, Flute, Clarinet, Piano, Violin, Cello Duration: 16' Sephardic Songbook (translated by the composer) 1. A la una nacà yo (At one I was born); 2. El mi querido bevió vino (My lover drank wine); 3. Al kenar de la nixava (Around the corner); 4. Pregoneros van y vienen (Town criers come and go); 5. Una matica de ruda (A little plant of rue); 6. Dolores tiene la reina (The queen has pains); 7. Avridme galanica (Open up for me, beautiful girl) Full Score and Parts: available on rental Composed: 1999 Published by: Subito Music Publishing.
SKU: CA.5009409
ISBN 9790007223229. Key: A flat major. Language: all languages.
We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.
SKU: CA.5009412
ISBN 9790007223243. Key: A flat major. Language: all languages.
SKU: CA.5009411
ISBN 9790007223236. Key: A flat major. Language: all languages.
SKU: CA.5009414
ISBN 9790007223267. Key: A flat major. Language: all languages.
SKU: CA.1241311
Language: German. Text: Kretzschmar, Gunther. Text: Gunther Kretzschmar.
Score available separately - see item CA.1241300.
SKU: CA.1241312
SKU: CA.1241313
SKU: CA.1241314
SKU: CA.5009415
ISBN 9790007223274. Key: A flat major. Language: all languages.
SKU: CA.5009419
ISBN 9790007134594. Key: A flat major. Language: all languages.
SKU: CZ.9798877337312
ISBN 9798877337312.
Discover Jazz Hymns – where cherished hymns meet the vibrant world of jazz! Immerse yourself in the timeless essence of twenty beloved hymns, now adorned with sophisticated jazz harmonies, designed to be easily performed by music enthusiasts of all levels.This unique collection features classics like 'Amazing Grace,' 'How Great Thou Art,' and 'What a Friend We Have in Jesus,' each thoughtfully arranged to blend tradition with the allure of contemporary jazz. Featuring beautiful arrangements, online audio mp3s and included lyrics, this book is a comprehensive resource for both musicians and congregations alike.Ideal for church services, personal devotion, or musical gatherings, these hymns resonate with a newfound energy while honoring their sacred roots. Elevate the ambiance of your gatherings and infuse them with the rich melodies and fresh harmonies found within Jazz Hymns.Embrace the beauty of tradition reimagined and experience the joy of playing these timeless hymns, perfectly suited for musicians seeking a harmonious blend of classic and modern influencesJazz Hymns is available is editions for flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola, cello, guitar and solo piano.
SKU: CA.1241302
ISBN 9790007028152. Language: German. Text: Kretzschmar, Gunther. Text: Gunther Kretzschmar.
SKU: CA.1241341
SKU: CA.1241300
ISBN 9790007028145. Language: German. Text: Kretzschmar, Gunther. Text: Gunther Kretzschmar.
SKU: CA.1241309
ISBN 9790007028176. Language: German. Text: Kretzschmar, Gunther. Text: Gunther Kretzschmar.
SKU: BT.EMBZ12001
Vocalise, for soprano (or tenor) voice with piano accompaniment, came into being in 1910 as the final piece in Rachmaninov's Op. 34 song series. Most of the songs were tailored to suit the personalities of various outstanding Russian singers (including Chaliapin), and dedicated to them. An interesting feature of Vocalise, which was written for the soprano Antonina Nezhdanova, is that, as its title indicates, the vocal solo has no text: the performer can sing it through on any one vowel of her choice. This song became one of the composer's most popular pieces, and countless arrangements have been made of it (for orchestra, for various chamber ensembles, for violin, for cello,for almost every kind of brass instrument, for clarinet, for guitar, for harmonica, even for cello orchestra!). One of the most successful transcriptions for solo piano, first published in 1981, is the work of the world-famous Hungarian concert pianist, conductor and composer, Zoltán Kocsis.
SKU: HL.44000922
ISBN 9790080120019. UPC: 073999825220. Bach (23 x 30,2 cm) inches. Vasilyevich Sergey Rachmaninov; Zoltan Kocsis.
Vocalise, for soprano (or tenor) voice with piano accompaniment, came into being in 1910 as the final piece in Rachmaninov's Op. 34 song series. Most of the songs were tailored to suit the personalities of various outstanding Russian singers (including Chaliapin), and dedicated to them. An interesting feature of Vocalise, which was written for the soprano Antonina Nezhdanova, is that, as its title indicates, the vocal solo has no text: the performer can sing it through on any one vowel of her choice. This song became one of the composer's most popular pieces, and countless arrangements have been made of it (for orchestra, for various chamber ensembles, for violin, for cello, for almost every kind of brass instrument, for clarinet, for guitar, for harmonica, even for cello orchestra!). One of the most successful transcriptions for solo piano, first published in 1981, is the work of the world-famous Hungarian concert pianist, conductor and composer, Zoltan Kocsis.
SKU: CA.1241611
ISBN 9790007028244. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.
Score available separately - see item CA.1241600.
SKU: HL.48186472
Following on the success of her two operatic works for children and teens ? Douce et Barbe Bleue, Les Fables Enchantees, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant?s short story The Dumpling (2014) ? Isabelle Aboulker once again hits the bull?s eye with Myla and the Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for narrator, children?s choir and instrumental accompaniment, was awarded the ?Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and Marci Meth?s excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she?d cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions:? for narrator, children?s choir and piano (AL 30 732)? for narrator, children?s choir and trio (clarinet in B b, cello and piano: AL 30 733)? for narrator, children?s choir and instrumental ensemble (flute, oboe, clarinet in B b, bassoon, horn, trumpet in C, trombone, percussion, 2 violins, alto, cello, bass: AL 30 734) Choral score: AL 30 743 .
SKU: IG.PMS121
9 x 12 in inches.
Innocence is available for either piano solo or piano and chamber accompaniment (flute, clarinet, first and second violins, viola and cello). It is a good learning tool for aspiring musicians at or above a beginner's level.Technically, the piece contains several tertian harmonies and simple flares of credenza-like complexities. The form is a through composed inspiration that later becomes more refined in terms of symmetry and balance. Less technically described, Innocence was written to demonstrate the differences and the compatibility between traditional and untraditional harmonic development. Students will or should recognize the two different approaches.In the most traditional approach, the listener is typically able to predict how the melody will unfold. It is like a journey down a road where the passengers can see all the straight-aways and turns ahead. Innocence , however, while never discarding or disrespecting musical grammar, is occasionally innocently twisted to hijack the listener into gently surprising and unanticipated turns. It is a good learning tool to point out the different approaches to composition. It is also simply a fun and entertaining piece in and of itself.
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