Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Composed by Carlos Campos. Saddle stitch. Latin/Piano Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Composed by Stacy Garrop. For piano. Contemporary. Solo Part. Standard Notation. Composed 2003. 4 pages. Duration 1 minute, 15 seconds. Theodore Presser Company #110-41798. Published by Theodore Presser Company

Piano

SKU: M7.AST-6012

Composed by Hans-Klaus Langer. This edition: Saddle-wire stitching. Sheet music. 16 pages. Duration 10'. MDS (Music Distribution Services) #AST 6012. Published by MDS (Music Distribution Services) (M7.AST-6012).

ISBN 9790203860129.

Piano

SKU: M7.AST-6117

Composed by Widmar Hader. Sheet music. Duration 10'. MDS (Music Distribution Services) #AST 6117. Published by MDS (Music Distribution Services) (M7.AST-6117).

ISBN 9790203861171.

Piano - difficult

SKU: M7.AST-6066

For piano. Composed by Widmar Hader. Sheet music. Composed 1972. Duration 6'. MDS (Music Distribution Services) #AST 6066. Published by MDS (Music Distribution Services) (M7.AST-6066).

ISBN 9790203860662.

Piano

SKU: BT.MUSM570205530

Composed by Elisabeth Lutyens. Book Only. 7 pages. University of York Music Press #MUSM570205530. Published by University of York Music Press (BT.MUSM570205530).

English.

For solo Piano. Composed 1972. First performance: Katharina Wolpe, 1972. Duration: 12 minutes.

Piano Solo - Grade 4+

SKU: MA.EMR-14204

Composed by Colette Mourey. Piano Solo. Score and parts. Duration 1'42. Editions Marc Reift #EMR 14204. Published by Editions Marc Reift (MA.EMR-14204).

By Fanny Mendelssohn Hensel. Edited by Annegret Huber. For piano. Piano Pieces by Fanny Hensel Volume 1. First Publication. Level: advanced. Full score. Composed 1836-1839. Duration 3,5', 4,5', 6,5'. Published by Furore-Verlag (German import).

(Piano)

SKU: HL.14064782

Composed by David Garfield. Piano. General Merchandise. Duration 240 seconds. Music Sales #IMP905009. Published by Music Sales (HL.14064782).

Composed by Alban Berg (1885-1935). Edited by Klaus Lippe. World Premiere: in Wien / Austria with main soloist: Etta Werndorff. With Standard notation. Composed 1908-1909. Duration 13 minutes. Universal Edition #UE33070. Published by Universal Edition

Piano - intermediate to difficult

SKU: HL.49045232

For Piano. Composed by Renato de Grandis. This edition: Saddle stitching. Sheet music. Piano. The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cy. Classical. Softcover. Composed 1999-2000. 46 pages. Duration 32'. Schott Music #ED22099. Published by Schott Music (HL.49045232).

ISBN 9790001201667. UPC: 841886029330. 9.0x12.0x0.166 inches.

The 48 Preludes by the Venetian composer Renato de Grandis (1927-2008) were composed, largely, between 1998-2002. It was only subsequently that he arranged them into 4 cycles of 12 preludes, drawing also from earlier compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or by natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.

Piano

SKU: BR.EB-9428

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2021. 8 pages. Duration 4'. Breitkopf and Haertel #EB 9428. Published by Breitkopf and Haertel (BR.EB-9428).

ISBN 9790004189054. 9 x 12 inches.

The Travel Preludes are three short pieces ideally conceived for opening a concert.The first, Urgent Call, is like a bell calling the audience and stressing the importance - and at times the urgency - of making music. The second prelude, The Art of Taking a Seat, has to do with that carefulness, kindness and attention the attendance of a concert requires from the audience. Because to take a seat, to concentrate and to open heart and mind to the music is an art everybody should practice. The third piece, In Praise of Discretion, is an homage to all those musicians, who enter the stage without pretensions or theatrics, being able to concentrate on nothing but the music itself. (Nicola Campogrande, July 2021 ). Sono tre brevi pagine, idealmente pensate per aprire un concerto. La prima, Urgent call, e come un campanello che richiama il pubblico e gli ricorda in modo deciso quanto sia importante - e talvolta davvero urgente - la pratica della musica. La seconda, The Art of Taking a Seat, ha a che fare con la cura, il garbo, l'attenzione che si richiedono a chi assiste a un concerto. Perche sedersi, concentrarsi, aprire il cuore e il cervello alla musica sono davvero un'arte che tutti dovrebbero conoscere. La terza, In Praise of Discretion, e un elogio agli interpreti che salgono sul palcoscenico senza enfasi, senza teatralita, e sanno concentrarsi sulla musica. (Nicola Campogrande, luglio 2021)

World premiere: Cernobbio/Italy, Piazza del Risorgimento, July 1, 2021.