| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano solo [Sheet music] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer
(3)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Reflections Piano solo Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by Lara
Downes. Collection. Theodore
Presser Company #440-40028.
Published by Theodore Presser
Company
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| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 Piano solo [Score] Musik Fabrik
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A. Published
by Musik Fabrik
$48.69 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Der beleidigte Papagei Piano solo [Sheet music + CD] Breitkopf & Härtel
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short piano
pieces, the composer follows
the cue of such modern-day
masters as Olivier Messiaen,
Karlheinz Stockhausen, Helmut
Lachenmann and Nicolaus A.
Huber.
Pedagogical. Breitkopf and
Haertel #EB-9175. Published
by Breitkopf and Haertel
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| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 Piano solo [Score] - Intermediate Musik Fabrik
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B). 8.27 x 11.69 inches. Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher. $48.69 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bartok - For Children Vol 2 Urtext Piano solo G. Henle
Piano SKU: HU.HN1226 Composed by Bela Bartok. Edited by Laszlo Vikarius and Ver...(+)
Piano
SKU: HU.HN1226
Composed by Bela Bartok. Edited by Laszlo Vikarius and Vera Lampert. Piano Solo, Piano and Keyboard, Repertoire, Solos. For Children Vol. 2. Softcover Book. 59 pages. G. Henle #HN1226. Published by G. Henle (HU.HN1226).
12.2 x 9.3 x 0.2 inches.
$27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bartok - For Children Vol 1 Urtext Piano solo G. Henle
Piano SKU: HU.HN1225 Composed by Bela Bartok. Edited by Laszlo Vikarius and Ver...(+)
Piano
SKU: HU.HN1225
Composed by Bela Bartok. Edited by Laszlo Vikarius and Vera Lampert. Piano Solo, Piano and Keyboard, Repertoire, Solos. For Children Vol. 1. Softcover Book. 63 pages. G. Henle #HN1225. Published by G. Henle (HU.HN1225).
$27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hungarian Dances Nos. 1-10 Piano solo [Sheet music] G. Henle
Revised Edition. Composed by Johannes Brahms (1833-1897). Edited by Camil...(+)
Revised Edition. Composed by Johannes Brahms (1833-1897). Edited by Camilla Cai. Henle Music Folios. Softcover. 44 pages. G. Henle #HN560. Published by G. Henle (HL.51480560).
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| Southern Gospel Piano - Devotion Piano solo - Intermediate Mel Bay
Piano - Intermediate SKU: MB.31086 Saddle-stitched. Gospel. Book. Mel Bay...(+)
Piano - Intermediate SKU: MB.31086 Saddle-stitched. Gospel. Book. Mel Bay Publications, Inc #31086. Published by Mel Bay Publications, Inc (MB.31086). ISBN 9781513477763. 8.75X11.75 inches. We all have experienced devotion at varying levels of intensity within our lives. Sometimes it is temporary, but in other cases it is lasting and perhaps even permanent.Devotion can be directed toward an idea, a purpose, plan, pet or person, a concept, a sport or hobby, a philosophy, or a feeling or relationship, but we all have known it in some measure.It can be so pathetically shallow as devotion to an object or possession, but its highest expression is found in devotion to the most noble of lasting and eternal values and in pursuit of knowing the awesome Creator of the universe- - - God himself. Hopefully, these piano pieces will inspire a greater measure of devotion from each of us. $17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Manuel De Falla: Allegro De Concierto Piano Solo Piano solo Chester
Piano SKU: HL.14010902 Composed by Manuel de Falla. Music Sales America. ...(+)
Piano SKU: HL.14010902 Composed by Manuel de Falla. Music Sales America. 20th Century. Book [Softcover]. Composed 1990. 16 pages. Chester Music #CH55733. Published by Chester Music (HL.14010902). ISBN 9780711920163. 8.5x11.75x0.11 inches. Arranged for solo piano. Falla himself gave the first performance of the Allegro de Concierto in May 1905 in Madrid. It was eighty years before the work was performed again, this time at the Wigmore Hall, London 1985. Suitable for advanced pianists. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Jeunesse De Berlin – Suite of 3 Waltzes Piano solo
Piano SKU: HL.48025503 Piano. Composed by Jacques Offenbach. Edite...(+)
Piano SKU: HL.48025503 Piano. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. BH Piano. Classical. Softcover. 28 pages. Bote & Bock #M202538807. Published by Bote & Bock (HL.48025503). ISBN 9783793145776. UPC: 196288300458. Offenbach, who came to Paris at the age of 14, gave concerts as a cello virtuoso and composed for salons and dance halls before achieving world fame as the inventor of the “Offenbachiade”. However, writing waltzes, mazurkas and polkas not only provided him with a good technical basis, it was also a perfect vehicle for making a name for himself in the Parisian music world. La Jeunesse de Berlin is one of the first waltz suites that Offenbach composed for one of the legendary Parisian entertainment establishments, the “Turkish Garden”. It was only published in a very small edition. Neither biographers nor catalogs mention the charming work. Until the French researcher and collector Jérôme Collomb found a copy of the first edition for piano and thus made this new publication possible. $26.99 - See more - Buy online | | |
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