| Album of Studies I Piano solo Barenreiter
Album of Studies I by Various. For piano solo. Piano. Czech title: Album etud I....(+)
Album of Studies I by Various. For piano solo. Piano. Czech title: Album etud I. Teaching Manuals. Teaching material. Publication language: Czech. Published by Editio Baerenreiter Praha
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sommerferie I Blekinge (Summer Holiday in Blekinge) Piano solo Wilhelm Hansen
Piano SKU: HL.14030676 Ten Short Pieces for Piano. Composed by Rue...(+)
Piano SKU: HL.14030676 Ten Short Pieces for Piano. Composed by Rued Langgaard. Music Sales America. Classical. Score. Composed 2020. Duration 1200 seconds. Edition Wilhelm Hansen #KP00666. Published by Edition Wilhelm Hansen (HL.14030676). ISBN 9788759863879. Danish. The 'Ten short piano pieces' with the title Sommerferie i Blekinge (Summer Holiday in Blekinge) (1916) have not been preserved in their complete form. The only existing source is a manuscript in Rued Langgaard's hand that lacks the first and last pages with sections of the music. This means that the entire first piano piece with the title Paa rejse (Travelling) is missing as well as most of Piece II, Mode (Meeting) (only the conclusion of this piece has been preserved). A large fragment exists of Piece X, Aften med Dans (Evening with Dancing), but the conclusion is missing. The manuscript is to be found at the Royal Danish Library in Copenhagen (RLS 83,2). On the first page,Langgaard has merely written 'Piano Pieces 1916': the real title and titles of the movements in the first two pieces derives from other sources. In 2008, the Rued Langgaard Society asked the Danish composer Niels Marthinsen (b. 1963) to add to the work, the aim being to create a 'performance version'. Marthinsen composed a complete new first piece - Paa rejse (Travelling) - and allowed it to merge with the preserved concluding fragment of Langgaard's second piece, Mode (Meeting). Niels Marthinsen further composed a conclusion to the incomplete Piece X, Aften med Dans (Evening with Dancing), and in it incorporated a reference to the first piece, so that his additions came to form a frame round what hasbeen preserved of Langgaard's work. This supplemented version was given its first performance by Berit Johansen Tange in 2008. The overall title and titles of the individual pieces refer to a summer stay in 1913, i.e. three years before the work was composed, when the then 20-year-old composed was on holiday in Kyrkhult in Blekinge (Sweden). $20.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Everything For The Church Soloist Piano solo [Sheet music] Hope Publishing Company Print Music Collection
(Piano Collection).
Published by Hope
Publishing Company
$79.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Frog Dance Piano solo Theodore Presser Co.
For Piano. Composed by Vincent Persichetti (1915- 1987). Contemporary. Solo Pa...(+)
For Piano. Composed by
Vincent Persichetti (1915-
1987). Contemporary. Solo
Part. With Standard
Notation. Composed 1926. 8
pages. Duration 2 minutes,
30 seconds. Theodore Presser
Company #160-00224.
Published by Theodore
Presser Company
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nudo Piano solo Breitkopf & Härtel
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra). Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. Here you will find the concerto R (A Portrait for Piano and Orchestra). Solo concerto; Music post-1945; New music (post-2000). Score. Composed 2015. 36 pages. Duration 15'. Breitkopf and Haertel #EB 8990. Published by Breitkopf and Haertel (BR.EB-8990). ISBN 9790004187197. 9 x 12 inches. A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com). $31.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Seven Days Piano solo Schott
Piano (Piano Solo) SKU: HL.49046935 Solo Piano. Composed by Gregor...(+)
Piano (Piano Solo) SKU: HL.49046935 Solo Piano. Composed by Gregory Spears. Piano Solo. Classical. Softcover. 98 pages. Duration 6180 seconds. Schott Music #ED30418. Published by Schott Music (HL.49046935). ISBN 9781705169353. UPC: 842819116837. 9.25x12.0x0.5 inches. SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to do - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears. $105.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto Piano solo Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP). UPC: 680160685202. What?! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement. $47.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My Other Song Piano solo Schirmer
Piano SKU: HL.50600925 For Piano. Composed by Bright Sheng. Piano....(+)
Piano SKU: HL.50600925 For Piano. Composed by Bright Sheng. Piano. Classical. Softcover. 32 pages. G. Schirmer #ED4625. Published by G. Schirmer (HL.50600925). ISBN 9781495095320. UPC: 888680688592. 9x12 inches. Composer Note: In 1990, after eight years in the United States, I wrote my first work for solo piano, titled My Song, commissioned for Peter Serkin. At the time, my primary compositional concentration was to develop a melodic and harmonic style within the boundaries of Chinese folk music, which are mostly in pentatonic modes, and contemporary Western Classical music. As a result, all the four movements in My Song were either based on existing Chinese folk tunes or written in their style. I was asked recently by another virtuoso pianist friend, Yefim Bronfman, to write a work for solo piano. After the passing of 17 years, I wonder if there is any change in my writing. I therefore titled the new suite My Other Song.
There are four movements in the composition, the first three of which are brief and provide contrast in character. The theme of the last movement, the longest, is based on a Buddhist chant heard at the wake for my mother in February 2005.–Bright Sheng. $12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Venezuelan Treasures for the Piano, Vol. 3 Piano solo Clifton Edition
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463). ISBN 9790570814633. This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.
The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.
Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??EloÃsaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.
â??Eloisaâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.
â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.
The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.
Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music. $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Glow Piano solo Boosey and Hawkes
Piano SKU: HL.48024371 For Solo Piano. Composed by Sebastian Curri...(+)
Piano SKU: HL.48024371 For Solo Piano. Composed by Sebastian Currier. BH Piano. Classical, Contemporary. Softcover. 24 pages. Boosey & Hawkes #M051098217. Published by Boosey & Hawkes (HL.48024371). ISBN 9781540028310. UPC: 888680749378. 9x12 inches. From the composer: When pianist Inon Barnatan asked me to write him a new work, he had a particular stipulation: that I somehow connect my piece with Ravel's Gaspard de la Nuit, which he would program alongside my new work. This seemed an intriguing proposition. I decided not to refer to any musical material in Gaspard, but took my cue from the textual elements that accompany the score. The title of the work comes from a collection of poems by Aloysius Bertrand. It is is generally translated as “The Treasurer (or Jewel Keeper) of the Night.&rdquo. $16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Progressive Rock Piano Practice Sessions V.1 In Al ll 12 Keys Piano solo [Sheet music + Audio access] - Intermediate ADG productions
Composed by Andrew D. Gordon. Piano Practice Sessions. Rock. Book and digital ...(+)
Composed by Andrew D. Gordon.
Piano Practice Sessions. Rock.
Book and digital audio. ADG
Productions #ADG235. Published
by ADG Productions
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Waltz in C minor Piano solo Imagine Music
Piano Solo SKU: IG.PFF211 Composed by Kenneth Piotrowski. Score and Parts...(+)
Piano Solo SKU: IG.PFF211 Composed by Kenneth Piotrowski. Score and Parts. Imagine Music Publishing #PFF211. Published by Imagine Music Publishing (IG.PFF211). 9 x 12 inches. I was asked awhile ago to write a composition that not only laid well under the hands but was also of intermediate/advanced student level difficulty and suitable for concert performances. My initial thought was, 'impossible.' However, after careful consideration, I finally decided that it could be done.
Very few teachers and performers of keyboard instruments realize that C major is the most difficult key to play. In fact, the more of the five 'black' keys employed, the easier the composition. This is due to the natural position of the hand and length of the fingers. In the end, the key of E-flat major with its relative minor of C-minor was chosen with a brief foray into the realm of E-flat minor. The end result was this effervescent and intoxicating waltz.
Once mastered, this composition nearly plays itself and can then be utilized as a show-stopping encore. $10.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Piano in the Dark Piano solo Hal Leonard
By Shannon M. Grama. Arranged by Shannon M. Grama. Pianosoft (Yamaha software fo...(+)
By Shannon M. Grama. Arranged by Shannon M. Grama. Pianosoft (Yamaha software for the Disklavier pianos - this is NOT sheet music). Floppy disk. Published by Hal Leonard.
$34.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| L. Lancaster and Kelsey Lancaster : Toccatina Twister Piano solo - Easy Alfred Publishing
By E. L. Lancaster and Kelsey Lancaster. For Piano. Piano Solo. Level: Late Elem...(+)
By E. L. Lancaster and Kelsey Lancaster. For Piano. Piano Solo. Level: Late Elementary (grade 2). Sheet. 4 pages. Published by Alfred Publishing.
(2)$3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Latin Piano Practice Sessions V.1 In All 12 Keys Piano solo [Sheet music + Audio access] - Intermediate ADG productions
Composed by Andrew D. Gordon. Piano Practice Sessions. Latin. Book and digital...(+)
Composed by Andrew D. Gordon.
Piano Practice Sessions.
Latin. Book and digital audio.
ADG Productions #ADG234.
Published by ADG Productions
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Canadian Pop and Rock Sheet Music Playlist Piano solo - Easy Alfred Publishing
Arranged by Dan Coates. For Piano. Piano - Easy Piano Collection. Sheet Music Pl...(+)
Arranged by Dan Coates. For Piano. Piano - Easy Piano Collection. Sheet Music Playlist. Easy Piano. Book. 72 pages. Published by Alfred Music Publishing
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rock Piano Practice Sessions V.1 In All 12 Keys Piano solo [Sheet music + Audio access] - Intermediate ADG productions
Composed by Andrew D. Gordon. Piano Practice Sessions. Rock. Book and digital ...(+)
Composed by Andrew D. Gordon.
Piano Practice Sessions. Rock.
Book and digital audio. ADG
Productions #ADG233. Published
by ADG Productions
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Scherzi Piano solo G. Henle
Paperbound Piano (Piano solo) - L7, L8 SKU: HL.51480886 Piano. Com...(+)
Paperbound Piano (Piano solo) - L7, L8 SKU: HL.51480886 Piano. Composed by Frederic Chopin. Edited by Norbert Mü and llemann. Arranged by Hans-Martin Theopold. Sheet Music. Paperbound. Henle Music Folios. Revised edition of HN 279. Detailed critical commentary available for download free-of-charge. Classical. Softcover. 128 pages. G. Henle #HN886. Published by G. Henle (HL.51480886). ISBN 9790201808864. UPC: 888680924942. 9.25x12.25x0.399 inches. Frédéric Chopin's 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there is little about them that is joke-like, despite the original meaning of their title. Referring to the 1st Scherzo, Robert Schumann asked: “how should seriousness be attired, when even a 'joke' is veiled in black?†Now that the Scherzi nos. 1-4 have been published in revised stand-alone editions, G. Henle Publishers is now offering all four in paperback and hardback, in an edition that reflects the current state of Chopin research. Both the footnotes and the extensive Critical Report on the Internet offer detailed information on the familiar topic of “Chopin variants†and on all the textual problems they raise. This is Chopin in top form! About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$25.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Scherzi Piano solo G. Henle
Clothbound Piano (Piano solo) - L7, L8 SKU: HL.51480887 Piano Clothbou...(+)
Clothbound Piano (Piano solo) - L7, L8 SKU: HL.51480887 Piano Clothbound Score. Composed by Frederic Chopin. Edited by Norbert Mü and llemann. Arranged by Hans-Martin Theopold. Sheet Music. Clothbound. Henle Music Folios. Revised edition of HN 279. Detailed critical commentary available for download free-of-charge. Classical, Romantic. Hardcover. 128 pages. G. Henle #HN887. Published by G. Henle (HL.51480887). ISBN 9790201808871. UPC: 888680924928. 9.25x12.5x0.553 inches. Frédéric Chopin's 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there is little about them that is joke-like, despite the original meaning of their title. Referring to the 1st Scherzo, Robert Schumann asked: “how should seriousness be attired, when even a 'joke' is veiled in black?â€. Now that the Scherzi nos. 1-4 have been published in revised stand-alone editions, G. Henle Publishers is now offering all four in paperback and hardback, in an edition that reflects the current state of Chopin research. Both the footnotes and the extensive Critical Report on the Internet offer detailed information on the familiar topic of “Chopin variants†and on all the textual problems they raise. This is Chopin in top form! About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$38.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Monsieur Moderne op. 14 / Nr. 13 Piano solo Verlagsgruppe Hermann
Piano SKU: M7.VGH-2690-70 Für Klavier Solo. Composed by Rene St...(+)
Piano SKU: M7.VGH-2690-70 Für Klavier Solo. Composed by Rene Staar. Sheet music. Op. 14 / Nr. 13. Duration 2'. Verlagsgruppe Hermann #VGH 2690-70. Published by Verlagsgruppe Hermann (M7.VGH-2690-70). ISBN 9790206660412. The music critic, an indispensable figure in the history of music between instinctive cosmopolitan curiosity, modern nature, and also an acquired know-it-all attitude, is now a dying species. Asked to contribute a short piano miniature for a concert in the Alte Schmiede in honor of the prominent Viennese music critic Karlheinz Roschitz, I wrote my piano piece Monsieur Moderne in May 2019. The impulse for the piece and its title was given by the originality of its dedicatee, who was very aware of his vocationand who knew how to defend his opinion with the vigor that one encounters in influential and notorious representatives of his profession to this day. $25.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Irreverences Piano solo Billaudot
Piano SKU: PR.510076960 Pour Piano. Composed by Stephane Delplace....(+)
Piano SKU: PR.510076960 Pour Piano. Composed by Stephane Delplace. Full score. With Standard notation. 28 pages. Duration 25 minutes, 37 seconds. Gerard Billaudot Editeur #510-07696. Published by Gerard Billaudot Editeur (PR.510076960). 1. Choral: An improbably superimposing of Beethoven and Brahms. At the end of the first performance of the latter's 1st Symphony, someone asked the composer: Don't you find that your main theme remin ds one of the Ode to Joy? To which he retorted: Even an idiot would have noticed it! 2. Fugue: in the last exposition, the subject of Fugue I from volume 1 of Bach's Well-Tempered Keyboard is super imposed on the theme from Mozart's so-called easy sonata. 3. Passion: In his Violin Concerto, Mendelssohn, to whom we owe the rediscovery of Bach's Passions, seems to have borrowed a theme from a lost Passion. 4. Recitativo: Tribute to Franck's tribute to Bach in his Sonata for violin and piano. 5. Invention: A private revenge, after a bitter failure. Debussy's Toccata was on the compulsory list for the Conservatory piano class entrance exam. 6. Arpeggione: In which the listener realizes the similarity in the introduction to Schubert's Unfinished Symphony and Arpeggione Sonata. 7. Sarabande: The most iconoclastic, for Bach's 5th Cello Suite is already suffused with harmony. There might be an evocatioin of a Brahms-like overarching structure, though... 8. Variation: The slowest variation ever written on Paganini's 24th Caprice. 9. Scene: Schumann's Reverie as a Prelude. 10. Finale: In order to capture the elusive harmony of the Finale of Chopin's Sonate Funebre. 11. Fugue on Au clair de la lune: Our greatest nursery rhymes, fugue fitted and choralized. 12. Fugue de Noel (Christmas fugue): Quite appropriate. 13. Fugue on J'ai du bon tabac: Prohibited counterpoint. 14. Fugue on La Marseillaise: Franco-German reconciliation. 15. Pedal - Exercitium: Realization and conclusion of Bach's organ pedal exercies. $29.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Buskers Fake Book All Time Hit Piano solo Music Sales | | |
| The Joy Of Wedding Music Piano solo [Sheet music] - Intermediate Music Sales
By Denes Agay. Book. Published by Music Sales. (YK21533) A delightful, up-to...(+)
By Denes Agay. Book. Published by Music Sales. (YK21533)
A delightful, up-to-date collection of festive and inspirational selections, vocal and instrumental, baroque to modern.
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Performance Party, Book C Piano solo - Beginner Kjos Music Company
By Lisa Bastien. Edited by Jane Bastien, Lori Bastien. (Bastien Invitation to Mu...(+)
By Lisa Bastien. Edited by Jane Bastien, Lori Bastien. (Bastien Invitation to Music). Bastien Piano. Solo Collections. Level: Book C,3. Music Book. Size 232. Published by Neil A. Kjos Music Company.
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Complete Keyboard Player: Book 4 Piano solo Music Sales | | |
| Bravissimo! Book 2 Piano solo [Sheet music] - Easy FJH
(A Winning Collection of Original Solos). By Timothy Brown. For piano solo. Late...(+)
(A Winning Collection of Original Solos). By Timothy Brown. For piano solo. Late elementary. Collection. 28 pages. Published by The FJH Music Company Inc
$8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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