SKU: HL.14048256
9.0x12.0 inches.
Released in 2005, the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. July - Murmuration was the seventh piece to be composed and is scored here for solo Piano.
SKU: LM.26758
ISBN 9790230967587.
Baby Blues - Lazy Blues - Gentleman Blues - Children Blues - Grand Father Blues - Knife Blues - Spring Blues - Beginning Boogie - More Beginning Boogie - Turtle Boogie - Middle Town Boogie - September Swing Boogie - Rain in July Boogie.
SKU: BR.EB-9419
ISBN 9790004188965. 10 x 12.5 inches.
Echo Andante , nach meiner Ruckkehr vom Studienaufenthalt bei Luigi Nono in Venedig komponiert, von mir selbst 1962 in Darmstadt uraufgefuhrt, bedeutet - trotz anderer fruherer Arbeiten, die ich nicht verleugnen mag (etwa die Schubert-Variationen ) - zusammen mit Souvenir und Funf Strophen wohl mein Opus 1, mit einer ahnlichen zugleich abschliessend ruckblickenden und aufbrechend vorwartsblickenden Rolle, die etwa Bergs Klaviersonate oder Weberns Passacaglia in deren Schaffen spielte. Ich war gepragt und fasziniert von der Reinheit und Konsequenz des damaligen nonfigurativen Vokalsatzes meines Lehrers Nono, bei welchem die Tone als gehaltene wahrend ihrer Dauer in fliessende Intervallbeziehungen zueinander treten, wobei diese uber flexible Dynamik und Klang- beziehungsweise Vokalfarben noch weiter innerlich artikuliert und hierarchisch abgestuft werden. Mein Vorhaben, von solcher Praxis bei der Entwicklung eines Klaviersatzes auszugehen (Nono hat damals wohlweislich nichts fur Klavier, uberhaupt kaum etwas fur Soloinstrumente geschrieben), war bewusst ein Versuch am widerspenstigen Objekt, wo doch der Klavierklang permanent unter den Handen zerrinnt. Den standig fliehenden Ton als Komponente von sich auf-, ab- und umbauenden Intervallstrukturen rechtzeitig zu nutzen und gerade dadurch den stereotypen Diminuendo-Charakter zugleich bewusst zu machen und wenn schon nicht zu uberwinden, so doch immer wieder zu uberlisten unter Einbeziehung von Pedal- und Flageolett-Techniken (mittels stumm gedruckter Tasten), aber auch durch Einbeziehung von tonalen Konsonanzen als horbar gemachten Obertonspektren, fuhrte zu Ergebnissen, in denen der Ausgangswiderspruch sich selbst thematisierte und die Form des Stuckes regelte. Andererseits fuhrte solche Auseinandersetzung mit dem Vorbild Nono zugleich von dessen Idiom weg zu einem Klangdenken, in dem Struktur nicht Mittel zu expressiven Zwecken, sondern Expressivitat als vorweg Gegebenes, den Mitteln bereits Anhaftendes, zum Ausgangspunkt fur strukturelle Abenteuer wurde. (Helmut Lachenmann, 1962) CDs: Marino Formenti (piano) CD Col legno WWE 20222 Steffen Schleiermacher (piano) CD MDG 613 1005-2 Roland Keller (piano) CD col legno 429 356-2 Helmut Lachenmann (piano) CD NEOS 11630World premiere: Darmstadt (Darmstadter Ferienkurse), July 18, 1962.
SKU: BR.EB-9428
ISBN 9790004189054. 9 x 12 inches.
The Travel Preludes are three short pieces ideally conceived for opening a concert.The first, Urgent Call, is like a bell calling the audience and stressing the importance - and at times the urgency - of making music. The second prelude, The Art of Taking a Seat, has to do with that carefulness, kindness and attention the attendance of a concert requires from the audience. Because to take a seat, to concentrate and to open heart and mind to the music is an art everybody should practice. The third piece, In Praise of Discretion, is an homage to all those musicians, who enter the stage without pretensions or theatrics, being able to concentrate on nothing but the music itself. (Nicola Campogrande, July 2021 ). Sono tre brevi pagine, idealmente pensate per aprire un concerto. La prima, Urgent call, e come un campanello che richiama il pubblico e gli ricorda in modo deciso quanto sia importante - e talvolta davvero urgente - la pratica della musica. La seconda, The Art of Taking a Seat, ha a che fare con la cura, il garbo, l'attenzione che si richiedono a chi assiste a un concerto. Perche sedersi, concentrarsi, aprire il cuore e il cervello alla musica sono davvero un'arte che tutti dovrebbero conoscere. La terza, In Praise of Discretion, e un elogio agli interpreti che salgono sul palcoscenico senza enfasi, senza teatralita, e sanno concentrarsi sulla musica. (Nicola Campogrande, luglio 2021)World premiere: Cernobbio/Italy, Piazza del Risorgimento, July 1, 2021.
SKU: HH.HH560-SOL
ISBN 9790708185758.
The Haffner symphony was composed at the request of Leopold Mozart for the celebrations at the ennoblement of Wolfgang’s childhood friend, Sigmund Haffner, in Salzburg on 29 July 1782. Mozart was under considerable pressure at this time with, amongst other professional commitments, preparations for the opening performance of Die Entfühtung aus dem Serail on 16 July, and the necessary arrangements for his forthcoming marriage to Constanze on 4 August. It is unclear from the surviving evidence (the relevant correspondence between Wolfgang and Leopold at this period is incomplete) whether the symphony arrived at Salzburg in time for the Haffner celebrations. The symphony was first performed in Vienna, under Mozart’s direction, at the Hofburgtheater on 23 March 1783 in the presence of the Emperor.
SKU: HL.645085
ISBN 9781495081149. UPC: 888680683719. 9.0x12.0x0.108 inches.
Designed so you can start anywhere in the book, according to the season of the year: Appalachian Sunrise (Autumn) * Gliding (Autumn) * Funderal March of a Marionette (Halloween) * Lo, How a Rose E'er Blooming (Christmas) * Fum, Fum, Fum (Christmas) * Nordic Spring (Spring) * Walking the Lakeshore (Spring) * Barefoot Frolic (Summer) * Scarborough Fair (Summer) * The Ash Grove (Summer) * Thunderere (4th of July) * George Washington (4th of July).
SKU: HL.645081
ISBN 9781495081101. UPC: 888680685072. 9.0x12.0x0.101 inches. Hungarian. Sandor Weores.
Designed so you can start anywhere in the book, according to the season of the year: Every Witch Way (Halloween) * Over the River and Through the Woods (Thanksgiving) * Christmas Tree Medley (Christmas) * Penguins at Play (winter) * Ice Skating (winter) * Londonderry Air (St. Patrick's Day) * Sleeping Beauty (Valentine's Day) * Dutch Dance (spring) * Leapfrog (spring) * America the Beautiful (4th of July) * You're a Grand Old Flag (4th of July) * Water Park Fun (summer).
SKU: HL.49047082
ISBN 9781705185223. UPC: 842819118312.
A Bu composed the first sketch of this sonata shortly after the death of Nikolai Kapustin in July 2020. The subtitle ââ¬ÅPinusââ¬Â (Pine) is given in memory of Kapustin's profound artistry and musical determination. Its four-movement structure and jazz style are based on Kapustin's Sonata-Fantasy Op. 39.
SKU: HL.48025391
UPC: 196288195436.
“The notes have space around them in this piece, a little bit like dust over the keys. The title refers to roses delivered to a loved one, they are packed in a box and have a beautiful glow, very tender and elegant. And yet, they could be a farewell gift...†(Elena Kats-Chernin) The piece was commissioned as part of William Howard's Love Song project and premiered in July 2017 at the Cheltenham International Music Festival.
SKU: JK.02014
UPC: 093285020146.
This late-intermediate piano solo by Vanja Watkins will make a powerful addition to any church meeting or sacred occasion. Use this arrangement to honor the life of Joseph Smith (martyred on June 27th, 1844), celebrate pioneer day (July 24th), or commemorate the events of the ongoing restoration.Arranger: Vanja WatkinsComposer: Scottish Folk SongDifficulty: Late IntermediatePerformance Time: 3:30References: Doctrine and Covenants 135, 2 Nephi 3:14-15.
SKU: HL.14032607
ISBN 9781846091599. 9.0x12.0x0.285 inches.
A collection of solo Piano arrangements of the pieces from Once Around The Sun, Joby Talbot's musical journey through one year. Jointly commissioned by Classic FM and The PRS Foundation For New Music, this exquisite set of mood pieces was inspired by the personal changes and experiences across the year, creating something of a diary of the composer's creativity.
SKU: HL.49046022
ISBN 9790001167970. UPC: 841886033832. 9x12 inches.
This book presents pianists and ambitious amateur musicians with unfamiliar, surprisingly flamboyant and often witty compositions. These piano works are by one of the greatest pianists of the twentieth Century, one of the most recent all-roundmusical grand masters: Alexis Weissenberg, who was born in Sofia on 26 July 1929 and died in Lugano on 8 January 2012.This first edition includes all Weissenberg's surviving completed piano works, apart from those written for two pianos and for pianoduet, stage works and the Romance for piano and violin. Fingerings and pedal markings by Alexis Weissenberg are printed in italics (fingerings and allocation of notes between hands, too) or in large type (pedal markings); recommendations added by the editor are shown in roman font (fingerings and allocation of notes between hands) or in smaller type (pedal markings).
SKU: BR.EB-6711
ISBN 9790004169148. 9 x 12 inches.
The present series of easy piano music for teaching provides pupils in the lower and lower-middle grades with a careful selection of well-known and little-known compositions by important masters. Each book has intentionally been kept small in extent, since it is more stimulating for children to change the teaching material frequently. Mozart was in London with his parents and his sister from April 1764 to July 1765. As well as performing in concerts as a child prodigy, he composed works for various instruments and combinations. A sketch-book dating from this period (EB 3276, published in full by Georg Schunemann) contains more than 40 compositions, chiefly for piano (KV 15 a - 15 ss). The works published here have been chosen with regard to their musical and technical suitability for pupils in the lower grades. Obvious notational errors have been corrected; tempo indications and marks of expression have been supplied where necessary by the editor. In certain pieces, Mozart himself specified the performance indications (as, for example, in the case of the varying articulations in no. 9). Heinz Walter, Salzburg, Fall 1974.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
