Composed by Howard Skempton (1947-). Piano (Solo). 20 pages. Duration 22'. Oxford University Press #9780193544178. Published by Oxford University Press

Edited by Thom Proctor. Piano accompaniment book for piano. With piano accompaniment. Series: Educational instrumental collection (Clarinet). 48 pages. Published by Belwin.

Piano

SKU: BT.SCHBB101729

Arr. W. Kempff. Composed by Johann Sebastian Bach. Arranged by Wilhelm Kempff. Book Only. 2 pages. Bote & Bock #SCHBB101729. Published by Bote & Bock (BT.SCHBB101729).

Piano

SKU: HL.14010654

Composed by Richard Rodney Bennett. Music Sales America. Classical. Book [Softcover]. 28 pages. Music Sales #NOV100346. Published by Music Sales (HL.14010654).

ISBN 9780853608585. 8.5x11.75x0.139 inches.

Richard Rodney Bennett's Excursions for piano solo was commissioned by Frederick Kempf with assistance from South East Arts. Composed in 1993 for Sandra and Bill Charlap, the work is in 3 movements entitled Vivo, Andante Lento and Allegro. The timing is 27 minutes.

(Piano Solo). By W. Kempff. Piano Solo (no lyrics). 16 pages. Editions Salabert #SEAS16524. Published by Editions Salabert

Piano (Piano)

SKU: HL.48013998

Composed by Johann Sebastian Bach. BH Piano. Classical. 8 pages. Bote & Bock #M202504086. Published by Bote & Bock (HL.48013998).

UPC: 073999958966. 9.0x12.0x0.018 inches.

Piano Solo.

Piano (P+KRB)

SKU: HL.49042462

No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462).

ISBN 9783795794637. German - English.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Composed by Howard Skempton (1947-). 8 pages. Duration 4'. Oxford University Press #9780193359666. Published by Oxford University Press (OU.9780193359666).

By Kevin and Julia Olson. For piano. Sheet Music. The Perfect Start. Book. Published by The FJH Music Company Inc

By Johann Sebastian Bach. Arranged by W. Kempff. Piano Large Works (Arranged for piano). Size 9x12 inches. 40 pages. Published by Amp.

From Orpheus and Eurydice. By Christoph Willibald von Gluck. Arranged by Wilhelm Kempff. (Piano). Boosey and Hawkes Piano. Book only. Size 9x12 inches. 5 pages. Published by Bote and Bock.

Choralvorspiel, BWV 645. By Johann Sebastian Bach. Arranged by Wilhelm Kempff. (Piano). Boosey and Hawkes Piano. Size 9x12 inches. 8 pages. Published by Bote and Bock.

Piano

SKU: BT.MUSM570365623

Composed by James Weeks. Book Only. 28 pages. University of York Music Press #MUSM570365623. Published by University of York Music Press (BT.MUSM570365623).

English.

James Weeks ' Two Perscriptions for Piano. I - Gloomy Clouds (2002/4) II Ring (2002/3) ' Perscription is 'writing-through' (reading done with the pen). Gloomy Clouds dissolves the notes of Liszt's Nuages Gris into contrapuntal nebulae; Ring is a series of four canons on Howard Skempton's chordal Ring in the Valiant. ' - James Weeks.

Piano

SKU: BT.SLB-00167100

Composed by Wilhelm Kempff. Score Only. Composed 2002. 16 pages. Editions Salabert #SLB 00167100. Published by Editions Salabert (BT.SLB-00167100).