SKU: NR.21440
Serenata a Colombina, L'Allegro viandante mattutino, La bambola piange, Natale, Valzer nostalgico, Parla il babbo, Bebe ha paura.
SKU: BR.EB-8990
Here you will find the concerto R (A Portrait for Piano and Orchestra).
ISBN 9790004187197. 9 x 12 inches.
A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com).
SKU: BU.EBR-A083
ISBN 9790560151823. 8.58 x 12.48 inches.
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.Léon Tolstoï, écrivain majeur de la littérature russe, a-t-il été un grand compositeur ?A l’écoute de cette Valse en Fa majeur pour Piano, de part sa simplicité et sa durée, on peut en douter. Et à ce jour, nous n’avons aucune trace d’autres œuvres composées par Tolstoï.Vers la fin des années 90, la BBC a diffusé une intervention de Isaiah Berlin (philosophe, président de la British Academy) qui parlait de l’œuvre de Tolstoï « La Sonate à Kreutzer », l'histoire d'un homme obsessionnellement jaloux de sa femme, qui tue le violoniste avec qui elle joue juste parce qu’il suppose l’infidélité de son épouse. En aparté de l’analyse, il tint ces propos : « il était très musicien, Tolstoï ! Il a écrit une valse - [...] J'ai entendu dire qu'il l’a joué. Elle est éditée dans un livre. Ma femme l’a joué pour moi, c'est très simple ».A partir de là , cette valse a été retrouvée, manuscrite, en appendice d’un ouvrage russe intitulé « Leo Tolstoy and Music » (N. Gusev et Gol'denveizer). Lors d’un entretien, Gol’denveizer en parle comme ceci : « Dans sa jeunesse, le conte Lev Nikolaïevitch (Tolstoï) a composé une valse pour le Piano. Lorsque, en 1906, j’étais à Lasnaïa Poliana (Grand domaine familiale des Tolstoï où l’écrivain finit sa vie, et où il y repose), Lev Nikolaïevitch l’a joué devant nous. Nous avons effectué alors le relevé. Ce fut la seule fois que nous avons entendu Lev Nikolaïevitch jouer ».La Valse en Fa Majeur de Léon Tolstoï vous est proposée là , dans sa plus fidèle transcription réalisée à partir de plusieurs enregistrements.
SKU: HL.50489450
ISBN 9790080082850. K/4 (23,5x31) inches. Hungarian, English.
SKU: BT.EMBZ8377
English-German-Hungarian.
The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).
SKU: BT.EMBZ14002
SKU: BT.EMBZ8378
SKU: HL.48023890
ISBN 9781495077722. UPC: 888680640101. 9.0x12.0x0.223 inches.
Books 1 and 2 have been combined, making this a great value for piano teachers and students. Authorized revised edition.
SKU: BT.EMBZ14068
The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).
SKU: BT.EMBZ8379
SKU: BT.VOLMB436
ISBN 9788863884302. Italian.
18 transcriptions for easy Piano of classic Italian music. Includes: Addormentarmi così - Arrivederci - Arrivederci Roma - Chi non conosce te - Come prima - Due note - E se domani - Estate - Grande grande grande - Il nostroconcerto - La più bella del mondo - Le tue mani - Nel blu, dipinto di blu - Non dimenticar (t'ho voluto bene) - Parlami d'amore Mariù - Roma nun fa la stupida stasera - Settembre - Stradivarius.
SKU: CU.MA3037
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
