SKU: HL.49003292
ISBN 9790220119446.
A series of original graded pieces for piano or keyboard with suggestions for improvisation and composition. Duets are included in each volume. The series can be used either as a first tutor or as supplementary material for students following other courses. Contents: Bells * Spiral Staircase * Downside Up, Upside Down * It's a mystery * Cute * Little Prelude * Trumpets and Drums * Short Story (Duet) * Robin Hood and his Merry Men * Church in the Mist * Sweetness and Light * Camel Train * Waving Goodbye (Duet) * Garden Swing * Small World * Marchin' Blues * Cool as a Carrot * Dead Man's Creek * Taide's Tune (Duet) * Teddy Bears in the Moonlight * Exercices * Terms and Signs * Key to the Written Music.
SKU: FP.FBS03
ISBN 9790570500192.
Sarah Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills. Suitable for players of around grade 4-5 standard, her evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Air Balloon!: One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front! The sound of the gas being blown into the balloon to try to keep it high enough to pass the house sounded so loud and intimidating, and then there was the bustle of the neighbours as we all went out into the street to watch. It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling: There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. Growing up in the Chilterns gave me plenty of opportunity to watch buzzards and red kites. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers: Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child, looking out of the window and seeing the cow walking round and eating the flowers. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By: A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies: A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone. Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond: One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again. Here I portray the sense of the hazy summer afternoon as I peacefully watched the tiny movements of fish in the pond, contrasted with the fear and excitement of seeing the snake appear.Morning Commute: I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. There is one main road out of the village where I grew up, and that got more and more congested the closer we got to the town. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage: My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up. - Sarah Baker 2023.
SKU: BR.EB-9246
World premiere: Passau (Festspiele Europaische Wochen), 26. Juni 2016
ISBN 9790004185469. 9 x 12 inches.
In a world of invisible waves: a butterfly is a response to the idea of the butterfly effect: that a small cause can have a disproportionately large effect. Before composing the music I wrote this short poem in order to focus my imagination and help with shaping the most appropriate sonic gestures:In a world of invisible waves: a butterfly Flies into a storm Which it unknowingly created When it took its first flight.This narrative is not literally translated, but maybe you can hear the resonances of delicate flapping and mercurial weather somewhere amid the rippling waves of the music? It is warmly dedicated to Catherine Le Bris. (Christian Mason, 2016) Bibliography: Whittall, Arnold: Questioning the Sound: the Music of Christian Mason, in: The Musical Times 161 (Summer 2017), S. 85-99World premiere: Passau (Festspiele Europaische Wochen), 26. Juni 2016.
SKU: YM.GPP01096232
ISBN 9784636962321.
Please enjoy 25 Disney songs on only white keys. Jin Yong Bai Jian Dan Zou 25Shou Lai Zi Di Shi Ni Dian Ying De Ge Qu . 1. Let It to; 2. Sofia the First Main Title Theme; 3. A Dream is a Wish Your Heart Makes; 4. Bibbidi-Bobbidi-Boo; 5. Mickey Mouse March; 6. Try Everything; 7. Part of Your World; 8. I See the Light; 9. A Whole New World; 10. Beauty and the Beast; 11. You've Got a Friend in Me; 12. Once Upon a Dream; 13. La La Lu; 14. The Sescond Star to the Right; 15. Circle of Life; 16. Alice in Wonderland; 17. Heigh-Ho; 18. Someday My Prince Will Come; 19. Supercalifragilisticexpialidocious; 20. Chim Chim Cher-ee; 21. Who's Afraid of the Big Bad Wolf?; 22. Winnie the Pooh; 23. Zip-A-Dee-Doo-Dah; 24. It's a Small World; 25. He's a Pirate 1. Sui Ta Ba ; 2. Xiao Gong Zhu Suo Fei Ya Zhu Ti Ge ; 3. Meng Jiu Shi Ni Xin Zhong De Yuan Wang ; 4. Mo Fa Zhi Ge ; 5. Mi Lao Shu Jin Xing Qu ; 6. Chang Shi Yi Qie ; 7. Yu Ni Wei Ban ; 8. Yin Wei Wo You Ni ; 9. Zhan Xin De Shi Jie ; 10. Mei Nu Yu Ye Shou ; 11. Peng You Zhi Ai ; 12. You Chang Mei Meng ; 13. La La Lu; 14. You Bian De Di Er Ke Xing ; 15. Sheng Ming Zhi Lun Hui ; 16. Ai Li Si Meng You Xian Jing ; 17. Hai Yo ; 18. Zong You Yi Tian Wang Zi Hui Chu Xian ; 19. Supercalifragilisticexpialidocious; 20. Yan Cong Zhi Ge ; 21. Shui Hai Pa Da Pi Lang ?; 22. Xiao Xiong Wei Ni ; 23. Huan Le Zhi Ge ; 24. Xiao Xiao Shi Jie ; 25. Ta Shi Hai Dao.
SKU: HL.50511847
ISBN 9790080001271. 9.0x12.0x0.141 inches. Hungarian-English-German-French. Peter Bartok.
Bela Bartok's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education.
The word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.Der Mikrokosmos ist ein Zyklus von 153 Stucken fur Klavier, zu didaktischen Zwecken geschrieben (Band 1: Z. 125, Band 2: Z. 126, Band 3: Z. 127, Band 4: Z. 128, Band 5: Z. 129, Band 6: Z. 130). Das bedeutet, dass von Anfang an kleine Klavierstucke g eubt werden konnen, um dann darauf weiter aufzubauen, da die Stucke entsprechend ihrem Schwierigkeitsgrad angeordnet sind. Das Wort Mikrokosmos kann als eine Serie von Stucken in verschiedenen Stilen verstanden werden, die zusammen eine kleine Welt b ilden. Oder man kann es als ,die Welt der Kleinen, der Kinder' verstehen. (Aus einem Interview des WNYC, New York, Anfang 1945, im Rahmen einer Sendung mit dem Titel Fragen Sieden Komponisten.).
SKU: HL.50511848
ISBN 9790080001288. Bach (23 x 30,2 cm) inches. Hungarian-English-German-French. Peter Bartok.
'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)Der Mikrokosmos ist ein Zyklus von 153 Stucken fur Klavier, zu didaktischen Zwecken geschrieben (Band 1: Z. 125, Band 2: Z. 126, Band 3: Z. 127, Band 4: Z. 128, Band 5: Z. 129, Band 6: Z. 130). Das bedeutet, dass von Anfang an kleine Klavierstucke g eubt werden konnen, um dann darauf weiter aufzubauen, da die Stucke entsprechend ihrem Schwierigkeitsgrad angeordnet sind. Das Wort Mikrokosmos kann als eine Serie von Stucken in verschiedenen Stilen verstanden werden, die zusammen eine kleine Welt b ilden. Oder man kann es als ,die Welt der Kleinen, der Kinder' verstehen. (Aus einem Interview des WNYC, New York, Anfang 1945, im Rahmen einer Sendung mit dem Titel Fragen Sieden Komponisten.).
SKU: HL.50511846
ISBN 9790080001264. Bach (23 x 30,2 cm) inches. Hungarian-English-German-French. Peter Bartok.
SKU: HL.50511845
ISBN 9790080001257. Bach (23 x 30,2 cm) inches. Hungarian-English-German-French. Peter Bartok.
SKU: HL.50511849
ISBN 9790080001295. Bach (23 x 30,2 cm) inches. Hungarian-English-German-French. Peter Bartok.
SKU: HL.50511850
ISBN 9790080001301. Bach (23 x 30,2 cm) inches. Hungarian-English-German-French. Peter Bartok.
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