SKU: FJ.FJH2367
ISBN 9781619283503. UPC: 241444437216. English.
This collection focuses on American folk songs, folk ballads, and popular songs that feature adventurous women-the pioneers, the trailblazers, the sweethearts. Primo is stacked on top of Secondo part; most are about 60 measures in length with the melody moving between each part. Some titles are: Sweet Betsy from Pike; The Yellow Rose of Texas; Oh! Susanna; and more. This book is interesting and well written-a good source for recital material.
SKU: FV.FUE-11025
ISBN 979-0-50182-325-3.
Anniversary Edition 2.
SKU: HL.1414552
UPC: 196288197096.
This Anthology is a result of the #CallToWomenComposers worldwide search for talented but not yet published women composers and includes piano works by twenty-two women composers inspired by Chopin's Nocturnes.
SKU: HL.1115722
ISBN 9781705179833. UPC: 196288105732.
The new work for solo piano, by composer Barbara Arens, continues down the path of her previous work, Rendezvous with Midnight beinginspired by poetry, but goes a step further. Her new collection, of 12 1 songs for solo piano, can also be sung, if one wishes, or be played as solo works. Inspired by poetry by women composers this is a wonderfully romantic score to own and cherish.
SKU: FV.FUE-10073
The 45-minutes work has been composed between 2010 et 2011. These ,,Preludes pour piano are a tribute to the Preludes of Alexander Scriabine. There is no tonal reference in the writing of my Preludes that were written in a chronological way. It is possible to play some of them, however a complete interpretation is preferable. They are mysterious, playing with piano resonance, rhythmic and passionate. They are linked by a great unity of language.
SKU: FV.FUE-10077
ISBN 979-0-50182-077-1.
Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. The work is pianistically challenging, even though it fits the hands well. It requires, in particular, careful listening with regard to the structures and harmonic sequences. This thoroughly entertaining piece of music is set to benefit both up-and-coming musicians and concert pianists, and deserves to be included in the standard repertoire. The piano suite composed in 1956 by the 20 year-old Barbara Heller is a major accomplishment. Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. Stylistically, the work belongs to the moderate modernist trend, which arose sometime after Hindemith. However, this piano suite has charms of its own; at times it is the emphatic shaping of phrases, which bring about moments of dissonance and occasionally, it is the harsh and unwilling gestures. The charm of this piece also lies within its deep-rooted earnestness and its frequent seasoning of humour.
SKU: FV.FUE-10089
ISBN 979-0-50182-089-4.
This short piano piece in the style of a barcarolle has a well-defined form from which the composer appears to depart repeatedly with imaginative outbursts.
SKU: BT.BHL5402245
English.
For women's choir (SA or SSA) or mixed choir (SAB), with piano accompaniment.
SKU: PR.114412140
UPC: 680160017638. 8.5 x 11 inches.
Eleanor’s Gift honors Eleanor Roosevelt’s tireless efforts in advancing recognition of individuals’ rights and freedoms, commissioned for the 50th anniversary of the acceptance by the 48 nations of the Universal Declaration of Human Rights. The composer was written: In the concerto, I express my deep sympathy for the people, especially for the women who have suffered or are suffering from violence and ill treatment, who don’t have the rights and.
SKU: HL.49008100
ISBN 9790001115490.
Scarlet Letters was composed in 1984 on commission of the pianist and harpsichordist Franzpeter Goebels (1920-1988) on the occasion of the 300th birth day of Domenico Scarlatti. The original working title 'Lettere scarlattine' is a concealed homage to the Italian composer. The compositional material is limited to the tones D, E, C, Es (= S, spoken 'Es' = E flat in German notation) and A, derived from the musical letters of Domenico Scarlatti's name, and the tones B (= B flat in German nota tion) and H (= B natural), the initials of my name. With 7 tones and 7 parts, this music is a sort of story about my imaginary encounter with the composer Domenico Scarlatti who was then one of my favourite composers. Sometimes I also used compositional means which I discovered in the sonatas of Scarlatti, such as quick 6/8 figures, afterbeat octaves and repetitions of short motifs. I tried to translatethe clarity, brightness and cheerfulness, the astounding modulations and the pianistic brilliance of his music into my compositional language.Barbara HellerThe piece was recorded on CD by the American pianist Deborah Richards (WERGO 6610-02). First performance: 31. October 1987 International Festival of Women Composers, Unna; Rosario Marciano, piano.
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