SKU: CA.5009414
ISBN 9790007223267. Key: A flat major. Language: all languages.
We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.
SKU: CA.5009412
ISBN 9790007223243. Key: A flat major. Language: all languages.
SKU: CA.5009409
ISBN 9790007223229. Key: A flat major. Language: all languages.
SKU: CA.5009411
ISBN 9790007223236. Key: A flat major. Language: all languages.
SKU: CA.5009415
ISBN 9790007223274. Key: A flat major. Language: all languages.
SKU: CA.5009419
ISBN 9790007134594. Key: A flat major. Language: all languages.
SKU: CA.1241611
ISBN 9790007028244. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.
Score available separately - see item CA.1241600.
SKU: CA.1241609
ISBN 9790007028237. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.
SKU: CA.1241605
ISBN 9790007028220. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.
SKU: CA.1241600
ISBN 9790007028206. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.
SKU: CA.1241603
ISBN 9790007028213. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.
SKU: CA.1241612
ISBN 9790007028251. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.
SKU: CA.1258200
ISBN 9790007143336. Text language: German. Text: Timm, Gabriele. Text by Gabriele Timm.
SKU: CA.1258203
ISBN 9790007143411. Text language: German. Text: Timm, Gabriele. Text by Gabriele Timm.
Score available separately - see item CA.1258200.
SKU: CA.1258205
ISBN 9790007161118. Language: German. Text: Timm, Gabriele. Text: Gabriele Timm.
SKU: CA.1060103
ISBN 9790007132996. Language: German.
In his new work Sonne, Mond und Sterne (Sun, moon and stars), composer Peter Schindler combines texts from five centuries to form a kaleidoskope of life. The music, closely reflecting the many and diverse texts, borrows influences from classical music and jazz, chanson, pop and chamber music, and is merged into a unique and unmistakable musical language by Peter Schindler. Score available separately - see item CA.1060100.
SKU: HL.645669
UPC: 008148061365. 9.0x12.0x0.013 inches.
SKU: SU.96010570
Transcribed and arranged for Piano by Lawrence RosenA new, 3-volume set of Mozart Dances for Piano, 14 of these dance suites are faithfully transcribed for piano at the early to advanced intermediate level. Almost all appear as new Mozart music for piano (except for the Six German Dances, K. 509, which Mozart himself arranged for piano.) Within each volume, they are arranged by increasing difficulty. They are eminently suited for teaching, recital and concert performance, encores, recording, sight-reading practice, and theoretical study. We sincerely hope you enjoy them as much as we did in discovering and creating these little masterpieces. CONTENTS Four German Dances, K. 602 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Violoncello/Contrabass, Timpani) Twelve German Dances, K. 586 (originally for 2 Flutes, Piccolo, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Violoncello/Contrabass, Tambourine, Timpani) Minuet, K. 409 (originally for 2 Flutes, 2 Oboes, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Viola, Violoncello/Contrabass) Les Petits Riens (excerpts,) K. 299b (originally for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Violins, Viola, Violoncello/Contrabass, Timpani) Instrumentation: Piano Published by: Subito Music Publishing.
SKU: IG.PMS121
9 x 12 in inches.
Innocence is available for either piano solo or piano and chamber accompaniment (flute, clarinet, first and second violins, viola and cello). It is a good learning tool for aspiring musicians at or above a beginner's level.Technically, the piece contains several tertian harmonies and simple flares of credenza-like complexities. The form is a through composed inspiration that later becomes more refined in terms of symmetry and balance. Less technically described, Innocence was written to demonstrate the differences and the compatibility between traditional and untraditional harmonic development. Students will or should recognize the two different approaches.In the most traditional approach, the listener is typically able to predict how the melody will unfold. It is like a journey down a road where the passengers can see all the straight-aways and turns ahead. Innocence , however, while never discarding or disrespecting musical grammar, is occasionally innocently twisted to hijack the listener into gently surprising and unanticipated turns. It is a good learning tool to point out the different approaches to composition. It is also simply a fun and entertaining piece in and of itself.
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