SKU: BT.EMBZ14505A
English-German-Hungarian.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.EMBZ14505
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BA.BA04617-01
ISBN 9790006496204. 33 x 25.6 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.50586326
ISBN 9783931788520. German.
Mit Ricos Konzert erhalten Lehrer variables Unterrichtsmaterial, das sie begleitend zum jeweiligen Band der Schule einsetzen konnen. Die Schuler bekommen mit diesen Heften besonders motivierende Spielstucke, die sie auch im Konzert vorspielen konnen. Die Rico-Klavierschule geht einen Weg, der besonders fur junge Anfanger (Kinder ab etwa 6 Jahren) zugeschnitten ist: Sie ist in 3 Stufen gegliedert; jede Stufe besteht aus drei Heften: 1.das Hauptlehrbuch : Rico lernt Klavier 1-32.ein Erganzungsbuch: Ricos Werkstatt 1-3 3.erganzende Spielstucke: Ricos Konzert 1-3Alle 3 Hefte werden parallel verwendet. Durch ihren flexiblen Aufbau konnen dieverschiedenen Lernziele an mehreren Stucken abwechslungsreich erarbeitet werden. Sehr viel variables Material also, das der Lehrer der jeweiligen Unterrichtssituation und den individuellen Bedurfnissen des Schulers anpassen kann. So hat er einerseits fur jeden Schuler genugend Lernmaterial zur Verfugung, andererseits muss aber nicht jeder Schuler jedes Stuck spielen.
SKU: NR.96812
Sirenen =, Les sirenes, Geschmeidigkeit =, Volubilite, Traumbild =, Vision, Im Walzer-Tempo =, A la valse, Chromatische Etüde =, Etude chromatique, Im Taumel =, Le vertige, Toccata =, Toccata, Die Pinien der Villa Medici =, Les pins de la Villa Medicis.
SKU: HL.49005500
ISBN 9790001059176. 9.0x12.0x0.236 inches. Schott Piano Collection.
SKU: HL.50586324
ISBN 9783931788506. German.
Die erfolgreiche Klavierschule Rico lernt Klavier mit Rico, dem frohlichen Fantasievogel, ist fur Kinder ab sechs Jahren geeignet. Kritisch durchgesehen, ubersetzt und herausgegeben von Gunter Kaluza; mit lustigen Bildern illustriert vonReiner Stolte. Die drei Bande der Klavierschule stellen das Musikalische Werden der Schulerinnen und Schuler in den Mittelpunkt.Die Rico-Klavierschule geht einen Weg, der besonders auf junge Anfanger (Kinder ab etwa 6 Jahren) zugeschnitten ist:Sie ist in 3 Stufen gegliedert; jede Stufe besteht aus drei Heften:
1. das Hauptlehrbuch: Rico lernt Klavier 1-3 2. ein Erganzungsbuch: Ricos Werkstatt 1-33. erganzende Spielstucke: Ricos Konzert 1-3
Alle 3 Heftewerden parallel verwendet. Durch ihren flexiblen Aufbau konnen die verschiedenen Lernziele an mehreren Stucken abwechslungsreich erarbeitet werden. Sehr viel variables Material also, das der Lehrer der jeweiligen Unterrichtssituation und denindividuellen Bedurfnissen des Schulers anpassen kann. So hat er einerseits fur jeden Schuler genugend Lernmaterial zur Verfugung, andererseits muss aber nicht jeder Schuler jedes Stuck spielen.
SKU: PR.510079380
Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft.Schubert's Fantasy in C major (also known as the Wanderer Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862.This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English.
SKU: HL.49045690
For decades, pupils (aged 6+) have been learning the basics of piano playing with plenty of imagination and creativity by using the popular three-volume piano method Piano Kids by Hans-Gunter Heumann. In 2014 the method was revised and has since been published in a revised and expanded new edition: New songs and illustrations breathe new life into the standard work and adjust it to the realityof life of today's first-time piano players. The educational concept of Piano Kids, resulting from the combination of textbooks, additional activity books as well as the large number of themed tune books, is now completed by tune books that are companions to the textbooks.These new tune books contain a wide range of very easy pieces for beginners which are in line with the progress of the textbooks andprovide the young pianists with age-appropriate playing literature from the very first piano lesson. Well-known folklore melodies, upbeat compositions in the style of pop, rock and jazz music as well as the first little masterpieces by Mozart, Beethoven & Co. motivate and stimulate the pupils and add variety to the music lessons. Volume 1 starts with several pieces for piano duet which will easily motivate beginners without demanding too much. All pieces are limited to the five-note range while nevertheless covering the whole spectrum of styles: from folk melodies via classical pieces by composers such as Gurlitt, Turk or Bartok to modern compositions from the areas of pop, rock and jazz music. Alongside Vol. 2 of the piano method, Volume 2 extends the pitch range and heightens the rhythmic demands. Apart from the wide rangeof songs from the areas of folk, rock and pop music, the young musicians get to know the first easy piano pieces by Mozart, Beethoven & Co. Many little 'treats' will have a lasting motivating effect on the pianists, like e.g. the Baby Elephant Walk by Henri Mancini or The Entertainer by Scott Joplin. These pieces have been arranged by Hans-Gunter Heumann in such a way that they do not demand too much of the children but motivate them when playing these famous melodies.
SKU: HL.50586323
ISBN 9783931788490. German.
SKU: HL.49005287
ISBN 9790001056830. UPC: 884088468804. 9.0x12.0x0.198 inches.
SKU: HL.50586321
ISBN 9783931788476. German.
SKU: HL.50586318
ISBN 9783931788445. German.
SKU: BR.DV-32147
ISBN 9790200426809. 9 x 12 inches.
Once again, expert educator Manfred Schmitz wheels the piano outdoors into the fresh air. The story-telling gardener then lets all the children join in and play a role in making music on his flower-bed piano: as a frog, a daisy, a lark, a ladybug, a mole, a snowdrop, a wren or a butterfly. Everyone gets into the act, with a performance that can be big or small, but that's always suited to a child's proficiency, enjoyment and enthusiasm. The result is a real little outdoor musical! Following the Spielwiese (DV 30065) and the Grune Kinder-Lieder-Klavier (DV 31099), this is the third installment of the multi-faceted Open Air Piano concept.Once again, expert educator Manfred Schmitz wheels the piano outdoors into the fresh air. The story-telling gardener then lets all the children join in and play a role in making music on his flower-bed piano.
SKU: BT.SCHEE3171
3 Pianos, 6 Hands. Bruch, M.
SKU: DB.01-00674
ISBN 9790012198352.
Wie die Charakterbezeichnungen der sieben Satze verraten, soll dem Lernenden eine Reihe von musikalischen Aufgaben angeboten werden, sich sowohl technisch als auch im lyrischen Bereich durch Anschlagskultur den Anforderungen zu stellen. Die Komposition soll in kurzen ubersichtlichen Formmodellen unterschiedliche Charaktere vermitteln. Sie ist in erster Linie als Beitrag fur junge Lernende an Musikschulen gedacht. Da im Ablauf der einzelnen Satze zunehmende Anforderungen gestellt werden, sollten diese auf Spieler aufgeteilt werden, die den jeweiligen Anspruchen gewachsen sind, wobei im Sinne eines Teamworks bei einem Konzert etwa auch der Lehrer sich mit dem Abschlussstuck (Nr. 7) beteiligen kann. Selbstverstandlich konnen die sieben Satze auch von einem Schuler dargeboten werden. (E. Urbanner)1. Cantabile, 2. Marcato, 3. Andante con moto, 4. Giusto, 5. Scherzando, 6. Con spirito, 7. Espressivo e rubato.
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