SKU: A2.S034
ISBN 978-0-89579-775-9. 8.5x11 inches.
This edition includes three piano works by the German-Jewish composer Hans Samuel (1901-76), who was active primarily as an organist and composer of organ music. The selected works - Hassidic Hanukkah Tune: Al hanissim we al hapurkan (1946), Sounds of Slichoth: Paraphrases on S'lichoth Tunes According to the Ashkenas-Western Mode (1957, dedicated to the composer's parents, who perished in Theresienstadt), and Variations on a Yemenite Tune (undated) - were composed after Samuel's emigration to Palestine in 1939. Besides exemplifying the heightened awareness of diverse Jewish musical traditions that characterizes Samuel's music after his emigration, these works are representative of Israeli immigrant composers' early struggles to attempt to define their new nation musically.
SKU: YM.GTP01094750
ISBN 9784636947502.
8 arrangements from 1st single [R+] and mini album [REONIST].
SKU: HL.14013387
UPC: 884088443689. 9.25x12.0x0.088 inches.
'Piezas faciles' - Piano compositions of 1953 by R. Lamote de Grignon.
SKU: A2.GMP014
ISBN 979-0-58039-013-4. 8.5x11 inches.
This volume features nine theme-and-variation sets composed in the early through mid-nineteenth century by Jan Ladislav Dussek (1760-1812), Otto Dresel (1826-90), and American composers of the early nineteenth century. Based on a variety of popular songs and dances of the period, as well as on original themes, these highly virtuosic pieces are ideal concert repertoire.
SKU: LM.27366D
ISBN 9790231701685.
GLINKA : Tarentelle - MOZART W.A : Sonate n. 5 KV283, Allegro - Sonate n. 4 KV282, Allegro - CHABRIER E. : Ballabile - TCHAIKOWSKI : Feuillets d'Album - SMETANA B. : Andante - SCHUMANN R. : L'Etranger - Klavierstuck Op.99 n. 1 - SCHUBERT F. : Scherzo en Sib Maj. - DEBUSSY C. : Danse Bohemienne - Doctor Gradus ad Parnassum - POULENC F. : 5e Improvisation - MARTINU B. : Polka en La - MARTIN F. : 3e Prelude - KODALY Z. : Klavierstucke Op.3 n. 1 - BARTOK B. : Accords de Quintes - PROKOFIEV S. : Menuetto Op.32 n. 2 - BEETHOVEN L.V. : Bagatelle Op.119 n. 2 - BERIO L. : Brin - CHOPIN F. : Mazurka Op.24 n. 1 - GRANADOS E. : Danse Espagnole n. 5 - GRIEG E. : Sylphide Op.67 n. 1 - HAYDN F.J. : Presto - Sonate en Sol Maj.
SKU: LM.23846
ISBN 9790230938464.
A...comme Apprendre - B...comme Berger - C...comme Carillon - D...comme Danser - E...comme Ecouter - F...comme Frere et soeur - G...comme Galoper - H...comme Horizons - I...comme Imiter - J...comme Jardiner - K...comme Kilometres - L...comme Loisirs - M...comme Marionnettes - N... comme Naviguer - O...comme Obstine - P...comme Prier - Q...comme Quatre par quatre - R... comme Rever - S...Saute-mouton - T...comme Trois et deux font cinq - U...comme Uniforme - V...comme Valser - W...comme Western - X...comme Xylophone - Y...comme Y es-tu, loup ? - Z...comme Zig-Zag.
SKU: LM.27366
ISBN 9790230973663.
SKU: BT.EMBZ14505A
English-German-Hungarian.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BR.EB-8990
Here you will find the concerto R (A Portrait for Piano and Orchestra).
ISBN 9790004187197. 9 x 12 inches.
A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com).
SKU: BT.EMBZ14505
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: SU.19010050
Fourteen pieces for solo piano Contents: Honor & Remembrance, In Memoriam G.S., In Memoriam J.S., In Memoriam L.L., In Memoriam E.G., In Memoriam J.R., In Memoriam S.G. (for N.E.W.), In Memoriam M.M., In Memoriam R.C., In Memoriam L.S., Charlie's Blues, In Memoriam R.H.& R.B., Bread & Roses, Berceuse Composed: 1995 Published by: Heart Earth Music Audio CD also available (#19019100).
SKU: HL.50610016
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece No. 13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later No. 7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. CONTENTS: 1. Rhapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 5 No. 12 Héroide élégiaque 2.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 6 No. 13 3.Rapsodien hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 7 No. 14 4.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 8 No. 15 5.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 9 No. 16 6.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 10 No. 17 7.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 18 8.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 19 9.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 20 10.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 21 11. Mosonyis Grabgeleit - Original version R 110, SW/SH 194, NG2 A249, 3rd conclusion or conclusion of the 2nd version of Historische ungarische Bilndnisse no. 7 (R 112/7, SW 205/7), SH 205a/7ii, (NG2 A335/7) 12.Dem Andenken Petofis. Mélodie R 111, SW/SH 195, NG2 A279 13.Appendix - Rákóczi-Marsch. Leichtere Version (Fragment) R-, SW-, SH 692d, NG2 A59 (simplified version) 14.Appendix - Rapsodies hongroises R-, SW-, SH 242a, NG2 A59 (simplified version) No. 13 Album leaf 15.Appendix - Ungarische Königslied R 215, SW/SH 544, NG2 A328 - Memorial leaf 16.Appendix - Album leaf R-, SW/SH-, NG2-.
SKU: HF.FH-3149
ISBN 9790203431497. 9 x 12 inches.
1. Traumerei, op. 15,7 (R.Schumann); 2. Bagatelle in F-Dur, op. 33, 3 (L.v. Beethoven); 3. Bittendes Kind op. 15, 4 (R.Schumann); 4. Wiegenliedchen op. 124,6 (R. Schumann); 5. Walzer, op. 72 (F. Schubert); 6. Kuriose Geschichte op. 15,2 (R. Schumann); 7. Bagatelle in F-Dur op. 33,6 (L.v. Beethoven); 8. Valse sentimentale op. 50,67 u. 77 (F.Schubert); 9. Wichtige Begebenheit op. 15,6 (R. Schumann); 10. Bagatelle in A-Dur op. 33,4 (L.v. Beethoven); 11. Walzer op. 9b (F. Schubert); 12. Mazurka op. 24,3 (F. Chopin); 13. Deutscher Tanz op. 33 u. 18 (F. Schubert); 14. Noctunre (J. Field); 15. Phantasietanz op. 124,5 (R. Schumann); 16. Walzer, op. 9h (F. Schubert); 17. Nocturne (J. Field); 18. Marzuka op. 7,1 ( F. Chopin); 19. Walzer op. 9h u. 33 (F. Schubert); 20 Mai, lieber Mai - bald bist Du wieder da! op. 68, 13 (R. Schumann); 21. Landler op. 67 u. 18h (F. Schubert); 22. Deutscher Tanz op. 33 (F. Schubert); 23. Bagatelle in g-Moll op. 119,1 (L.v. Beethoven); 24. Marzurka op. 24,1 (F. Chopin); 25. Moment musical op. 94,3 (F. Schubert); 26. Elfe op. 124,17 (R.Schumann); 27. Gluckes genug op. 15,5 (R.Schumann); 28. Bagatelle in Es-Dur op. 33,1 (L. van Beethoven); 29. Valse sentimentale op. 50 (F. Schubert); 30. Schlummerlied op. 124, 16 (R. Schumann); 31. Walzer op. 9 u. 18 (F. Schubert); 32. Warum? op. 12,3 (R. Schumann); 33. Walzer op. 9 (F. Schubert).
SKU: GH.R-R-5222
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