| Wind Chimes Piano solo - Beginner Hal Leonard
Hal Leonard Student Piano Library Showcase Solo Level 2/Elementary. By Carol Klo...(+)
Hal Leonard Student Piano Library Showcase Solo Level 2/Elementary. By Carol Klose. Educational Piano Library. Book only. Size 9x12 inches. 4 pages. Published by Hal Leonard.
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| Young People's World 20 Short Pcs Piano solo - Intermediate Schott
Piano (Piano) - intermediate SKU: HL.49007250 20 short Pieces. Com...(+)
Piano (Piano) - intermediate SKU: HL.49007250 20 short Pieces. Composed by Petr Eben. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1985. 22 pages. Duration 10'. Schott Music #ED 7445. Published by Schott Music (HL.49007250). ISBN 9790001077934. 9.0x12.0x0.096 inches. The pavers * march * Musical box * Out of Tune * In Indian File * Mazur * Nightly Chimes * The fencers * a legend * The false Trumpet * Pingpong * From the far east * By the brooklet * When mother caresses * At the shooting-range * Don't you go mad? * The white sailing ship * Czardas * Bird on the window-sill * Lullaby. $19.99 - See more - Buy online | |
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| Fantastic Fingers, Book 2 Piano solo [Sheet music] FJH
By Christopher Goldston. For Piano. Composers In Focus. The pieces in this colle...(+)
By Christopher Goldston. For Piano. Composers In Focus. The pieces in this collection are centered around C position and contain some simple eighth notes rhythms. Features colorful settings and a variety of articulations. Contents include: Cool Cat Strut; Brave Hawk; Luck of the Irish; Snake Charmer; London Chimes; Temple Breezes; Whirlwind; Night Flight. Level: Elementary. Book. Published by The FJH Music Company, Inc.
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| Concerto Piano solo Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP). UPC: 680160685202. What?! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement. $47.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | |
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| Accelerated Piano Adventures For The Older Beginner, Lesson Book 1
Piano solo [Sheet music] - Beginner Faber Music Limited
By Nancy Faber, Randall Faber. For Piano. Accelerated Piano Adventures. Level: P...(+)
By Nancy Faber, Randall Faber. For Piano. Accelerated Piano Adventures. Level: Primer/Level 1. Book. Published by The FJH Music Company, Inc.
(9)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Accelerated Piano Adventures for the Older Beginner Piano solo [Sheet music + CD] Faber Music Limited
(Lesson Book 1 2-CD Set). By Nancy Faber and Randall Faber. For Piano. Faber Pi...(+)
(Lesson Book 1 2-CD Set). By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Primer/Level 1. CD only. Faber Music #CD1016. Published by Faber Music
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| Character Pieces in Romantic Style, Book 1 Piano solo - Beginner Alfred Publishing
12 Short Piano Solos. Composed by Martha Mier. Piano Collection; Piano Supple...(+)
12 Short Piano Solos.
Composed by Martha Mier.
Piano Collection; Piano
Supplemental. Book. 24 pages.
Alfred Music #00-47768.
Published by Alfred Music
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| Wind Chimes Piano solo [Feuillet] FJH
By Wynn-Anne Rossi. For piano. FJH Written For You Piano Solos. Intermediate. Si...(+)
By Wynn-Anne Rossi. For piano. FJH Written For You Piano Solos. Intermediate. Single sheet. Published by The FJH Music Company Inc
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| Piano Recital Showcase - Summertime Fun Piano solo [Sheet music] Hal Leonard
(12 Favorite Pieces Carefully Selected for Elementary Level). Arranged by Bill B...(+)
(12 Favorite Pieces Carefully Selected for Elementary Level). Arranged by Bill Boyd, Carol Klose, Jennifer Linn, and Phillip Keveren. Educational Piano Library. Elementary. Softcover. 32 pages
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| Piano Adventures - Performance Book (Primer)
Piano solo [Sheet music] - Beginner Faber Music Limited
(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format:...(+)
(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: piano solo songbook. With introductory text, instructional text, big note notation, easy piano notation, fingerings, lyrics (on most songs), guitar tablature (for the teacher) and illustrations. Solos. 32 pages. 9x12 inches. Published by The FJH Music Company Inc.
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| Piano Adventures - Lesson Book, Level 2B
Piano solo [Sheet music] - Easy Faber Music Limited
Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. Wi...(+)
Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, musical examples, illustrations and performance notes. Instructional. This level introduces cross-hand arpeggios and the full major scale in the keys of C, G, and F.. 55 pages. 9x12 inches. Published by FJH.
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| Piano Adventures Lesson Book CD, Level 2B Piano solo [Sheet music + CD] Faber Music Limited
By Nancy Faber, Randall Faber. Arranged by Edwin Mclean. For Piano. Level: 2B. C...(+)
By Nancy Faber, Randall Faber. Arranged by Edwin Mclean. For Piano. Level: 2B. CD. Published by The FJH Music Company, Inc.
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| Very Young Pianist Listens And Creates, Book 1 Piano solo - Beginner Kjos Music Company
By Jane Bastien. (Very Young Pianist Library). Bastien Piano. Ear Training. Leve...(+)
By Jane Bastien. (Very Young Pianist Library). Bastien Piano. Ear Training. Level: Book A,1. Music Book. Size 232. Published by Neil A. Kjos Music Company.
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Masterwork Technical Skills, Level 4 Piano solo [Sheet music] - Intermediate/advanced Alfred Publishing
Edited by Jane Magrath. For Piano. Piano Collection. Masterwork. Level: Intermed...(+)
Edited by Jane Magrath. For Piano. Piano Collection. Masterwork. Level: Intermediate (grade 4/5). Book. 32 pages. Published by Alfred Publishing.
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| Composer Spotlight Series: Summer Daze Piano solo - Beginner Alfred Publishing
By Barbara Harry. For Piano. Piano Collection. Composer Spotlight Series. Level:...(+)
By Barbara Harry. For Piano. Piano Collection. Composer Spotlight Series. Level: Late Elementary. Book. Published by Alfred Publishing.
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| Catherine Rollin : Spotlight on Impressionist Style Piano solo [Sheet music] - Intermediate/advanced Alfred Publishing
By Catherine Rollin. For Piano. Piano Collection. Level: Intermediate (grade 4/5...(+)
By Catherine Rollin. For Piano. Piano Collection. Level: Intermediate (grade 4/5). Book. 24 pages. Published by Alfred Publishing.
(1)$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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