SKU: BR.EB-8904
Editio princeps based on the source of the Berliner Singakademie
ISBN 9790004185322. 9 x 12 inches.
The renowned harpsichordist and early music expert Glen Wilson went prospecting in the archive of the Sing-Akademie in Berlin and struck solid gold: six out of a total of 26 previously unknown manuscript suites by Gottlieb Muffat, which create an impressive synthesis of the French and Italian keyboard styles of the early 18th century, are published here for the first time.Editio princeps (Suites Nos. 2-5) based on sources of the Berlin Sing-Akademie.
SKU: FZ.50138
ISBN 9790049501385. 21.00 x 29.70 cm inches.
This facsimile of an original by Franz Anton Hoffmeister is part of our Facsimusic collection. Wien, Artaria, (s. d. = 1799). Theme and variations for forte-piano or harpsichord. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.50489800
8.25x11.75x0.08 inches.
SKU: HL.48188949
Mein Fugue A 3 Voix Sans Analyse Cys103 Piano Or Harpsichord Book.
SKU: HL.50485155
ISBN 9790080120774. UPC: 073999471755. 13.25x9.25x0.09 inches. Zsolt Durko.
Very difficult level.
SKU: HL.48188884
UPC: 888680873332. 9.0x12.0x0.21 inches.
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume of Selected Sonatas is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The first volume of Selected Sonatas, compiled by Kenneth Gilbert, includes many of the popular and recognised sonatas. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. .
SKU: BT.ALHE33676
French.
As a prestigious musician during the early 1700s, Royer's Harpsichord Pieces remains a favourite in the instrument's repertoire. Joseph Nicolas Pancrace Royer (1705-1755) was born in Turin, however, he moved to Paris in 1925 andsoon became responsible for the musical education of King Louis XV's children. Royer is particularly known for his extravagant and virtuosic Harpsichord compositions, as displayed in La Pupitre's compilation of his HarpsichordPieces. Comprising famous works by the composer, including Suite Bagatelle and March of the Scythes, the collection exemplifies the composer's skills on the Harpsichord. Royer's Harpsichord Pieces is essential to the repertoire ofaspiring advanced players of the instrument.
SKU: HL.50603598
ISBN 9781705121405. UPC: 840126945737. 9.0x12.0x0.377 inches. Hungarian, English, German, French. Szilvia Elek; Aniko Horvath.
This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions.
SKU: BR.EB-8033
ISBN 9790004174364. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extant, since it is more stimulating for children to change the teaching material frequently. Jean-Philippe Rameau (1683-1764) is the second great keyboard master of the Baroque Age next to Couperin. His works are as unknown to pianists, with few exceptions, as they are famous among harpsichord players. The virtuosity and imaginativeness of his works lend themselves especially well to the sound of harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the harpsichord and clavichord, and no one would dare question their interpretation on the pianoforte. In order to introduce these Impressionists of the Baroque Era to piano instructions, the editor has added to this series a folio of both Couperin's (EB 8029) and Rameau's music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. Baroque dance forms and graceful character pieces (LaJoyeuse, L'Indifferente) are typical ofRameau's work. Simplifications to a small extent of the harpsichord setting and also of the omamentation in the original version were required, based on the teaching experience of the editor. The indications for phrasing and articulation are those of the editor. The Minuet on page 6 has been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series: what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the espective footnotes; these directions, however, are not obligatory. Indications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case by used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realisation of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: BR.OB-5509-12
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004338452. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: BR.EB-8029
ISBN 9790004174326. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. There are four existing harpsichord books with a total of 226 compositions by Francois Couperin le Grand (1668 -1733). His works are as unknown to pianists as they are famous among harpsichord players. The grace and imaginativeness of his works lend themselves especially well to the sound of the harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the haipsichord and clavichord, and no one would dare question their intetpretation on the pianoforte. In order to introduce these lmpressionists of the Baroque Era to piano instruction, the editor has added to this series a folio of both Couperin's and Rameau's (EB 8033) music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. The Butterflies and the Windmills are both especially typical of masterful character pieces. The demands made on technique certainly correspond to a level of moderate difficulty. The simplifications made are restricted to the artistically realized twopart accompaniment (eg. p. 4 f. and p. 8 f.) with regard to finger stretch and to the profuse ornamentation of the original. The indications for phrasing and articulation are those of the editor. The first two pieces have been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series; what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the respective footnotes; these directions, however, are not obligatory. lndications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case be used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realization of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: HL.49002299
ISBN 9790220101311. UPC: 073999777697. 9.0x12.0x0.165 inches.
2 harpsichords (pianos).
SKU: HL.50487202
ISBN 9790080125199. Bach (23 x 30,2 cm) inches. Hungarian, English. Zoltan Kocsis.
This piece may be performed on piano or on double-manual harpsichord.
SKU: HL.49010888
ISBN 9790001097246. 9.25x12.0x0.104 inches.
SKU: HL.50011900
UPC: 073999119008. 8.25x11.75x0.539 inches.
Contents: Suites 21-30.
SKU: HL.50011940
UPC: 073999696646. 8.25x11.75x0.508 inches.
Contents: Suites 351-400.
SKU: HL.50011970
UPC: 73999658309. 9.0x12.0x0.498 inches.
Contents: 45 Pezzi Disposti.
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