SKU: BT.EMBZ13542
English-German-Hungarian.
An ABRSM syllabus title, 2014-2021 - Grade 8.The composer of the Baroque era and perhaps of the whole history of music who knew most about the recorder was Georg Philipp Telemann. His sonatas recorder belong to the basic repertory of each professional and pretentious amateur player of the instrument. The complete edition of his sonatas is still missing and the quality of the available editions of the various pieces is definitely uneven. It is thus a pioneering work to publish Telemann's complete sonata output in the EMB Urtext series. This publication is printed on high-quality, age-resistant, pale-yellow paper that is produced in an environmentally-friendly, climate-neutralmanner using renewable raw materials.
SKU: FP.FZZ26
ISBN 9790570504046.
This new collection is bookended by beguiling and moderately easy works by two of Britain’s most distinguished composers of light music, Peter Hope and Jim Parker, whose music has been heard by millions of listeners and viewers. Sandwiched between these are several no less attractive concert pieces, including an evocation of the night sky in East Anglia, a gentle meditative view from a college window, and some finger-testing sparklers to entertain and test the virtuoso player’s technique.
SKU: BR.EB-8609
Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.
ISBN 9790004179956. 9 x 12 inches.
It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works, it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date. This edition is based on a manuscript preserved in the Sachsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice, and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in the manuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change. We wish to thank the directors of the Sachsische Landesbibliothek Dresden for their authorization to publish the work. (Hamburg, Fall 1995 - Martin Nitz)Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.
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