SKU: FP.FDD02
ISBN 9790570503834.
Vernon Park, Stockport’s oldest park, was created on land donated by Lord Vernon (George John Warren). It was built by poor mill workers who called it pinch-belly park and opened on 20th September 1858. Comprising twenty-one acres, it houses a museum, a bandstand, ornamental fountains, a fernery, rockery, borders and sunken rose garden as well terraced walkways that overlook the river and weir. The piece depicts a solitary walker engrossed in his own thoughts on a winter’s day, the landscape, and the park’s Victorian past.At the very end of the piece a reminder of the park’s Victorian origins can be detected in a quote from Elgar’s Salut d’amour of 1899, which may well have been played by a band in the bandstand. Stockport market celebrated its 750th anniversary in 2010. It dated back to September 1260 when a Royal Charter allowed Robert de Stokeport, the Mayor, to hold a weekly market within the defensive walls of the Norman Castle on the present site of Castle Yard.The Glass Umbrella was a popular name given to the 1861 covered market built of timber, glass and iron - nine bays with open sides and a glass canopy. In 1912, one bay was removed to enable electric trams and trolley buses to turn a sharp corner.The piece depicts a lively market day, the multiculturalism of the present day and the old cries of pick and pay without delay. The bells of St Mary’s Church are depicted by a cascading peel tuned to the ten bells of the church tower, and a fleeting reference to John Wainwright’s famous Christmas hymn Christians Awake, and the Westminster chimes striking the hour from St Mary’s, bring to piece to a conclusion. Separate parts are provided for recorder and oboe.
SKU: BT.DHP-1125297-400
ISBN 9789043141833. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and recorder in which the level of difficulty for both players is similar are always in demand. The pieces in this book — arrangements of well-known tunes as well as original compositions — are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team — after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en blokfluit waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De stukken in dit boek — zowel bewerkingen van bekende liedjes als originele composities — zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team — in de muziek draait het immers vrijwel altijd om samenspel!Es besteht ein Bedarf an Stücken für Klavier und Blockflöte, in denen die Stimmen für beide Spieler ähnlich schwer sind. Die Stücke in diesem Buch — die sowohl bekannte Melodien als auch originale Kompositionen umfassen — richten sich an Instrumentalschüler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spaß. Two is a Team — denn schließlich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et fl te bec dont le degré de difficulté soit peu près le même pour les deux musiciens. Les morceaux de ce recueil — arrangements d’airs connus et compositions originales — sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec d’autres est un des grands plaisirs qu’apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile un’esecuzione con l’accompagnamento del piano.
SKU: BT.CAMCM234
Creative Variations provides musicians with the opportunity to explore and develop their own musical ideas in the preparation and performance of contemporary compositions. Each piece offers a different approach to'variation on a theme' either through demonstration or by composition or improvisation. Even fully notated sections are open to musical interpretation and musicians should feel free to add their own dynamics, phrasing andarticulations.Written by Jeffery Wilson and Malcolm Miles, this volume is for Treble or Descant Recorder and includes a playalong CD.
SKU: HL.14018198
ISBN 9788759857366. English-German.
Krahmer's Variations Brillantes was originally written for the Csakan, an instrument similar to the Recorder. In this edition the original notation has been retained. Scored here for Recorder and Piano (or Harpsichord) accompaniment.
SKU: BT.EMBZ14137
English-German-Hungarian.
SKU: FP.FBM04
ISBN 9790570504077.
The opening movement is a free fantasia, contrasting with the middle movement, a scherzetto, in homage to, and based on the letters of the name of, the composer Douglas Steele, an assistant to Sir Thomas Beecham and a founding father of Chethams School, and which quotes from Steele’s beautiful carol The Snow Falls.Divertimento was first performed by John Turner and Janet Simpson at a concert in aid of the Peter Cunningham Memorial Fund at Mellor Church on 17th January 2005. It uses both treble and descant instruments. The second movement was originally composed for a concert in Manchester Cathedral in memory of Douglas Steele, one of the founding fathers of Chetham's School, and quotes (by kind permission of Forsyth Brothers Ltd.), from his well-known carol The Snow Falls. It has been separately recorded by John Turner and Stephen Hough on Autumn Sequence – the music of Douglas Steele and his Circle (Campion Cameo 2040/41).Martin Bussey was born in London in 1958. He was a Choral Scholar at King’s College, Cambridge, during which time he studied composition with Robin Holloway. Following postgraduate singing study at the RNCM he settled in Manchester and held a number of posts, including Head of Academic Music and Director of Choirs at Chetham’s School of Music until 2013. He continues as Musical Director of the Chester Bach Singers, a Vocal Tutor at Manchester University, Chairman of the Finzi Friends and a Director of the Ludlow Song Weekend. Compositions include the highly successful monodrama about Mary I, Mary’s Hand, premiered in 2018; a significant collection of solo songs which includes settings of Housman, Hardy, and Walt Whitman, many recorded on the disc Through a glass; and much choral music, recorded by Sonoro under Neil Ferris in 2019.
SKU: BT.CAMCM233
This collection of tuneful and engaging pieces ranges from Grades 1-5 in standard and is an ideal introduction to developing improvisation. Includes parts for both Treble and Descant recorders as well as a CD which givesfull-length demos and tracks to play along with.
SKU: BT.ALHE32384
French.
Sonate Op.2, No.5 in C minor - Sonate Op.2 No.7 in E minor.
SKU: HL.48188304
UPC: 888680855918. 9.0x12.0x0.137 inches.
Sonate Op.3, No.2 in B flat major; Sonate Op.3, No.8 in F major.
SKU: HL.48188303
UPC: 888680855901. 9.0x12.0x0.113 inches.
Sonate Op.2, No.5 in C minor; Sonate Op.2 No.7 in E minor.
SKU: BT.ALHE32385
Sonate Op.3, No.2 in B flat major - Sonate Op.3, No.8 in F major.
SKU: LM.C05451
ISBN 9790230354516.
SKU: FP.FHP05
ISBN 9790570504039.
Peter Hope's Recorder Sonata is the most substantial piece in his growing body of work for the recorder, published by Forsyth. Hope has written and arranged for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other composers including John Williams and James Horner. His original compositions include the Suite: Ring of Kerry (which won an Ivor Novello Award in 1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, and a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble. His Bramall Hall Dances, for recorder and guitar/piano are published by Forsyth has become a standard repertoire work for the recorder.
SKU: BR.EB-8910
ISBN 9790004185766. 9 x 12 inches. German / English.
Ensemble playing among friends Tio, the little keyboard man, is just about to get to know his instrument properly - since his friends with their other instruments would like him to accompany them at the piano! That works, in fact, with the small compositions by Kerstin Strecke, who is already presenting here the fifth volume of her successful Tio series. In Tio and Friends the piano part is kept so easy that piano beginners and recorder students of the same age can gain their first exciting experiences in ensemble playing. Suitable for chamber-music projects, preludes, or music at home, this selection includes very easy little pieces as well as also little challenges - just the right thing for Tio!
SKU: FP.FCG08
ISBN 9790570504084.
Born in Bury in 1937, Gordon Crosse is one of the most distinguished composers of his generation. He studied at Oxford University under Egon Wellesz and, during a long academic career, was Composer-in-Residence at King's College Cambridge from 1973-75. His best known works include the oboe concertante Ariadne, the Three Choirs Festival Oratorio Changes, the opera Purgatory, the children's entertainment Meet my Folks, to words by Ted Hughes, the orchestral Dreamsongs (a homage to the music of Benjamin Britten) and Memories of Morning: Night (a monodrama for mezzo-soprano and orchestra).Three Twitchings was first performed by John Turner (recorder) and Nathan Williamson (piano) in the Library at The Red House, Aldeburgh, on October 4th 2018. Two scores are provided, rather than a separate recorder part, so that the recorder player can see and respond to the pianist's part as they play.
SKU: BT.SY-2915
ISBN 9783938809679. German.
Piano accompaniment for Altblockflötenfieber (treble recorder) vol. 3. The recorder method Blockflötenfieber is for kids from 7 years. Concept: modern, rock, pop, jazz sounds instead of childrens music or baroque/renaissance.Das vorliegende Heft enthält Klavierbegleitungen zu vielen Stücken aus Band 3 der beliebten ALTBLOCKFLÖTENFIEBER-Reihe, unter anderem alle Meisterstücke. Sie sind für den Unterricht ebenso geeignet wie für das Musizieren mit Freunden oderGeschwistern und natürlich als Vortragsstücke. Soweit wie möglich wurden die Begleitungen so leicht gehalten, dass etwa gleichaltrige Klavierspieler sie spielen können. Bei den rhythmisch etwas kniffliger scheinenden Rock- und Popstücken empfiehlt essich, zuvor das entsprechende Stück auf der CD anzuhören. Viel Erfolg!
SKU: BT.EMBZ13542
An ABRSM syllabus title, 2014-2021 - Grade 8.The composer of the Baroque era and perhaps of the whole history of music who knew most about the recorder was Georg Philipp Telemann. His sonatas recorder belong to the basic repertory of each professional and pretentious amateur player of the instrument. The complete edition of his sonatas is still missing and the quality of the available editions of the various pieces is definitely uneven. It is thus a pioneering work to publish Telemann's complete sonata output in the EMB Urtext series. This publication is printed on high-quality, age-resistant, pale-yellow paper that is produced in an environmentally-friendly, climate-neutralmanner using renewable raw materials.
SKU: FP.FSR01
ISBN 9790570504152.
Robin Steven’s Balmoral Suite is an affectionate tribute to the Royal Family in the late reign of Queen Elizabeth II. Featuring musical sketches of imagined family life during summers at their Scottish home, the work is a pastiche of well known Scottish folk tunes, delivered with the occasional modernist twist and plenty of humour.A version a version for string orchestra and harp accompaniment is also available and can be heard recorded by John Turner with the Manchester Sinfonia conducted by Richard Howarth, on the album Balmoral Suite and Other Recorder Favourites.
SKU: FP.FZZ26
ISBN 9790570504046.
This new collection is bookended by beguiling and moderately easy works by two of Britain’s most distinguished composers of light music, Peter Hope and Jim Parker, whose music has been heard by millions of listeners and viewers. Sandwiched between these are several no less attractive concert pieces, including an evocation of the night sky in East Anglia, a gentle meditative view from a college window, and some finger-testing sparklers to entertain and test the virtuoso player’s technique.
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