SKU: HL.50510384
ISBN 9790080140956. UPC: 073999271362. 9.0x12.0x0.169 inches. Hungarian, English, German. Malina, Bloch.
This volume contains, in addition to well-known movements and pieces, ample material passing for novelty even for those initiated starting from the Renaissance dances to present-day Hungarian folksong arrangements. It is worth trying to play from it after one year of treble recorder studies already. Besides beginners intermediary students can also perform some of the pieces. For them the original Baroque sonata movements may prove interesting.
SKU: BT.EMBZ14090
English-German-Hungarian.
This systematically constructed tutor was written for the soprano recorder with so-called English (Baroque) fingering. It contains material for the first two or three years of study, offering a selection from 600 years of music literature. It also teaches the basics of articulation technique. The volume includes pieces with piano or cembalo accompaniment, and in addition a musical mini-lexicon. The textual instructions are supplied in three languages: German, English and Hungarian.
SKU: BT.EMBZ14216
Hungarian-English-German-French.
In publishing the recorder volumes of the Répertoire series the editor seeks to provide music students with a collection of pieces from different eras written for, transcribed for or easy to play on recorders. The volumes 'a' (Z 14132 and Z. 14168) contain solos and duets, the volumes 'b' (Z. 14216 and Z. 14217) contain solos with accompaniment, as well as works for trio sonata scoring.
SKU: BR.EB-8609
Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.
ISBN 9790004179956. 9 x 12 inches.
It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works, it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date. This edition is based on a manuscript preserved in the Sachsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice, and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in the manuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change. We wish to thank the directors of the Sachsische Landesbibliothek Dresden for their authorization to publish the work. (Hamburg, Fall 1995 - Martin Nitz)Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.
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