Woodwind, Repertoire, Collections. AMEB Recorder. Recorder - First to Fourth Grades. Softcover Book. 62 pages. Australian Music Examinations Board (AMEB) #1203017039. Published by Australian Music Examinations Board (AMEB) (HU.1203017039). ISBN 9781863674317. 12 x 9.1 x 0.2 inches. Collection of graded repertoire for AMEB Recorder exams. Carefully selected by top Australian Recorder performers and pedagogues, the grade books feature a diversity of musical styles and often include works by celebrated Australian composers. Repertoire is carefully coordinated to align with the technical requirements at each grade level. Includes piano accompaniment.

Music Through the Ages in Two Volumes. By Alan Ridout. Edited by Kathryn Bennetts And Peter Bowman. For Descant/Soprano recorder and piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Vol. 1: Easy to Intermediate Level. Edited by Nicola Sansone. Saddle stitching. Classical. Ut Orpheus #HS 302. Published by Ut Orpheus

Recorder and Piano - advanced

SKU: BT.FORFHP01

Composed by Peter Hall. Exam Material. Book Only. Forsyths Publications #FORFHP01. Published by Forsyths Publications (BT.FORFHP01).

Peter Hope: Bramall Hall Dances for Recorder and Piano (or guitar)1. Round Dance (Treble)2. Pavane (Tenor3. Ostinato (Treble)4. Waltz (Treble)5. Galop (Treble and Sopranino)

Recorder and piano

SKU: BR.EB-8609

Urtext. Composed by Antonio Vivaldi. Edited by Martin Nitz. Solo instruments; stapled. Edition Breitkopf.

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

Sonata; Baroque. Score. 28 pages. Breitkopf and Haertel #EB 8609. Published by Breitkopf and Haertel (BR.EB-8609).

ISBN 9790004179956. 9 x 12 inches.

It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works, it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date. This edition is based on a manuscript preserved in the Sachsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice, and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in the manuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change. We wish to thank the directors of the Sachsische Landesbibliothek Dresden for their authorization to publish the work. (Hamburg, Fall 1995 - Martin Nitz)

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.