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Various: The Baroque Recorder: Descant Recorder: Instrumental Album
Recorder
[Sheet music]
Fentone Music
The Baroque Recorder contains twenty pieces by composers including Vivaldi Purc...
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The Baroque Recorder contains twenty pieces by composers including Vivaldi Purcell Couperin and Telemann but also includes works by lesser- known composers. All the pieces can be performed with or without the accompaniment which is suitable for the piano or harpsichord/ basso continuo and comes in both written out and figured bass versions. The music is written in appropriate keys and the technical standard lies between easy and advanced. The authentic atmosphere and styles of these pieces make this book a must for the Baroque devotee.
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Dr. William M. Weiss: 400 Years Of Recorder Music: Descant Recorder:
Recorder
[Sheet music]
-
Intermediate
Mel Bay
An anthology of some of the best recorder music from the early Renaissance Baro...
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An anthology of some of the best recorder music from the early Renaissance Baroque Rococo Classic and early Romantic periods. The music of historically well-known as well as lesser-known and obscure composers has beenincluded. Solos duets some trios and quartets from the various periods and schools (German Italian French and English) have been chosen because of their musical content and charm primarily and because they illustrate andtypify the musical values of the eras in which they were composed. In some instances keys have been transposed signature and bar lines have been added. Separate movements taken from sonatas and suites have been included aswell in addition to some thematic material. The arrangements are primarily for the descant or soprano recorder. The alto tenor and bass recorders are included however in duets trios and quartets. Phrasing breath markshave been indicated for use at the player's discretion.
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Ralph Paulsen-Bahnsen: Folklore Of The World: Recorder Edition: Descant
Recorder
[Sheet music]
Mel Bay
Recorder Edition-Compiled by the German arranger and composer Ralph Paulsen-Bahn...
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Recorder Edition-Compiled by the German arranger and composer Ralph Paulsen-Bahnsen this collection features 12 famous folk songs from various cultures arranged specially for the Recorder. Folklore Of The World -Recorder Edition includes nine duets and two solos. Some of these delightful pieces are written in challenging time signatures such as 7/8 or a combination of 5/8 and 4/8. The tunes featured here are easy tointermediate in difficulty and can be played by Soprano Alto or Tenor Recorders.
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Isang Yun: Chinese Pictures: Descant Recorder: Instrumental Work
Recorder
Bote and Bock
The Chinese Pictures for solo flute (s) (1993) were composed for the premiere pl...
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The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece
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