SKU: MB.30964

ISBN 9781513469775. 8.75x11.75 inches.

This collection of 41 timeless melodies is tastefully arranged for soprano and tenor recorders with suggested breath marks and accompaniment chords. Selections include a variety of influences which provide a historical and aesthetic view of the American musical landscape. The works of both well-known, classically trained composers and unknown folk artists are featured in standard notation arrangements suitable for performance by intermediate players. The one thing these tunes have in common is their striking melodies, which in many cases have endured throughout the ages.

SKU: FZ.5910

ISBN 9790230659109. 22.00 x 31.00 cm inches.

Anne Fuzeau Classique propose you period copies of classical music scores. These original publications of Loeillet, Telemann and Bellinzani are in facsimile on Fac-similes et Enseignement collection. Loeillet Jean-Baptiste : XII Sonates a une flute & basse continue. Amsterdam, Estienne Roger, s. d. Opus I. Sonata III : Largo, Allegro, Adagio, Gavotta Allegro. Telemann Georg Philipp : Die kleine Kammermusik - 1728. Partita 5 : Andante, Vivace, Presto, Vivace, Siciliana, Vivace, Presto. Bellinzani Paolo Benedetto : Sonate a flauto solo con cembalo, o violoncello. Opera terza. Venezia, Antonio Bortoli, 1720. Sonata quinta : Largo, C barre, Affetuoso, 2/4. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - National Library of Paris (France). - Hessische Landes und Hoch-Schulbibliothek of Darmstadt (Germany). - Civico Museo Bibliographico Musicale of Bologna (Italy).

SKU: FZ.5845

ISBN 9790230658454. 22.00 x 31.00 cm inches.

These original publications of Mancini, Telemann, Chedeville and Haendel are in facsimile on Fac-similes et Enseignement collection. Mancini Francesco : XII Solos for a flute or violin with a thorough bass. London, Walsh and Hare, 1727. Sonate XII : Allegro, Largo, Allegro. Telemann Georg Philipp : Der getreue Music-Meister. Hamburg, 1728. Neunzehnte Lection : Cantabile, Allegro, Grave, Vivace. Chedeville Nicolas : Il pastor fido. Sonates pour la musette, viole, flute, hautbois, violon, avec la basse continue. Paris, Bovin, 1737. Sonata VI : Vivace, Allabreve, Largo, Allegro ma non presto. Haendel Georg Friedrich : Sonates pour un traversiere, un violon ou hautbois con basso continuo. Amsterdam, Roger, 1727. Sonata VII : Larghetto, Allegro, Larghetto, Allegro. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - Bayerische Staatsbibliothek of Munich (Germany). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.5909

ISBN 9790230659093. 22.00 x 31.00 cm inches.

These original publications of Telemann, Dieupart, Mancini and Virgiliano are in facsimile on Fac-similes et Enseignement collection. Telemann Georg Philipp : Essercizii Musici. Hamburg, 1739. Solo 10 : Adagio, Allegro, Adagio, Allegro, Larghetto, Vivace. Dieupart Francois : Six Suittes de Clavessin. Amsterdam, Roger, 1701. 5e Suitte : Ouverture, Allemande, Courante, Sarabande, Gavotte, Menuet en Rondeau, Gigue. Mancini Francesco : XII Solos for a flute or a violin with a thorough bass. London, Walsh and Hare, 1727. Sonate VI : Largo, Allegro,Largo, Allegro. Virgiliano Aurelio : Il Dolcimelo. (s. d. n. l. , ca 1600). Ricercar per Flauto : Cornetto : Violino : Traversa. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - German National Library of Berlin (Germany). - Herzog August Library of Wolfenbuttel (Germany). - British Library of London (England). - Civico Museo Bibliographico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: HL.14045006

French.

Un CD et un livret de 34 melodies originales, traditionnelles ou classiques soutenues par une orchestration moderne. Un prix etudie pour etre accessible a tous. Un support pedagogique utilisable sur les 4 annees du college. Ce CD et son livret sont le fruit de la collaboration etroite de deux professeurs d'education musicale qui ont uni leurs experiences musicales et pedagogiques pour creer un support qui vient en complement du cours et qui repond a plusieurs objectifs : Offrir a l'eleve la possibilite de travailler chez lui de maniere autonome en reproduisant avec facilite les themes etudies en classe avec le professeur, consolidant ainsi ses acquis mnemotechniques et musicaux. Proposer un large eventail de morceaux de differents styles, originaux ou traditionnels, soutenus par une orchestration moderne. Acquerir de facon progressive les elements necessaires a la connaissance du langage musical, selon les objectifs desires par le professeur, qui trouvera dans le livret un support adequat.

SKU: UT.DM-79

ISBN 9790215324565. 9 x 12 inches.

This method of instrumental practice is aimed at all those who, at any age, wish to learn to play the treble recorder, through the reading of music. During the course, step by step, the various chapters introduce the fingering for the recorder, together with the understanding of the musical symbols. The goal, at the end of the study course, is to be in a position to perform all the notes on the instrument and to be able to read music at a basic level, which is the first step in dealing with the specific technical studies and the music written for the instrument.
Each chapter, through progressive exercises, introduces a new note and new topics of music theory, in order to achieve a gradual mastery of the fingering of the instrument. The progression suggested for learning the fingering begins with the use of the five fingers of the left hand, then to proceed to the use of the right hand. Each topic is then examined closely by studying pieces from the traditional, Renaissance, Baroque and Classical repertoires. The scales are also introduced gradually, aiming to help the student master the fingering of the scales up to three sharps and three flats and relative minor scales.
The progressive difficulty found in the course of the method is measured according to the experience gained from teaching students of different ages, and can be varied and adapted to the needs of each student. The workbook at the start of each chapter can be condensed, expanded or developed in relation to different learning abilities.

SKU: GI.G-M585

English.

This major band method by James O. Frosethhas it all:* Artist performers set musical standards in sound with more than 80 great performanceson CD for every instrument, and one CD lasts for the entire book! Performers include Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra).* Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles.* Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll.* The repertoire and recorded contexts are motivating, informative, and entirely musical.* Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture.* A unique Rhythmic Pattern Dictionary allows students to “look it up” and “listen up.”* An individualized format allows students to progress at different rates with a “themeand-variation” format.* Ear training and improvisation are integral parts of the lesson format.* A 550+ page teacher's resource edition and musical score provides options galore, including a double CD with “listen and play” exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided. (Coordinates with rhythm flashcards)* Book 2 features innovative but optional use of world percussion instruments, as developed by percussion educator Steve Houghton.