SKU: HL.48188112
UPC: 888680789770. 7.5x10.5 inches. French.
“Playing and Learning Soprano Recorder ' Volume 1 by Michel Sanvoisin is the first book of an anthology of classical pieces. Written for beginners, this method in English, German and French will enable them to acquire the seventeen notes most commonly played on the recorder. The additional notes are covered in a second book that also includes some revision work. It features pieces inspired by G. Gastoldi, Le Clerc, Pierre Attaingnant, William Byrd, John Dowland and G. P. Telemann among others. It is a great way to learn while playing nice pieces instead of just working on basic exercises. In addition to this method, Michel Sanvoisin also wrote one for Alto Recorder.&rdquo.
SKU: BT.FORFZZ18
A collection of 16 colourful miniatures, in diverse styles, inspired by the seasons, an aviary of antipodean birds, places in Wales and Greece, jazz and folk music. Including challenging works by Alan Bullard, Nicholas Marshall, Michael Ball, John Turner, John Golland, Timothy Moore, and many others. This is a superb resource for the advanced player looking to expand their repertoire.
SKU: HL.48183681
First published in 1982, Jean-Claude Veilhan (born in 1940) compiled this enlightening compilation, I learn the Recorder following his studies of woodwind at the Regional Coservatory of Versailles and a prominent career as a professional Recorder and Clarinet player. As a prominent Recorder player himself, Veilhan has performed much of the the repertoire for the instrument, and therefore is well acquainted with its workings. I learn the Recorder encompasses basic theory elements, including note values and names, as well as helpful, labelled diagrams demonstrating fingerings and showing the beginner how to hold the instrument. This Veilhan book also includes many exercises to aid progression. I learn the Recorder is essential to beginners of the instrument..
SKU: MB.31002
ISBN 9781513474588. 8.75x11.77 inches.
This volume focuses on the medieval period from approximately the sixth to fifteenth centuries. The music of this era was traditionally performed as plainchant (sacred) or monophony (secular), that is, as a vocal melody, here reserved for the soprano recorder. Seeking to emulate medieval performance practice, the 20 tunes in this collection are accompanied by a single, drone-like power or 5-chord to be played on a modern-day stringed instrument such as guitar, mandolin or banjo. These simple troubadour songs are ideal for beginners and experienced players alike, who want to be transported back in time, immersed in a bygone era of music. .
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