SKU: HL.48185469
UPC: 888680983598. 9.5x12.25 inches.
Etudes 9 Bk 3 For 2 Sop Saxes.
SKU: HL.48186327
UPC: 888680839031. 9x12 inches.
Cadence du concerto pour saxophone et orchestre à cordes d'alexandre glazounov (4') 13e étude de style pour saxophone alto. Par Lauba aux éditions Leduc. Méthode instrumentale pour Saxophone.
SKU: HL.44003313
ISBN 9789043101387. UPC: 073999858549. 9.0x12.25x0.139 inches. English-German-French-Dutch.
The Play 'em Right collection is aimed at musicians who wish to familiarise themselves with jazz, rock and Latin styles. Each of the solo books contain many unaccompanied pieces together with keyboard and guitar chords which explore the particular genre. In Play 'em Right - Jazz, Volume 1 you will find 10 exercises and 8 pieces to perform. These are aimed at wind players who would like to become acquainted with jazz at home. Although graded in difficulty, it is not necessary to first study all the exercises before being able to play the pieces.De serie Play 'em Right is bedoeld voor blazers die in de populaire stijlen jazz, latin en rock willen spelen. Play 'em Right Jazz, Play 'em Right Latin en Play 'em Right Rock bestaan telkens uit twee delen en bevattende fundamentele ritmes en articulaties van verschillende muziekstijlen, in oefeningen en songs. De oefeningen zijn in oplopende moeilijkheidsgraad geschreven. Er komen steeds een of twee ritmes aan bod met duidelijke articulatietekens,waardoor precies de juiste speelmanier wordt aangeleerd. In de songs wordt het aangeleerde toegepast en verwerkt.In Play 'em Right - Jazz, Volume 1 staan 10 exercises en 8 speelstukken, bedoeld voor blazersdie thuis willen raken in de Jazz-stijl. Hoewel de moeilijkheidsgraad oploopt, is het niet noodzakelijk eerst alle exercises door te nemen om de speelstukken te kunnen spelen.Die Bucher der Reihe Play 'em Right, Band 1 und 2 vermitteln in speziellen Ubungen und Songs die fundamentalen Rhythmen und Artikulationsweisen von Pop/Rock, Latin und Jazz. Die Ubungen sind in ansteigendem Schwierigkeitsgrad geschrieben. In den Songs wird das Gelernte unmittelbar umgesetzt und vertieft. Die mitgelieferte Akkordbegleitung fur Tasteninstrumente und/oder Gitarre macht es moglich, mit Begleitung zu spielen. Play 'em Right ist sowohl fur den Instrumentalunterricht als auch das Selbststudium geeignet.Band 1 enthalt 10 Ubungen und 8 Spielstucke.Dans chaque ouvrage de cette collection, les intrumentistes touveront des exercices et morceaux diverses leur offrant la possibilite de se familiariser avec les techniques d'interpretation du jazz, du rock et des musiques latines. Le degre de difficulte des exercices est progressif. Les indications sont claires et le contenu technique de chaque exercice reste limite. Les morceaux qui suivent mettent immediatement en pratique les techniques apprises. Les indications d'accords (pour claviers/guitare) permettent de se faire accompagner. Play'em Right peut etre utilise dans le cadre du cours individuel ou pour la pratique quotidienne. Dans Play'em Right, vol. 1vous trouverez 10 exercices et 8 pieces a jouer, pour des musiciens d'instruments a vent qui veulent se familiariser avec le style `Jazz`. Bien que le degre de difficulte soit progressif, il n'est pas necessaire d'etudier tous les exercices pour pouvoir jouer les pieces. La collana Play'em Right e destinata a quei musicisti che vogliono familiarizzare con la musica jazz, rock e latin. Per ognuno di questi generi, Erik Veldkamp ha realizzato un metodo suddiviso in due livelli differenti, specificamente strutturato per rendere accessibili a tutti i musicisti i segreti di questi frizzanti generi musicali. Affronterete quindi dapprima brevi esercizi che vi svelano la giusta interpretazione del rock, della musica latina e del jazz, per poi cimentarvi in veri brani musicali. Fatevi affascinare da questi moderni generi musicali, ed il jazz, il rock e la musica latina non avranno segreti per voi.
SKU: HL.48185468
UPC: 888680837679. 9.0x12.0x0.156 inches.
Born in Tunisia in 1952, Christian Lauba has been a prominent contemporary composer, winning many prizes since his graduation from the Conservatory of Bordeaux during the mid-1980s. Lauba is particularly noted for his compositions and teaching guides for the Saxophone, such as Nine Studies for Saxophones. Composed betweem 1992 and 1994, Nine Studies for Saxophones won Lauba the SACEM prize in composition. The second volume, for Soprano and Tenor Saxophones contains the fifth, sixth and seventh studies; 1) Tadj, 2) Gyn, and 3) Vir. Nine Studies for Saxophones is very modern in style, exploiting extended techniques of the Saxophone to the maximum. These include articulation, modes, complex rhythms, ornamentation, tonality, harmonics, vibrato, resonance and flutter tonguing, among other aspects. With modern classical music becoming more and more prominent within the genre, Lauba's Nine Studies for Saxophones is essential to all saxophonists..
SKU: AP.40672
ISBN 9788863882100. French.
L'Art de Jouer du Saxophone (The Art of Saxophon Playing) de Larry Teal, le Père de l'école américaine du saxophone, est désormais disponible en français! Il est resté, de sa parution en 1963 jusqu'à nos jours, le livre de référence en matière d'apprentissage du saxophone dans le monde anglo-saxon et est qualifié de must have par la plupart des ressources du saxophone sur le web. Il contient un ensemble précieux d'informations et de méthodes très utiles pour toute personne qui désire apprendre à jouer du saxophone, pour tout saxophoniste souhaitant approfondir ses connaissances ou corriger d'éventuels défauts, et pour tout professeur de saxophone comme base de travail et d'enseignement. [According to Larry Teal, the best method of learning to play the saxophone is to study with a competent teacher. Teal's studies were mostly of instruments other than the saxophone, but as a student at a Chautauqua summer session, he came under the influence of Georges Barrère, the eminent French flutist. He played bass clarinet with the Detroit Symphony, but he continued to be absorbed by the saxophone. As a result of his acquired expertise and growing reputation, he was appointed to a full-time faculty position as a saxophone teacher by the University of Michigan---the first ever to receive such an appointment from a major university. During his 21-year tenure, he attracted students from all over, thus exerting an ever-widening influence on saxophone teaching and performing.].
SKU: FH.WS5
ISBN 978-1-55440-554-1.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata, HWV 373 - attr. George Frideric Handel, arr. Su Jeon- First Movement- Second MovementSonata in G minor - Henri Eccles, arr. Sigurd Rascher- First Movement- Second MovementSonata, TWV 41:G9 - Georg Philipp Telemann- First Movement- Second MovementMainly Original Repertoire for Saxophone:Nine Arias - Timothy Broege- 3. Aria senza accompagamento- 9. Aria fugataNigun - Srul Irving Glick Take Five - Paul Desmond, arr. Gary KellerBb Saxophone:Mainly Transcriptions:Sonata in D Major, op. 2, no. 5 (La chauvet) - Michel Blavet, arr. Jason Noble - First Movement- Second MovementSinfonia - Nicolo Porpora, arr. Paul Maynard- First Movement- Second MovementMainly Original Repertoire for Saxophone:Sicilienne, op. 78 - Gabriel FaureMarch - William SchmidtEb Saxophone or Bb Saxophone:Unaccompanied Repertoire:Petite Suite - Walter S. Hartley- Second Movement: Tango- Third Movement: ScherzoSix Exchanges - Lothar Klein- Third Movement- Fifth MovementFantasia no. 8 in E Minor, TWV 40:9 - Georg Philipp Telemann- Second Movement- Third MovementFantasia no. 4 in B flat Major, TWV 40:5 - Georg Philipp Telemann- Third Movement.
SKU: HL.44010453
ISBN 9789043107341. UPC: 884088472122. 9.0x12.0x0.103 inches. French.
Des la Lecon 2 du premier volume de la methode Ecouter, lire & jouer, l'eleve peut partir a la decouverte du recueil des Chansons Celebres contenant des airs traditionnels tels que A la claire fontaine, C'est la mere Michel, J'ai du bon tabac, Nous n'irons plus au bois, Une souris verte, Vive le vent et 60 autres airs francais et du repertoire traditionnel international dans des arrangements courts et accessibles aux debutants.
SKU: LM.EG08999
ISBN 9790230304351.
SKU: M7.AHW-7001
ISBN 9781934638002. English.
One of the world's most popular Jazz etude books; popular because the etudes are hip and fun to play. Very popular among teachers! Designed for sax but suitable for all instruments. This Volume contains 12 easy level exercises and 10 etudes. Includes a play-along CD with a professional musician playing the etudes. Each etude is recorded in 3 keys (to facilitate Eb, Bb, and C instruments). The Eb track includes an Alto Saxophonist playing the etudes. The Bb track includes a Tenor Sax soloist and the C track includes a Jazz Guitarist. All are accompanied by a nice piano, bass, and drums rhythm section. Each track is stereo seperated (solo instrument, piano, bass, drums on one track - piano, bass and drums on the other track) so that the soloist can be eliminated and the student can play along with piano bass and drums.
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