SKU: AP.1-ADV7675
UPC: 805095076752. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Soft Shadows of the Night features the alto saxophone in a quasi Bolero setting. The piece conveys a feeling of a big city in the tranquil pre-dawn hours---hence the title. Arranged for saxophone quartet (SATBar).
SKU: HL.4007912
A composition in five movements that sound as if from a former age. They are in fact newly composed pieces but, stylistically speaking, are “historically accurate.” They can be performed separately or one after the other. The important thing is that the lead part at any point is given enough “space” in terms of dynamics and overall balance. Old music, newly composed, at times cheerful and at others solemn, which create the very special charm of this composition.
SKU: HL.4007906
Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart's own watch - if he had one - ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers' dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally. Based on such a meeting, Otto M. Schwarz has composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR WOOD QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continuous eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts, and following a chromatically moving chord sequence, ends in a dramatic crescendo.
SKU: HL.4007909
Crossover Suite No. 1 comprises of five stylistically very diverse movements. 1. Introduction: A brisk opening leads to a bass groove on baritone saxophone. Various animated stylistic elements such as finger snaps are contrasted with 'straighter' elements familiar from march music. 2. Viennese Waltz: A waltz in a minor key, with the characteristic and unmistakable accompaniment in the Viennese style. 3. Roundabout: Roundabout is a rondo with recurring motifs and a point of rest in the adagio. 4. Stomps and Claps: As the name suggests, the work is performed with the help of hands and feet. Body percussion alternates with technically demanding passages. 5. Finale: A rapid final movement with a dolce middle part leads to a furious closing section with changes of meter and some dynamic surprises. Each movement can also stand on its own, but when performed as a complete suite this compositition shows off the full breadth and capability of a saxophone quartet.
SKU: AP.1-ADV7674
ISBN 9783892217350. UPC: 805095076745. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes bluesy, and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone.
SKU: AP.1-ADV7676
ISBN 9783892217374. UPC: 805095076769. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Trance Dance, is a rhythmically grooving 12/8 feel that features the tenor and baritone saxophones.
SKU: AP.1-ADV7601
UPC: 805095076011. English.
This original composition uses different stylistic elements taken from jazz, rock, and classical music. Solos can be played as written or improvised. Compatible with the edition for clarinet.
SKU: HL.4007924
In this suite we are immersed in the musical world of Otto M. Schwarz in all its variety. From light-hearted and tongue-in-cheek, through wild-romantic elements all the way to stylistic imitation and complex rhythmic passages, this work combines many different facets. In performance, this suite is sure to be an entertaining experience for musician and listener alike. The movements can be played sequentially or individually, as desired. Pieces include: Giocoso, Bouree, Moderato, Vivace, Andantino, Allegro.
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