SKU: HL.48024645

ISBN 9781784544034. UPC: 888680949099.

In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.

SKU: HL.48024644

ISBN 9781784544010. UPC: 888680949082. 9.0x12.0x0.273 inches.

In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parker's playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.

SKU: SU.27090010

John Carisi was a complete original both as a composer and as a person. His scruffy, unassuming demeanor,which concealed the sharpest of minds, combined with the wrinkled trench coat he often wore reminded those who knew him of the seemingly absent minded detective played by Peter Falk in the eponymous TV series. I would occasionally run into him on a midtown street corner where a casual hello would often turn into an hour-long discussion of music.Saxophone Quartet SATB Duration: 9:20 Composed: 2013 Published by: Distributed Composer.

SKU: AP.1-ADV7621

UPC: 805095076219. English.

Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin, in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts.

Annotation on Aignish on the Machair. The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4- time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play.

SKU: AP.1-ADV7610

UPC: 805095076103. English.

The melodic line in this piece is inspired by the music of Charlie Parker, while the rhythms and voicings are in the style of the Count Basie Band.

SKU: AP.1-ADV7677

UPC: 805095076776. English.

Despite its song-like melody, this is most decidedly no piece of music of quiet and peaceful tones---it is its element of contrast and suspense that brings it to life. This composition calls for emotion, expressiveness, and homogeneous ensemble playing.