SKU: BT.DHP-1196153-070
ISBN 9789043158275.
Gene Kelly's performance of this song in the 1952 movie of the same name has become an iconic favourite over the years. The song is perfect to be played with any quartet. Eric J. Hovi created an easy version for saxophone quartet that keeps the spirit of the original. Gene Kelly's uitvoering van deze bekende song in de gelijknamige film uit 1952 is in de loop der tijd een iconische favoriet geworden. Eric J. Hovi heeft een eenvoudig speelbare versie voor saxofoonkwartet gecreëerd waarin de vrolijke levendigheid van het origineel uitstekend tot zijn recht komt. Gene Kellys Darbietung dieses Songs in dem gleichnamigen Film aus dem Jahr 1952 ist im Laufe der Jahre zu einem Kultsong geworden. Das Lied kann bestens mit jeder Quartettbesetzung gespielt werden. Eric J. Hovi hat eine einfache Version für Saxophonquartett erstellt, welche die Stimmung des Originals bewahrt. Dans le film du même titre, sorti en 1952, lâ??interprétation de cette chanson par Gene Kelly a séduit une multitude dâ??auditeurs au fil des années. « Singinâ?? in the Rain » est parfaite pour tout type de quatuor, et Eic J. Hovi en a créé un arrangement facile pour quatuor de saxophones qui reste fidèle lâ??esprit de la version originale.
SKU: BT.DHP-1094793-070
ISBN 9789043132909. 9x12 inches.
Cartoon Music is an exciting new original composition by Jan de Haan which displays many of the characteristics of music featured in cartoons. A funny and imaginative piece for four saxophones. Cartoon Music ist eine mitreißende originale Komposition für Saxophonquartett (AATB, SATB opt.), zu der sich Jan de Haan von der charakteristischen Musik in Zeichentrickfilmen inspirieren ließ. Lustig und fantasievoll! Una splendida raccolta di canzoni originali ispirate dalla musica dei cartoni animati.
SKU: AP.1-ADV7655
ISBN 9783892217190. UPC: 805095076554. English. Traditional.
Dating from the 18th century, He Is Born, Holy Child is a traditional French carol. The composer and lyricist are anonymous, but translations of the texts have resulted in many references to music, including Sound the pipes, let the trumpets play, Play the oboes and bagpipes merrily, and Bells are ringing, we are singing. This arrangement for saxophone quartet (SATBar) strives to include all the players in the music making, particularly by distributing melodic material. All dynamics and articulations, minimally marked, should be taken as suggestions only, as performers are encouraged to make their own interpretations.
SKU: AP.1-ADV7422
ISBN 9783892215769. UPC: 805095074222. English. Traditional.
Noels (the French spelling) are old but enduring carols that often tell a ballad-like story. Nowells (English spelling) are likely derived from and developed by English wandering minstrels. Both carols and nowells are often in 3/4 meter, lending themselveswell to dance. The First Nowell is one of a few carols that survived a ban on Christmas by the English Parliament in 1645. The tune is one of the oldest ballad carols, perhaps dating back to 1500, and likely originating in England. This arrangement of The First Nowell has multiple settings of the 3/4 time melody. This arrangement for saxophone quartet (SATBar)---rather than favoring a soprano solo with accompaniment---strives to include all the players in the music making, particularly by distributing melodic material throughout the ensemble. In addition, all dynamics and articulations should be taken as suggestions only, as performers are encouraged to make their own interpretations.
SKU: BT.DHP-1196187-070
ISBN 9789043158091.
‘Bella Ciao’ originated as an Italian folk song, stemming all the way from the late 19th century. Many versions have since appeared over the years, but the song now has a new lease of life owing to a new dance adaption as well as its feature as the theme for the Netflix series ‘La Casa de Papel’, which has inspired Bert van Haagen to create this dynamic arrangement for quartet. ‘Bella Ciao’ is van oorsprong een aansprekend Italiaans volksliedje uit het einde van de 19e eeuw waar in de loop der tijd vele versies van zijn gemaakt. Nu heeft het nieuw leven ingeblazen gekregen in een dancevariant én als themasong bij de Netflixserie La Casa de Papel. Naar aanleiding daarvan creëerde Bert van Haagen dit levendige arrangement voor blazerskwartet. Bella Ciao ist ursprünglich ein italienisches Volkslied aus dem späten 19. Jahrhundert. Im Laufe der Jahre sind zahlreiche Versionen erschienen, aber das Lied ist jetzt durch eine neue Tanzadaption und die Verwendung als Thema für die Netflix-Serie La casa de papel“ (Haus des Geldes“) wieder aufgelebt. Das hat Bert van Haagen dazu inspiriert, dieses neue dynamische Arrangement für Quartett zu schreiben. l’origine, « Bella Ciao » est une chanson populaire italienne qui remonte au XIXe siècle. Elle a fait l’objet de nombreuses versions au fil du temps, mais elle connaît aujourd’hui un regain de popularité gr ce une nouvelle adaptation chorégraphique, ainsi qu’en tant que thème de la série diffusée sur Netflix, La Casa de Papel, qui a incité Bert van Haagen écrire cet arrangement dynamique pour quatuor.
SKU: AP.1-ADV7428
ISBN 9783892215820. UPC: 805095074284. English. Traditional.
Infant Holy, Born So Lowly is one of the oldest traditional Polish Christmas songs and can be found in present day hymnals. A simple folk tune, the origins of this stately melody date from the 13th or 14th century. The lyrics depict a manger song, and the music has been performed as a circle dance. This arrangement for saxophone quartet (SATBar), rather than favoring a soprano solo with accompaniment, strives to include all the players in the music making by distributing the melodic material. In addition, all dynamics and articulations, minimally marked, should be taken as suggestions only, as performers are encouraged to make their own interpretations.
SKU: BT.DHP-1125323-070
9x12 inches.
Jan de Haan's Westminster Suite consists of three distinct pieces of the work of Henry Purcell: the festive fanfare at the beginning is followed by the magnificent Anthem of the Funeral Music for Queen Mary. Finally there is the famous Rondo from the Abdelazar Suite. Westminster Suite van Jan de Haan bestaat uit drie markante stukken uit het oeuvre van Henry Purcell: de feestelijke fanfare aan het begin wordt afgewisseld met een fraai Anthem uit de Funeral Music voor QueenMary. De bekende Rondo uit de Abdelazar Suite vormt het slot van deze prachtige suite.Jan de Haans Westminster Suite besteht aus drei markanten Stücken aus dem Werk von Henry Purcell: die festliche Fanfare am Beginn wird abgelöst von der prachtvollen Anthem aus der Funeral Music für Queen Mary. Den Schluss bildet das bekannte Rondo aus der Abdelazar Suite. Pour sa Suite Westminster, Jan de Haan s'est inspiré de trois Å?uvres remarquables, composées par Henry Purcell: Fanfare Festive, Anthem extrait de Funeral Music et pour conclure, Rondo extrait de Abdelazor ou La Revanche du Maure. Westminster Suite di Jan de Haan è composto da tre brani ben distinti tratti dal repertorio di Henry Purcell: la fanfare festiva anticipa lo splendido inno della Funeral Music for Queen Mary. Chiude il brano il famoso Rondò dalla Abdelazar Suite. L'organico è per 4 sassofoni SATB.
SKU: AP.1-ADV7629
UPC: 805095076295. English.
A fast and virtuoso composition (allegro, presto) based on melodies and rhythms originating from Oriental music and written in keys which can be played effortlessly. These pieces can be performed as a suite in two movements.
SKU: HL.48024645
ISBN 9781784544034. UPC: 888680949099.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
SKU: AP.1-ADV7420
UPC: 805095074208. English.
Since music of the high Renaissance often featured voices in four-part harmony, it adapts very well to performance by modern saxophone quartets. This suite begins with In Te, Domine, Speravi, followed by the poignant Triste Espana Sin Ventura. A lively Spanish dance concludes this excellent set.
SKU: HL.48180918
UPC: 888680858148. 9.0x12.0x0.177 inches.
This quartet for saxophones, entitled Introduction and Variations on a Popular Rondo by Gabriel Pierné, is a standard in the saxophone quartet repertoire. Composed in 1934 and dedicated to the Marcel Mule Quartet, this piece for advanced players is as bright and cheerful as a round dance should be, and yet, quite delicate and light in terms of writing. With many ornaments and variations, Introduction and Variations begins slowly but is interrupted twice by the rondo. Gabriel Pierné (1863-1937) won the Prix de Rome in 1882. The composer wrote many chamber compositions, piano pieces, symphonic music and some oratorios.
SKU: AP.1-ADV7621
UPC: 805095076219. English.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin, in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on Aignish on the Machair. The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4- time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play.
SKU: AP.1-ADV7622
UPC: 805095076226. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view, yet they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The interpretation of 'S mo lamh air a stiuir---the song of a helmsman living on the Isle of Skye---should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Artic Ocean. For this arrangement the key D minor---which is one whole tone lower than the original---has been chosen to make sure that the piece is playable, especially for a clarinet quartet.
SKU: AP.1-ADV7478
UPC: 805095074789. English.
A set of four original compositions for AATBar saxophone quartet. Although the pieces draw from jazz music, they cover a wide variety of styles and leave plenty of room for improvisation.
SKU: AP.1-ADV7454
UPC: 805095074543. English.
This suite includes five separate movements that present an authentic Latin musical form. Although the fifth movement, a samba, begins and ends in compound 3/2 meter, it swings and sways, employing complex and contrapuntal harmonies, rhythms, and percussive accents. The baritone sax provides a soloistic bass line throughout.
SKU: CY.CC3180
ISBN 9790530119082. 8.5 x 11 in inches.
James Pugh has written a short work of chamber music in one movement called Short Scherz, Quintet for Saxophone Quartet and Trombone. This music is appropriate for very advanced performers and is about 2 1/2 minutes in length. The work begins with a bouncy melody (A Theme) that works it's way up through the instruments, comes to a climax and continues on into a languid melodic section (B Theme) and works its way by adding speed and dynamics to the conclusion (A Theme repeated). This work was written for and first performed in 1989 by George Marge and the American Saxophone Quartet with Mr. Pugh.
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