SKU: AP.1-ADV7675

UPC: 805095076752. English.

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Soft Shadows of the Night features the alto saxophone in a quasi Bolero setting. The piece conveys a feeling of a big city in the tranquil pre-dawn hours---hence the title. Arranged for saxophone quartet (SATBar).

SKU: AP.1-ADV7422

ISBN 9783892215769. UPC: 805095074222. English. Traditional.

Noels (the French spelling) are old but enduring carols that often tell a ballad-like story. Nowells (English spelling) are likely derived from and developed by English wandering minstrels. Both carols and nowells are often in 3/4 meter, lending themselveswell to dance. The First Nowell is one of a few carols that survived a ban on Christmas by the English Parliament in 1645. The tune is one of the oldest ballad carols, perhaps dating back to 1500, and likely originating in England. This arrangement of The First Nowell has multiple settings of the 3/4 time melody.

This arrangement for saxophone quartet (SATBar)---rather than favoring a soprano solo with accompaniment---strives to include all the players in the music making, particularly by distributing melodic material throughout the ensemble. In addition, all dynamics and articulations should be taken as suggestions only, as performers are encouraged to make their own interpretations.

SKU: AP.1-ADV7676

ISBN 9783892217374. UPC: 805095076769. English.

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Trance Dance, is a rhythmically grooving 12/8 feel that features the tenor and baritone saxophones.

SKU: AP.1-ADV7638

UPC: 805095076387. English.

Frequently, one is in search of a suitable ensemble piece where each member can present himself with a playable solo part. Welcome to New Orleans offers you and your musicians this possibility. Using a fast swing rhythm, the author describes in this composition the modern and the old New Orleans and its colorful history. Due to its compatibility---available are editions for saxophone, clarinet, and brass quartet---this piece enables you to put together your own small New Orleans band, e.g. consisting of a clarinet, a trumpet, a tenor saxophone, and a trombone. That's almost like playing music in the good old times!

SKU: IS.SQ6604EM

ISBN 9790365066049.

Whether jazz, funk, pop, world music or classical, Walter has played all of these musical styles after graduating. From 1990 till 1995 he was a member of high-energy funk-jazz groups like Real Deal and the DSWB quartet. He also made his first recordings at that time. At the end of the nineties he played world music with Kunda Buffi and Native Soil, jazz with The Musetrap (the Jan Muës ensemble) and touched many hearts during the Guido Belcanto tour. A multifaceted musician, Walter Baeken does not only play his horn, he also composes and arranges classical and contemporary music for a variety of ensembles. He is also busy working as a session musician on many CD-recordings.