SKU: AP.1-ADV7622
UPC: 805095076226. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view, yet they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The interpretation of 'S mo lamh air a stiuir---the song of a helmsman living on the Isle of Skye---should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Artic Ocean. For this arrangement the key D minor---which is one whole tone lower than the original---has been chosen to make sure that the piece is playable, especially for a clarinet quartet.
SKU: AP.1-ADV7621
UPC: 805095076219. English.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin, in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on Aignish on the Machair. The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4- time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play.
SKU: AP.1-ADV7623
UPC: 805095076233. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The original of The Sons of Liberty is of a more recent date and goes back to the time when the King of England forced the Irish farmers' sons to go to war in America against their own fellow countrymen who were striving for freedom there. The arrangement conveys the impression of a vigorous forward motion created by a recurring and changing riff. Although it is written in a somewhat more difficult key (E minor), it is not too exacting from the technical point of view.
SKU: AP.1-ADV7445
ISBN 9783892215998. UPC: 805095074451. English.
Subtitled Full Fathom Five, this modern excursion is not technically difficult and features improvised solos for all instruments. It demands strong interpretation skills in the contemporary idiom. Long pauses throughout serve as pivotal points of reflection for players and listeners alike. Arranged for saxophone quartet (AATBar).
SKU: AP.1-ADV7606
ISBN 9783892216728. UPC: 805095076066. English.
Black Bottom Stomp is a quick 2-beat jazz chart. The composition is abundant with rapid orchestrational shifts, heavy technical demands, structural logic, and Jelly Roll's inimitable sense of humor. No improvisation required. Arranged for SATB saxophone quartet by Fred Sturm.
SKU: AP.1-ADV7443
UPC: 805095074437. English.
Memories Arrested in Space features six compositions for saxophone quartet inspired by Jackson Pollock paintings from 1947. This one, The Beauty of Space, subtitled Reflections of The Big Dipper, is a modern excursion with improvised solos for all, is not technically difficult, but it demands strong interpretation skills in the contemporary idiom. Long pauses throughout serve as pivotal points of reflection for players and listeners alike.
SKU: AP.1-ADV7465
ISBN 9783892218241. UPC: 805095074659. English.
Featuring three distinct movements in contrasting styles---Adagio * Grave * Allegro---this quartet adaptation of an 18th century masterwork gives everyone equal responsibility for presenting technically challenging passages and produces antiphonal effects when they play in opposing pairs. Detailed historic notes are included.
SKU: AP.1-ADV7464
ISBN 9783892218234. UPC: 805095074642. English.
Featuring four movements in contrasting styles and tempos---largo, allegro, adagio, vivace---this adaptation of an 18th century masterwork gives everyone equal responsibility for presenting technically challenging passages and produces antiphonal effects when they play in opposing pairs. Detailed historic notes are included in German and English. Concerto à 4 Violini concertati has been arranged by Olaf Mühlenhardt.
SKU: AP.1-ADV7466
ISBN 9783892218258. UPC: 805095074666. English.
Featuring four distinct movements in contrasting styles---Grave, Allegro, Largo e staccato, Allegro---this adaptation of an 18th Century masterwork has been arranged for saxphone quartet (AAAA). This work gives everyone equal responsibility for negotiating technically challenging passages while producing antiphonal effects when they play in opposing pairs. Detailed historic notes are included.
SKU: AP.1-ADV7467
ISBN 9783892218265. UPC: 805095074673. English.
Featuring four distinct movements in contrasting styles---Grave * Allegro * Adagio * Spirituoso---this adaptation of an 18th century masterwork gives everyone equal responsibility for presenting technically challenging passages and produces antiphonal effects when they play in opposing pairs. Detailed historic notes are included.
SKU: AP.1-ADV7664
UPC: 805095076646. English.
A beautiful tone poem with flowing melodies, lush harmonies, mood changes, and a heroic climax. More musically challenging than technically demanding, it is playable and a welcome addition to the repertoire.
SKU: AP.1-ADV7442
UPC: 805095074420. English.
Subtitled Phosphorescence, this modern excursion with improvised solos for all is not technically difficult, but it demands strong interpretation skills in the contemporary idiom. Long pauses throughout serve as pivotal points of reflection for players and listeners alike.
SKU: AP.1-ADV7441
ISBN 9783892215950. UPC: 805095074413. English.
Subtitled Cathedral, this modern excursion with improvised solos for all is not technically difficult, but demands strong interpretation skills in the contemporary idiom.
SKU: AP.1-ADV7440
ISBN 9783892215943. UPC: 805095074406. English.
Subtitled Lucifer, this modern excursion with improvised solos for all is not technically difficult, but it demands strong interpretation skills in the contemporary idiom. Long pauses throughout serve as pivotal points of reflection for players and listeners alike.
SKU: AP.1-ADV7439
UPC: 805095074390. English.
Extreme styles converge in this refreshing original---cool and passionate, sorrowful and gleeful, calm and impulsive. Technical requirements are not excessively demanding.
SKU: SU.27090010
John Carisi was a complete original both as a composer and as a person. His scruffy, unassuming demeanor,which concealed the sharpest of minds, combined with the wrinkled trench coat he often wore reminded those who knew him of the seemingly absent minded detective played by Peter Falk in the eponymous TV series. I would occasionally run into him on a midtown street corner where a casual hello would often turn into an hour-long discussion of music.Saxophone Quartet SATB Duration: 9:20 Composed: 2013 Published by: Distributed Composer.
SKU: HL.4007909
Crossover Suite No. 1 comprises of five stylistically very diverse movements. 1. Introduction: A brisk opening leads to a bass groove on baritone saxophone. Various animated stylistic elements such as finger snaps are contrasted with 'straighter' elements familiar from march music. 2. Viennese Waltz: A waltz in a minor key, with the characteristic and unmistakable accompaniment in the Viennese style. 3. Roundabout: Roundabout is a rondo with recurring motifs and a point of rest in the adagio. 4. Stomps and Claps: As the name suggests, the work is performed with the help of hands and feet. Body percussion alternates with technically demanding passages. 5. Finale: A rapid final movement with a dolce middle part leads to a furious closing section with changes of meter and some dynamic surprises. Each movement can also stand on its own, but when performed as a complete suite this compositition shows off the full breadth and capability of a saxophone quartet.
SKU: BR.KM-2234
World premiere: Rottenburg am Neckar, February 1, 1987
ISBN 9790004501382. 9 x 12 inches.
Ein kurzweiliges, kontrastreiches Opus, angeregt durch das Rascher-Quartett, dem es auch gewidmet ist; keine experimentelle, aber instrumentengerechte, neue Musik, auf die Spiel- und Ausdrucksmoglichkeiten sowie auf den spezifischen Klang eines technisch und musikalisch anspruchsvollen Saxophon-Ensembles bezogen (Sopran - Alt- Tenor - Bariton)Funf suitenformig locker aneinander gereihte Satze (Funf ,,Blatter) werden durch ein dodekaphonisches Leitmotiv verknupft, das zu Anfang eines jeden Satzes erklingt.Im Circulo ostinato bestimmt diese Figur entscheidend den Verlauf des Stuckes; zu Beginn des Finales verdichtet sie sich zum vierstimmigen Kanon. Ostinate und rhythmische Formeln pragen den Charakter des ganzen Werkes.Allegro ruzzone (Ubermut)Ein knappes lebhaftes Eingangsstuck; auf dem Hohepunkt erscheint, wie ein Atemholen, ein melodisch-ausdrucksvoller Gedanke, der sich imitatorisch im Kreise dreht, ehe eine kurze Stretta in schnellem Tempo zum Pianissimoschluss fuhrt.Circulo ostinato (Kreisende Wiederholung) (Andante con moto)Der Mittelteil des Satzes entwickelt sich aus gestauten Tonwiederholungen und den melodischen Flosklen des Urthemas in immer neuen Anlaufen zu grosser Steigerung. Am Anfang und Ende steht ein mehrstimmiger Kanon, der um eine abwarts gerichtete chromatische Tonfolge kreist.Ballo estatico (,,Entfesselter Tanz) (Allegro molto)In diesem Satz dominieren rhythmisch tanzerische und aggressive Elemente; drei verschiedene Episoden entfalten sich uber ostinaten Bassbewegungen, die letzte gerat zur ,,freien Variation uber Debussys (,,Golliwoggs cake walk aus den ,,Children's Corner).Sogno solitario (Einsamer Traum) (Andante)Der ,,langsame Satz des Quartetts wachst aus rezitativischem Beginn, uber einen ausdrucksvollen Mittelteil (mit engraumiger Melodik) bis zu einer ausgedehnten Trillerflache und dichten, abwarts sturzenden chromatischen Figuren (Quintolen), kehrt uber einen ruhigen Abschnitt (in tiefer Lage) zum Rezitativ zuruck, klingt verhalten aus.Fugato scherzando (Allegro molto)Ein virtuos humorvolles Finale, nach dem einleitenden vierstimmigen ,,Kreisel-Kanon des Leitmotivs entwickelt sich aus einem skurrilen Thema eine rhythmisch vertrackte Fuge, unterbrochen von einem trioahnlichen Intermezzo und wirkungsvoll turbulent zum befreienden Schluss gesteigert.(Jurg Baur)Bibliography:Gudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002.World premiere: Rottenburg am Neckar, February 1, 1987.
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