SKU: MA.EMR-24835
Amor Y Sol / As You Like / Bahia Blues / Bayside / Belo Horizonte.
SKU: MA.EMR-24840
Black River / Blue Day / Cool Morning / Elisa / For You / Funky People.
SKU: MA.EMR-24836
SKU: MA.EMR-24844
SKU: MA.EMR-24839
SKU: MA.EMR-24843
SKU: HL.50603933
ISBN 9788759841891. UPC: 196288056959. 10.5x14.0x0.049 inches.
There is more light in this room when you are here is a fervently optimistic mood piece embodying the core themes of my song cycle The Lustful Mother. The title refers to another person - maybe a lover, child or friend - whose existence makes life more meaningful. In the first movement, the music wanders through the twilight, and the solitary recitation of the tenor sax is framed by answering sighs from the soprano and alto. In the second movement, the full quartet joins in the same hopeful song, that, endlessly swaying and discreetly circling, fills the whole space with its light. The work was commissioned by the Arcis Saxophone Quartet, to which it is dedicated.
SKU: MA.EMR-24846
Love Train / Marche Turque / Sentimental Bossa / Take 3 / Westside.
SKU: MA.EMR-24842
SKU: MA.EMR-24838
SKU: MA.EMR-24845
It's Time / Julito Mio / Just One / Key West / La Zorra.
SKU: MA.EMR-24837
SKU: MA.EMR-24841
SKU: AP.1-ADV7425
ISBN 9783892215790. UPC: 805095074253. English. Traditional.
Patapan is a French carol attributed to Bernard de la Monnoye who lived from 1641--1728. The title refers to the beating of a drum, and the lyrics also mention other instruments (pipes, fife, and flute). As with many Christmas tunes, Patapan reflects the joyous union of Christmas music with dance, as the lyrics express, when you play your fife and drum, how can anyone be glum? The melody is complimented in this arrangement by the use of a lyrical folk song also used by Tchaikovsky in his 1812 Overture. This arrangement for saxophone quartet, rather than favoring a soprano solo with accompaniment, strives to include all of the players by distributing the melodic material. In addition, all dynamics and articulations should be taken as suggestions only, as performers are encouraged to make their own interpretations. Arranged for saxophone quartet (SATBar).
SKU: AP.1-ADV7638
UPC: 805095076387. English.
Frequently, one is in search of a suitable ensemble piece where each member can present himself with a playable solo part. Welcome to New Orleans offers you and your musicians this possibility. Using a fast swing rhythm, the author describes in this composition the modern and the old New Orleans and its colorful history. Due to its compatibility---available are editions for saxophone, clarinet, and brass quartet---this piece enables you to put together your own small New Orleans band, e.g. consisting of a clarinet, a trumpet, a tenor saxophone, and a trombone. That's almost like playing music in the good old times!
SKU: HL.48024645
ISBN 9781784544034. UPC: 888680949099.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
SKU: HL.48024644
ISBN 9781784544010. UPC: 888680949082. 9.0x12.0x0.273 inches.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parker's playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
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