SKU: FT.FM085
ISBN 9790708085843.
Flexible Saxophone Quartet - Part 1 - Soprano or Alto, Part 2 - Alto, Part 3 - Tenor, Part 4 - Tenor or Baritone. Hark! The herald-angels sing, Deck the Hall, Coventy Carol, We Three Kings, The Holly and the ivy, Away in a manger, The First Nowell.
SKU: SU.90920031
Book 1 contains scores and parts to 10 compositions by jazz master and leader of the World Saxophone Quartet, Julius Hemphill. Newly engraved edition. Edited by Marty Ehrlich.Julius Hemphill formed his Saxophone Sextet in 1989, composing new music for concert performances and his celebrated dance and theatre collaborations. The wide history of African-American music is heard in these pieces, all shaped by Hemphill's rich imagination and compositional acumen. The instrumentation is three altos with soprano doubles, two tenors, and baritone sax. The two volumes presented here mirror each other in the range of musical worlds Hemphill evoked as he explores the rich harmony and counterpoint possible with the six- saxophone choir. Also available: Book 2 (Cat. #90920032) Book 1 - CONTENTS 1. Otis' Groove 2. Opening 3. The Moat and the Bridge 4. Sweet D 5. Anchorman 6. At Dr. King's table/Ascension 7. Flush 8. Mirrors 9. Headlines 10. Spiritual Chairs Saxophone Sextet Composed: 1992 Published by: Subito Music Publishing.
SKU: SU.90920032
Book 2 contains contains scores and parts to 10 more compositions by jazz master and leader of the World Saxophone Quartet, Julius Hemphill. Newly engraved edition. Edited by Marty Ehrlich.Julius Hemphill formed his Saxophone Sextet in 1989, composing new music for concert performances and his celebrated dance and theatre collaborations. The wide history of African-American music is heard in these pieces, all shaped by Hemphill's rich imagination and compositional acumen. The instrumentation is three altos with soprano doubles, two tenors, and baritone sax. The two volumes presented here mirror each other in the range of musical worlds Hemphill evoked as he explores the rich harmony and counterpoint possible with the six- saxophone choir. Also available: Book 1 (Cat. #90920031) CONTENTS 1. Fat Man 2. Tribute/Closer (from Long Tongues: A Saxophone Opera) 3. Floppy/Blued-UP 4. The Answer 5. Georgia Blue 6. Holy Rockers 7. Mr. Critical 8. The Glide 9. Revue 10. The Hard Blues Saxophone Sextet Composed: 1992 Published by: Subito Music Publishing.
SKU: BT.DHP-1155631-070
ISBN 9789043145930. English-German-French-Dutch.
Rikudim (Hebrew for Dances) is a four-part dance suite based on Jewish music. By using eastern intervals and irregular time changes, the composer succeeds in creating a slightly melancholy but specifically Jewish flavoured piece.Rikudim (Hebreeuws voor â??dansenâ??) is een vierdelige suite van op joodse muziek gebaseerde dansen. Door het gebruik van oosters aandoende toonafstanden en onregelmatige maatsoorten is de componist erin geslaagd om enerzijds een vleugjemelancholie en anderzijds een specifiek joods tintje in deze muziek te verweven. De duidelijk omlijnde themaâ??s en de soms verrassende, maar soms ook weer natuurlijk overkomende harmonisaties geven deze â??gestileerde volksdansenâ?? een directezeggingskracht.Die vierteilige Suite Rikudim (hebräisch für Tanzenâ??) besteht aus von der jüdischen Musik inspirierten Tänzen. Durch den Gebrauch von orientalisch anmutenden Tonintervallen und unregelmäÃ?igen Taktarten ist es dem Komponisten gelungen, indieser Musik einerseits einen Hauch Melancholie, andererseits spezifisch jüdische Elemente miteinander zu verschmelzen. Die deutlich bestimmten Themen und die bisweilen sehr überraschenden und natürlichen Harmonien bewirken, dass diese stilisiertenVolkstänze ihre Botschaft sehr direkt vermitteln.Rikudim (de lhébreu rikud, danse) est une suite de quatre danses originales inspirées de la musique traditionnelle juive. Lutilisation dune structure tonale orientale, lintroduction de mesures irréguliéres et la richesse sonore delorchestration apportent cette Å?uvre une teinte mélancolique mais surtout une grande authenticité. Les thémes trés inspirés sont clairement différenciés. Lharmonisation quelquefois surprenante sans jamais être dénaturée confére ces quatredanses originales juives une grande richesse dexpression.
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