SKU: TM.03666SC
Transposed: Hn 3&4, Tbn 1&2. Orig. Cl 1&2 in Bb, Hn 1&2 in F, Tpt 1&2 in Bb. Newly typeset score - August 2008. Includes recit: C'est toi, toi qu'enfin je revois. Voice in score only.
SKU: TM.03666SET
SKU: BA.BA05071-01
ISBN 9790006463497. 33.1 x 26 cm inches.
Urtext der Neuen Mozart-Ausgabe.
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: TM.01138SET
See #10858 for String quartet version: Op. 1 No. 5 (in Vol. 4).
SKU: TM.01138SC
SKU: CA.3104211
ISBN 9790007205843. Language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.
SKU: CA.3104209
ISBN 9790007205836. Language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.
SKU: BA.BA05448
ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.
In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre actsâ€, which comes very close to the spirit of Goethe's presentation.
SKU: TM.06655SET
Transposed: Hn 1-4, Tpt 1&2, Tbn 1&2. Cl originally in Bb.
SKU: TM.06655SC
SKU: TM.03880SC
Transposed: Hn 1+2. Original Clarinets already in Bb. Duet.
SKU: TM.14587SET
Transposed to lower key of Ab. Inserts into the complete Dream of Gerontius (#07345) at reh. 39-57, in place of the original Bb version.
SKU: TM.03880SET
SKU: TM.14587SC
SKU: TM.02121SC
Transposed: Hn 1-4, Tpt 1+2; harp is cued into strs. Key of Bb.
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