| Oratorio de Noel Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Study Score / Miniature] - Easy Carus Verlag
By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, ...(+)
By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: Paperbound. French Sacred Music. Score available separately - see item CA.4045500. Oratorios, Christmas, French Sacred Music. Level 3. Study score. Language: Latin. Opus 12. 64 pages. Duration 40 min. Published by Carus Verlag
$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Vocal Score] Carus Verlag
(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1...(+)
(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Tobias Rimek. For SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Whitsun. Vocal score. Text language: German/English. Composed 1732. BWV 177. 36 pages. Duration 28 minutes. Published by Carus Verlag
$13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116214 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, basso continuo. Composed 1716. BWV 162. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.162/14. Published by Carus Verlag (CA.3116214). ISBN 9790007208936. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116211 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Violin 1. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/11. Published by Carus Verlag (CA.3116211). ISBN 9790007208905. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116219 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116219 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 162. Duration 18 minutes. Carus Verlag #CV 31.162/19. Published by Carus Verlag (CA.3116219). ISBN 9790007172244. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200. $142.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116249 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116249 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Organ. Composed 1716. BWV 162. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.162/49. Published by Carus Verlag (CA.3116249). ISBN 9790007208943. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116209 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116209 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. 1x 31.162/21 flute, 1x 31.162/31 horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 162. Duration 18 minutes. Carus Verlag #CV 31.162/09. Published by Carus Verlag (CA.3116209). ISBN 9790007208899. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116213 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Viola. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/13. Published by Carus Verlag (CA.3116213). ISBN 9790007208929. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116212 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Violin 2. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/12. Published by Carus Verlag (CA.3116212). ISBN 9790007208912. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, piano reduction SKU: CA.3116203 Cantata f...(+)
SATB vocal soli, SATB choir, piano reduction SKU: CA.3116203 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext, paperback. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Vocal score. Composed 1716. BWV 162. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.162/03. Published by Carus Verlag (CA.3116203). ISBN 9790007171544. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score available separately - see item CA.3116200. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116200 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116200 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext, paperback. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Full score. Composed 1716. BWV 162. 28 pages. Duration 18 minutes. Carus Verlag #CV 31.162/00. Published by Carus Verlag (CA.3116200). ISBN 9790007171452. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117714 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello. Sacred vocal music, Cantatas, Whitsun. Single Part, Cello. Composed 1732. BWV 177. 12 pages. Duration 13 minutes. Carus Verlag #CV 31.177/14. Published by Carus Verlag (CA.3117714). ISBN 9790007209841. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117712 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1732. BWV 177. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.177/12. Published by Carus Verlag (CA.3117712). ISBN 9790007209827. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117711 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1732. BWV 177. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.177/11. Published by Carus Verlag (CA.3117711). ISBN 9790007209810. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117709 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. 1x 31.177/21 oboe 1, 1x 31.177/22 oboe 2, 1x 31.177/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1732. BWV 177. 16 pages. Duration 13 minutes. Carus Verlag #CV 31.177/09. Published by Carus Verlag (CA.3117709). ISBN 9790007209803. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117719 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1732. BWV 177. Duration 13 minutes. Carus Verlag #CV 31.177/19. Published by Carus Verlag (CA.3117719). ISBN 9790007140267. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700. $89.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117713 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1732. BWV 177. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.177/13. Published by Carus Verlag (CA.3117713). ISBN 9790007209834. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117749 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1732. BWV 177. 20 pages. Duration 13 minutes. Carus Verlag #CV 31.177/49. Published by Carus Verlag (CA.3117749). ISBN 9790007209858. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117705 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Choral Score. Composed 1732. BWV 177. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.177/05. Published by Carus Verlag (CA.3117705). ISBN 9790007209797. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score available separately - see item CA.3117700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo,...(+)
SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo SKU: CA.3117700 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Full score. Composed 1732. BWV 177. 52 pages. Duration 13 minutes. Carus Verlag #CV 31.177/00. Published by Carus Verlag (CA.3117700). ISBN 9790007140113. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fairest Lord Jesus, We Love You Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts + CD] - Intermediate Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal solo (flute 1and2, oboe, clarinet 1and2, bassoon, F horn 1/2and3, trumpet 1/2and3, trombone 1and2, trombone 3/tuba, percussion 1and2/3and4, rhythm, harp, violin 1and2, viola, cello, string bass)
$74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I cry to thee, Lord Jesus Christ (Ich ruf zu dir, Herr Jesu Christ) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe, bassoon solo, violin solo, trumpe...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboe, bassoon solo, violin solo, trumpet, basso continuo SKU: CA.3117707 Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Study score. Composed 1732. BWV 177. 52 pages. Duration 13 minutes. Carus Verlag #CV 31.177/07. Published by Carus Verlag (CA.3117707). ISBN 9790007142865. Text language: German/English. The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score available separately - see item CA.3117700. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lamentation from Invictus: A Passion Soli, Mixted choir and accompaniment - Beginner MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Beginning SKU: MN.56-0106 Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 47 seconds. MorningStar Music Publishers #56-0106. Published by MorningStar Music Publishers (MN.56-0106). UPC: 688670221231. English, Latin. Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This movement, scored for soprano solo, SATB choir and piano, expresses the unimaginable pain felt by a mother seeing her child torn away from her at a slave auction. To this harrowing account are appended the words of William Wilberforce, spoken in the House of Commons on 18th April 1791, “You may choose to look the other way but you can never say again that you did not know.†Duration 6:47. $3.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cantata Misericordium, Op. 69 Soli, Mixted choir and accompaniment [Vocal Score] Boosey and Hawkes
By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x1...(+)
By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 45 pages. Published by Boosey and Hawkes.
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
$527.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo SKU: CA.3113309 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. 1x 31.133/21 oboe d'amore 1, 1x 31.133/22 oboe d'amore 2, 1x 31.133/31 cornett. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. Duration 20 minutes. Carus Verlag #CV 31.133/09. Published by Carus Verlag (CA.3113309). ISBN 9790007207977. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo SKU: CA.3113319 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. 152 pages. Duration 20 minutes. Carus Verlag #CV 31.133/19. Published by Carus Verlag (CA.3113319). ISBN 9790007141127. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300. $94.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo SKU: CA.3113349 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Christmas. Single Part, Organ. Composed 1724. BWV 133. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.133/49. Published by Carus Verlag (CA.3113349). ISBN 9790007207984. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and part available separately - see item CA.3113300. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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