(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. Arranged by Diethard Hellmann. For SAT vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, 2 viola da gamba, basso continuo, [2 lutes]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Markuspassion Glockner. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. Composed 1723/1964/2001. BWV 247. Duration 75 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo

SKU: CA.3550249

As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. This edition: Paperbound. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Organ. Composed circa 1747. 64 pages. Duration 90 minutes. Carus Verlag #CV 35.502/49. Published by Carus Verlag (CA.3550249).

ISBN 9790007141202. Language: German.

Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and part available separately - see item CA.3550200.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo

SKU: CA.3550219

As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Composed circa 1747. Duration 90 minutes. Carus Verlag #CV 35.502/19. Published by Carus Verlag (CA.3550219).

ISBN 9790007139629. Language: German.

Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and parts available separately - see item CA.3550200.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo

SKU: CA.3550200

As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. This edition: Paperbound. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Full score. Composed circa 1747. 136 pages. Duration 90 minutes. Carus Verlag #CV 35.502/00. Published by Carus Verlag (CA.3550200).

ISBN 9790007096106. Language: German.

Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about.

(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Christian Schmidt. For soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass. Stuttgart Urtext Edition. German title: Wer nur den lieben Gott lasst walten. Cantatas. Level 3. Choral score. Language: German/English. Composed 1829. A 7. Duration 12 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo - Grade 3

SKU: CA.3109349

Cantata for the 5th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1724. BWV 93. 24 pages. Duration 23 minutes. Carus Verlag #CV 31.093/49. Published by Carus Verlag (CA.3109349).

ISBN 9790007240578. Key: C minor. Language: German/English. Text: Neumark, Johann Georg.

Score and part available separately - see item CA.3109300.

(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Christian Schmidt. For soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass. Stuttgart Urtext Edition. German title: Wer nur den lieben Gott lasst. Cantatas. Level 3. Complete orchestral parts. Language: German/English. Composed 1829. A 7. Duration 12 minutes. Published by Carus Verlag

(2+1.2+1.2+1.3/4.3.3.1,timp,str, B sol)

SKU: TM.03919SET

Composed by Richard Wagner. Set Type: D. Set of parts. Lucks Music Library #A3934. Published by Lucks Music Library (TM.03919SET).

Act II.

(1.1.2.1/2.2.2.0,timp,3 perc,hp,2 sax,str,men's chorus)

SKU: TM.05978SET

Composed by Albert Ketelby. Set Type: D. Set of parts. Lucks Music Library #A8118. Published by Lucks Music Library (TM.05978SET).

In set: P/C, Synopsis, Chorus of Mens Voices.

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel-Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ??s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Handelâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119814

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 1. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/14. Published by Carus Verlag (CA.3119814).

ISBN 9790007210625. Text language: German/English.

Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119849

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Organ. Composed 1727. BWV 198. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.198/49. Published by Carus Verlag (CA.3119849).

ISBN 9790007210656. Language: German/English.

Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119812

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Violin 2. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/12. Published by Carus Verlag (CA.3119812).

ISBN 9790007210601. Text language: German/English.

Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.