SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.5162646

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Arranged by Franz Xaver Sussmayr. Carus Choir Coach. REQUIEM (SUssMAYR).CCC. Requiem. Compact Disc. Composed 1791. KV 626. Carus Verlag #CV 51.626/46. Published by Carus Verlag (CA.5162646).

Key: D minor. Text language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.5162645

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Arranged by Franz Xaver Sussmayr. Carus Choir Coach. REQUIEM (SUssMAYR).CCC. Requiem. Compact Disc. Composed 1791. KV 626. Carus Verlag #CV 51.626/45. Published by Carus Verlag (CA.5162645).

ISBN 9790007171858. Key: D minor. Text language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

(Cantata for a penitential service). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. This edition: Paperbound. A-Moll (A minor). Stuttgart Urtext Edition. . full score. Cantatas; Special days.

SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.5162609

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Paul Horn, Franz Xaver Sussmayr. This edition: urtext. 1x 51.626/21 basset horn 1, 1x 51.626/22 basset horn 2, 1x 51.626/23 bassoon 1, 1x 51.626/24 bassoon 2, 1x 51.626/31 clarino 1, 1x 51.626/32 clarino 2, 1x 51.626/33 trombone 1, 1x 51.626/34 trombone 2, 1x 51.626/35 trombone 3, 1x 51.626/41 timpani. Stuttgart Urtext Edition: Mozart. REQUIEM (ARR. SUssMAYR). Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1791. KV 626. 88 pages. Carus Verlag #CV 51.626/09. Published by Carus Verlag (CA.5162609).

ISBN 9790007225216. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.5162600.

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116619

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1724. BWV 166. Duration 17 minutes. Carus Verlag #CV 31.166/19. Published by Carus Verlag (CA.3116619).

ISBN 9790007144487. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and parts available separately - see item CA.3116600.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116614

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Double Bass. Composed 1724. BWV 166. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.166/14. Published by Carus Verlag (CA.3116614).

ISBN 9790007209179. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and part available separately - see item CA.3116600.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116611

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 1. Composed 1724. BWV 166. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.166/11. Published by Carus Verlag (CA.3116611).

ISBN 9790007209148. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and part available separately - see item CA.3116600.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116605

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Choral Score. Composed 1724. BWV 166. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.166/05. Published by Carus Verlag (CA.3116605).

ISBN 9790007161972. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score available separately - see item CA.3116600.