| Yes, you rather burden me here (Ja, mir hast du Arbeit gemacht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000319...(+)
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000319 Composed by Johann Ludwig Bach. Edited by Hermann Max. German title: Ja, mir hast du Arbeit gemacht. Sacred vocal music, Lent and Passiontide. Set of Orchestra Parts. Duration 19 minutes. Carus Verlag #CV 30.003/19. Published by Carus Verlag (CA.3000319). ISBN 9790007139599. Language: German/English. Score and parts available separately - see item CA.3000300. $46.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yes, you rather burden me here (Ja, mir hast du Arbeit gemacht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000313...(+)
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000313 Composed by Johann Ludwig Bach. Edited by Hermann Max. German title: Ja, mir hast du Arbeit gemacht. Sacred vocal music, Lent and Passiontide. Single Part, Viola. 8 pages. Duration 19 minutes. Carus Verlag #CV 30.003/13. Published by Carus Verlag (CA.3000313). ISBN 9790007039479. Language: German/English. Score available separately - see item CA.3000300. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yes, you rather burden me here (Ja, mir hast du Arbeit gemacht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000311...(+)
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000311 Composed by Johann Ludwig Bach. Edited by Hermann Max. German title: Ja, mir hast du Arbeit gemacht. Sacred vocal music, Lent and Passiontide. Single Part, Violin 1. 8 pages. Duration 19 minutes. Carus Verlag #CV 30.003/11. Published by Carus Verlag (CA.3000311). ISBN 9790007039455. Language: German/English. Score available separately - see item CA.3000300. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yes, you rather burden me here (Ja, mir hast du Arbeit gemacht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000314...(+)
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000314 Composed by Johann Ludwig Bach. Edited by Hermann Max. German title: Ja, mir hast du Arbeit gemacht. Sacred vocal music, Lent and Passiontide. Single Part, Cello/Double Bass. 8 pages. Duration 19 minutes. Carus Verlag #CV 30.003/14. Published by Carus Verlag (CA.3000314). ISBN 9790007039486. Language: German/English. Score available separately - see item CA.3000300. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yes, you rather burden me here (Ja, mir hast du Arbeit gemacht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000305...(+)
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000305 Composed by Johann Ludwig Bach. Edited by Hermann Max. German title: Ja, mir hast du Arbeit gemacht. Sacred vocal music, Lent and Passiontide. Choral Score. Duration 19 minutes. Carus Verlag #CV 30.003/05. Published by Carus Verlag (CA.3000305). ISBN 9790007039448. Language: German/English. Score available separately - see item CA.3000300. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yes, you rather burden me here (Ja, mir hast du Arbeit gemacht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000312...(+)
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.3000312 Composed by Johann Ludwig Bach. Edited by Hermann Max. German title: Ja, mir hast du Arbeit gemacht. Sacred vocal music, Lent and Passiontide. Single Part, Violin 2. 8 pages. Duration 19 minutes. Carus Verlag #CV 30.003/12. Published by Carus Verlag (CA.3000312). ISBN 9790007039462. Language: German/English. Score available separately - see item CA.3000300. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in D minor Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard - Intermediate Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, [Timp] - Grade 3 SKU: CA.2709246 Arrange...(+)
Soli SATB, Coro SATB, 2 Pfte, [Timp] - Grade 3 SKU: CA.2709246 Arrangement for soli, choir and 2 pianos and timpani ad lib (arr. S. Bartmann). Composed by Anton Bruckner. Arranged by Sebastian Bartmann. Set of Orchestra Parts. WAB 26. Duration 45 minutes. Carus Verlag #2709246. Published by Carus Verlag (CA.2709246). ISBN 9790007310868. Key: D minor. Latin. In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular, as they enabled a large audience to get to know classical compositions in an age before recorded music. In many cases, world-famous pieces were first performed in such a version – including Bruckner’s Te Deum. The Stuttgart composer, pianist and experienced piano-duo performer Sebastian Bartmann was commissioned by the Landesakademie für die musizierende Jugend in Baden-Württemberg Ochsenhausen to newly arrange Bruckner’s Te Deum and the Mass in D minor for soloists, choir, and two pianos. A timpani part (ad libitum) provides additional color. The arrangements are based on the original Carus editions. The vocal scores and choral scores of the original version can also be used.While Bruckner’s symphonic approach becomes evident for the first time in the Mass in D minor from 1864, the work does not place the same high demands on the performers as the two later masses. This arrangement for soloists, choir and 2 pianos has an air of transparency, rather like a work of chamber music.. Score and parts available separately - see item CA.2709200. $122.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in D minor Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard - Intermediate Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, [Timp] - Grade 3 SKU: CA.2709244 Arrange...(+)
Soli SATB, Coro SATB, 2 Pfte, [Timp] - Grade 3 SKU: CA.2709244 Arrangement for soli, choir and 2 pianos and timpani ad lib (arr. S. Bartmann). Composed by Anton Bruckner. Arranged by Sebastian Bartmann. Carus digital: Extra digital products. Full Score. WAB 26. Duration 45 minutes. Carus Verlag #2709244. Published by Carus Verlag (CA.2709244). ISBN 9790007303358. Key: D minor. Latin. In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular, as they enabled a large audience to get to know classical compositions in an age before recorded music. In many cases, world-famous pieces were first performed in such a version â?? including Brucknerâ??s Te Deum. The Stuttgart composer, pianist and experienced piano-duo performer Sebastian Bartmann was commissioned by the Landesakademie für die musizierende Jugend in Baden-Württemberg Ochsenhausen to newly arrange Brucknerâ??s Te Deum and the Mass in D minor for soloists, choir, and two pianos. A timpani part (ad libitum) provides additional color. The arrangements are based on the original Carus editions. The vocal scores and choral scores of the original version can also be used.While Brucknerâ??s symphonic approach becomes evident for the first time in the Mass in D minor from 1864, the work does not place the same high demands on the performers as the two later masses. This arrangement for soloists, choir and 2 pianos has an air of transparency, rather like a work of chamber music.. Score available separately - see item CA.2709200. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
$527.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mass in E flat major Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Intermediate/advanced Carus Verlag
Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va,...(+)
Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4 SKU: CA.4066050 Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Franz Schubert. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. D 950. 216 pages. Duration 50 minutes. Carus Verlag #4066050. Published by Carus Verlag (CA.4066050). ISBN 9790007294533. Key: E flat major. Latin. Schubertâ??s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Vocal scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000. $105.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116214 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, basso continuo. Composed 1716. BWV 162. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.162/14. Published by Carus Verlag (CA.3116214). ISBN 9790007208936. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116211 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Violin 1. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/11. Published by Carus Verlag (CA.3116211). ISBN 9790007208905. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116219 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116219 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 162. Duration 18 minutes. Carus Verlag #CV 31.162/19. Published by Carus Verlag (CA.3116219). ISBN 9790007172244. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200. $142.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116249 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116249 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Organ. Composed 1716. BWV 162. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.162/49. Published by Carus Verlag (CA.3116249). ISBN 9790007208943. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116209 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116209 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. 1x 31.162/21 flute, 1x 31.162/31 horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 162. Duration 18 minutes. Carus Verlag #CV 31.162/09. Published by Carus Verlag (CA.3116209). ISBN 9790007208899. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116213 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Viola. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/13. Published by Carus Verlag (CA.3116213). ISBN 9790007208929. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116212 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Violin 2. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/12. Published by Carus Verlag (CA.3116212). ISBN 9790007208912. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, piano reduction SKU: CA.3116203 Cantata f...(+)
SATB vocal soli, SATB choir, piano reduction SKU: CA.3116203 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext, paperback. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Vocal score. Composed 1716. BWV 162. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.162/03. Published by Carus Verlag (CA.3116203). ISBN 9790007171544. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score available separately - see item CA.3116200. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116200 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116200 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext, paperback. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Full score. Composed 1716. BWV 162. 28 pages. Duration 18 minutes. Carus Verlag #CV 31.162/00. Published by Carus Verlag (CA.3116200). ISBN 9790007171452. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115113 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/13. Published by Carus Verlag (CA.3115113). ISBN 9790007049409. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115109 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. 1x 31.151/21 flute, 1x 31.151/22 oboe d'amore. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. Composed 1725. BWV 151. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.151/09. Published by Carus Verlag (CA.3115109). ISBN 9790007208615. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and parts available separately - see item CA.3115100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115149 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Organ. Composed 1725. BWV 151. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.151/49. Published by Carus Verlag (CA.3115149). ISBN 9790007049430. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115114 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Cello/Double Bass. Composed 1725. BWV 151. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.151/14. Published by Carus Verlag (CA.3115114). ISBN 9790007049416. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115111 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/11. Published by Carus Verlag (CA.3115111). ISBN 9790007049386. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115112 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/12. Published by Carus Verlag (CA.3115112). ISBN 9790007049393. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, ba...(+)
Orchestra SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115107 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Study score. Composed 1725. BWV 151. 28 pages. Duration 19 minutes. Carus Verlag #CV 31.151/07. Published by Carus Verlag (CA.3115107). ISBN 9790007092474. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score available separately - see item CA.3115100. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115105 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Choral Score. Composed 1725. BWV 151. 2 pages. Duration 19 minutes. Carus Verlag #CV 31.151/05. Published by Carus Verlag (CA.3115105). ISBN 9790007049379. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score available separately - see item CA.3115100. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in C Major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo...(+)
Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo - Grade 2 SKU: CA.4064819 Composed by Franz Xaver Richter. Edited by Gerhard Weinberger. German title: Messe in C. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 20 minutes. Carus Verlag #CV 40.648/19. Published by Carus Verlag (CA.4064819). ISBN 9790007138134. Key: C major. Language: Latin. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. Score and parts available separately - see item CA.4064800. $108.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in C Major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo...(+)
Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo - Grade 2 SKU: CA.4064811 Messe in C. Composed by Franz Xaver Richter. Edited by Gerhard Weinberger. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.648/11. Published by Carus Verlag (CA.4064811). ISBN 9790007075620. Key: C major. Language: Latin. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. Score and part available separately - see item CA.4064800. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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