| The Marriage of Figaro K. 492 Soli, Mixted choir and accompaniment Barenreiter
Opera buffa in 4 acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited...(+)
Opera buffa in 4 acts.
Composed by Wolfgang Amadeus
Mozart (1756-1791). Edited by
Ludwig Finscher. Arranged by
Eugen Epplee. This edition:
urtext edition. Hardback.
Barenreiter Urtext. Vocal
score vokal. KV 492.
Baerenreiter Verlag #BA04565-
93. Published by Baerenreiter
Verlag
$87.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Psalm Monodies Soli, Mixted choir and accompaniment Zimbel Press
Soloist(s), Choir, and/or Congregation SKU: SU.80101330 For Soloist(s)...(+)
Soloist(s), Choir, and/or Congregation SKU: SU.80101330 For Soloist(s), Choir, and/or Congregation. Composed by Carson Cooman. Vocal/Choral, Sacred Choral. Interactive audience. Choral Octavo. Zimbel Press #80101330. Published by Zimbel Press (SU.80101330). Soloist(s), Choir, and/or Congregation Composed: 2012 Published by: Zimbel PressThese three brief pieces were inspired by the Shakers, whose many thousands of songs were sung unaccompanied. For the first hundred years of their society, Shaker songs were always monophonic. Though the music of these monodies is not in a Shaker style, they are meant to be sung by soloists, choirs, and/or congregations without accompaniment. Minimum order quantity: 8 copies. Perusal copies are available by contacting carson@carsoncooman.com (include the organization name with your request). To order quantities fewer than 8. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cantata No. 27, Wer wiess, wie nahe... Soli, Mixted choir and accompaniment Lucks Music Library
(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus) SKU: TM.01751S...(+)
(0.2+da caccia.0.0/1.0.0.0,cem,org,str,SATB soli,SATB chorus) SKU: TM.01751SET Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET). Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cantata No. 27, Wer wiess, wie nahe... Soli, Mixted choir and accompaniment Lucks Music Library
(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus) SKU: TM.01751S...(+)
(0.2+da caccia.0.0/1.0.0.0,cem,org,str,SATB soli,SATB chorus) SKU: TM.01751SC Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC). Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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