SKU: TM.01244SET
Solo/pf. No score.
SKU: TM.01108SET
Solo in set; Cem in sc. Ed. by Upmeyer. Allegro ma non troppo, Adagio, Allegro.
SKU: TM.09592SC
Allegretto, Idylle, Valse. Solo/pf.
SKU: TM.09592SET
SKU: TM.01108SC
SKU: TM.00840SC
Solo (no pf) in set.
SKU: TM.07782SC
La Melodica Germanica No. 2. DTB VII/2.1/ Oboes or Flutes. Allegro assai, Andante, Menuetto-Trio, Prestissimo.
SKU: TM.07782SET
SKU: TM.00840SET
SKU: TM.15047SET
Score in set.
SKU: CA.3116214
ISBN 9790007208936. Text language: German/English.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.
SKU: CA.3116211
ISBN 9790007208905. Text language: German/English.
SKU: CA.3117309
ISBN 9790007209575. Text language: German/English.
Bach created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and parts available separately - see item CA.3117300.
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