SKU: TM.02481SC

Key of d. Sc pages 339-345. Begins about 10 measures before L'Altra Notte. Edition starting at the beginning of Act III (29 measures before L'Altra Notte) avaialble upon request.

SKU: TM.04909SC

Les Dieux Dans L'Ombre des Cavernes.

SKU: TM.04206SET

No. 10 & 10A. Coro ed Aria. Sc incl. recit. Ah! se da solo a sola m'accoglie l'Italiana... Includes 2 recit. sung by different characters (both bass).

SKU: TM.04206SC

No. 10 & 10A. Coro ed Aria. Sc incl. recit. Ah! se da solo a sola m'accoglie l'Italiana... Includes 2 recit. sung by different characters (both bass).

SKU: CA.3710449

ISBN 9790007091347. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.

SKU: CA.3710400

ISBN 9790007090821. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..