| Masses, Volume 6 Soli, Mixted choir and accompaniment Barenreiter
Soloists, Choir, Orchestra (Voices, Mixed choir, Orch) SKU: BA.BA04605-01 ...(+)
Soloists, Choir, Orchestra (Voices, Mixed choir, Orch) SKU: BA.BA04605-01 Einzelsätze und Fragmente. Composed by Wolfgang Amadeus Mozart. Edited by Monika Holl. This edition: complete edition, urtext edition. Linen. New Mozart Edition (NMA) I/1/1,6. Messen, Klassik (Masses, Classical). Complete edition, Score, anthology. Baerenreiter Verlag #BA04605_01. Published by Baerenreiter Verlag (BA.BA04605-01). ISBN 9790006451838. 33 x 26 cm inches. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$146.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cantata No. 27, Wer wiess, wie nahe... Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus) SKU: TM.01751S...(+)
(0.2+da caccia.0.0/1.0.0.0,cem,org,str,SATB soli,SATB chorus) SKU: TM.01751SC Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC). Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cantata No. 27, Wer wiess, wie nahe... Soli, Mixted choir and accompaniment Lucks Music Library
(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus) SKU: TM.01751S...(+)
(0.2+da caccia.0.0/1.0.0.0,cem,org,str,SATB soli,SATB chorus) SKU: TM.01751SET Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET). Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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